Seinfeld

This show was totally unique. Nothing has been done like it before, or since (with the possible exception of the Simpsons, which does mimic some of the "nothing" plots a little). While it was about nothing, it was really about everything--but the little things that no one thinks about, like giving your bank code to your fiancé. I also liked how this show was the last of the "non-fashion" shows.

You always saw Kramer wear the same ridiculous jacket, pants, and shirt. George always had those too-small plaid shirts and even Jerry had the black-and-gray striped shirt we saw him wear in the one where he and George make "The Pact". Even Elaine had many of the same clothes, even after her "make-over". I mean, I LOVE the show Friends but every time the guys have a new turtleneck or sweater, and the girls always have a new dress or a new pair of pants, which is totally unrealistic (for the guys anyway).

This show had consistent humour all the way up to the last season, which is unusual for many shows. I LOVED George styling his hair to look like the bald guy from NYPD Blue, Elaine buying the JuJubes on the way to the hospital, Uncle Leo yelling "STOP THE SHOW" on the PBS special--these were just some of the great moments! This show is the best on televison, and if you haven't seen it, go and watch now!

This is sort of a small tribute to the show.

It is too bad that this show is no longer being made. NBC should have used the "carrot and stick" approach with the creators and maybe the show would still be on. Instead, NBC gave them so much money that they just cut and ran. Sort of like "we'll give you millions and millions of dollars to do a short run series and then you guys can go". Which is what happened.

I am like some of the others here on this post who said that they did not really watch "Seinfeld". It took several weeks to catch on to the characters to get to like the show. Even in re-runs "Seinfeld" is still very funny.

Those people who say they do not like the show because it's about nothing are lying to themselves. They love it. They just cannot believe that someone could have been so successful with the show's premise.

You could tell after Larry David quit "Seinfeld" the difference in the shows humor and pacing. And I saw some movie Larry David made right after...stinkola. I think it was called "Sour Grapes". Maybe some sort of comment on life after "Seinfeld"?

It is extremely difficult to find anything on TV that even comes close to "Seinfeld". There just isn't any. This website suggests "Friends". Please. I think I just might throw up. "Friends" is just another of the cookie cutter sit-coms. After watching "Seinfeld", I cannot watch any sit-com, because it is just not the same. The others just fall way short of making any noticeable effort to put on some truly original humor.

I think that in a couple of years, one of the Turner cable stations will have the syndication rights to "Seinfeld". I hope that they will honor the show by always putting the show on from its first show to the last without skipping the order because a big part of the successful formula for "Seinfeld" was that the show had a distinct timeline. The way it is being aired now, on one day you'll see a show that aired in 1990 then the next day they have one on that originally aired in 1995. That really stinks.

Oh well. To all of you dyed-in-the-wool "Seinfeld" fans here is a little trivia I came across on the web.

An anagram for "Seinfeld" is "snideelf". One last one for "Jerry Seinfeld" is "friendly jeers".

Cheers to all of the creators, contributors, writers, producers, etc. of the greatest TV comedy ever.

What can I say about Seinfeld that hasn't already been said? It's just flat out hilarious and still holds up about almost 20 years later. I don't know of any sitcom ever (outside of maybe Friends) where all the co-stars are all equally funny! Jerry Seinfeld (Jerry), Jason Alexander (George), Michael Richards (Kramer) and Julia Louis-Dreyfus's (Elaine) are all some of the best sitcoms in the history of television. I mean everyone has there favorites but bottom line is they're all great as is the show! If you read any "best sitcom ever" list ever written you will find Seinfeld near the top on every list for a reason...because it is!

I cannot, through any stretch of my imagination, grasp how anyone can't find the humor in this series. Perhaps they have succumb to a similar problem I have in writing this review. I find that I cannot accurately describe just why exactly this sitcom should be held so far above the others. It's Kramer's awkward movements and border-line insanity; it's Jerry and Elaine's never-rekindled romance; it's George's terrible luck and inadequacy issues; it's all of those and so much more. I do find, however, that the show can be described with one word: irreplaceable.

"Friends"? Have you ever noticed that in "Friends" commercials, not even they, the reigning kings and queens of sitcoms, dare tread on the title of "funniest show ever"? Just watch the next commercial you see, and you'll find "the funniest (running) show on television!" I don't know if I would call that perfectly accurate, but it proves my point. Seinfeld was groundbreaking, and it went to places that few comedies (or dramas, for that matter) have since gone, and nothing before nor since has in quite the same way equaled it.

I notice a reoccurring complaint of negative reviews on this site: the opening and occasional ending of Jerry Seinfeld doing standup. I admit, it isn't the funniest thing that I've ever heard, though he is by far the best "have you ever noticed" comedian, but give me a break! That is your complaint? At least some other reviewers go on about characters, and the implausible plotlines (not that I agree in the least with them), but just that reason alone? You obviously don't have the intelligence to grasp the humor of the series, content only with the easy-to-understand slapstick of today's comedy; but nonetheless, in your blatant stupidity, you cannot grasp why it ISN'T funny, either -- so you pick the standup.

Nice.

In any case, despite the negative reviews or even the positive, Seinfeld stands the test of time, and is the greatest sitcom ever made. Even TV Guide's compiled list of the "greatest television series' of all time," not at all exclusive to comedy (20/20, I believe, made the list), put Seinfeld right where it belongs: NUMBER ONE.

The last and greatest juggernaut of comedy, I know I'll be watching the untiring reruns that never seem to get old when I'm old and gray and long since committed to a retirement home.

And do you know what?

The intelligent viewers of humanity's next generation will be doing the same thing.

I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.

Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".

Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.

Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".

Surely, we won't find something like this again, for many more years to come.