Le disavventure del comico nevrotico newyorkese Jerry Seinfeld e dei suoi altrettanto nevrotici amici di New York.Le disavventure del comico nevrotico newyorkese Jerry Seinfeld e dei suoi altrettanto nevrotici amici di New York.Le disavventure del comico nevrotico newyorkese Jerry Seinfeld e dei suoi altrettanto nevrotici amici di New York.
- Vincitore di 10 Primetime Emmy
- 79 vittorie e 197 candidature totali
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Reviewers say 'Seinfeld' is celebrated for its unique humor, quirky characters, and witty dialogue, finding comedy in everyday life. Its innovative narrative and themes of relationships and social commentary stand out. The ensemble cast, led by Jerry Seinfeld, Jason Alexander, Julia Louis-Dreyfus, and Michael Richards, delivered memorable performances. The show introduced many catchphrases and cultural references. Despite criticism for character flaws and moral indifference, its clever writing and fearless humor have made it a comedy classic.
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The best television show ever. Ever. It's been off for how many years and we still try and get our 1 1/2 hour fix every weeknight. Like those famous Beatles, the combination of Larry David (too outrageous) and Seinfeld (too pedestrian) was so much greater than the sum of the parts. Classic ensemble work by Jerry, Alexander, Richards and Louis-Dreyfus. Richards and Louis-Dreyfus are all-time comic all-stars in their own right. It took them about 1/2 to 1 year to get up to speed and then they're off and running. With David gone the concept showed considerable wear in the final season, where some episodes are a grim caricature of earlier successes (e.g., George's "Twix" episode). The Puddy story lines were the show's one regular miss, particularly so towards the end. But what a run! And completed by a fitting send-off. The only television series I've watched regularly in the last 25 years. The DVD collections are highly recommended and include loads of fun commentary from the stars. 10 out of 10.
I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.
Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".
Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.
Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".
Surely, we won't find something like this again, for many more years to come.
Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".
Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.
Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".
Surely, we won't find something like this again, for many more years to come.
I just can't stop binging this show. Like ever. Don't get me wrong FRIENDS is historic in its own place & I've binged that a lot too but Seinfeld just edges it for me.
Jason Alexander, you legend. George Costanza is the character that you see nowadays sitcoms are trying to pull off but they just can't. He's One of a kind. Just like Joey & Chandler. They are in a league of their own.
I review rarely and this is my first review & I'm sounding like i should be giving Seinfeld 10/10 but I've settled with 9. The reason for that is i base my rating simply on 3 factors: 1) Characters 2) Storyline 3) Screenplay i.e. length of how long a show is keeping me attached to the screen before i lose interest.
So for George, Kramer, Jerry i give it a perfect 10. But when it comes to Elaine, she's so lame. As a character, as a person i don't get her. Beauty of me binging Seinfeld is that I've chopped off her parts from all episodes. She's terrible, irritating and hardly makes me laugh. Writers haven't even attached background applause to her wise cracks. Downpoint of the show. 'Elame' Benes.
To shed a light on Jerry & Kramer, well they are the lifeblood of the show. Their chemistry makes you laugh. Kramer is very underrated. Also, Jerry & George's coffee shop chemistry. Those scenes are hilarious & refreshing. You'd never get bored watching their riddled lifestyles.
That's all, its a must watch. Even if sitcoms ain't your genre i think you must give this a try no matter what. It's just that good. And yes, first 2 seasons are a bit downer but important to watch for you to establish those characters. From season 3 you'd love the stories & start getting used to it. By season 5 & 6 you'd literally crack yourself up.
BEST SITCOM EVER MADE HANDS DOWN. Effortless entertainment. Once you watch it, mark my words you're gonna binge it. P.S: I've already crossed the 3-figures binge watching it and currently rewatching it for 183rd time. Love this show to bits. Never getting enough of this ever.
Jason Alexander, you legend. George Costanza is the character that you see nowadays sitcoms are trying to pull off but they just can't. He's One of a kind. Just like Joey & Chandler. They are in a league of their own.
I review rarely and this is my first review & I'm sounding like i should be giving Seinfeld 10/10 but I've settled with 9. The reason for that is i base my rating simply on 3 factors: 1) Characters 2) Storyline 3) Screenplay i.e. length of how long a show is keeping me attached to the screen before i lose interest.
So for George, Kramer, Jerry i give it a perfect 10. But when it comes to Elaine, she's so lame. As a character, as a person i don't get her. Beauty of me binging Seinfeld is that I've chopped off her parts from all episodes. She's terrible, irritating and hardly makes me laugh. Writers haven't even attached background applause to her wise cracks. Downpoint of the show. 'Elame' Benes.
To shed a light on Jerry & Kramer, well they are the lifeblood of the show. Their chemistry makes you laugh. Kramer is very underrated. Also, Jerry & George's coffee shop chemistry. Those scenes are hilarious & refreshing. You'd never get bored watching their riddled lifestyles.
That's all, its a must watch. Even if sitcoms ain't your genre i think you must give this a try no matter what. It's just that good. And yes, first 2 seasons are a bit downer but important to watch for you to establish those characters. From season 3 you'd love the stories & start getting used to it. By season 5 & 6 you'd literally crack yourself up.
BEST SITCOM EVER MADE HANDS DOWN. Effortless entertainment. Once you watch it, mark my words you're gonna binge it. P.S: I've already crossed the 3-figures binge watching it and currently rewatching it for 183rd time. Love this show to bits. Never getting enough of this ever.
It has ended 6 years ago and we still talk about it, i think that this shows us how fantastic this series was. There are some new programmes that are good, but any of them is half as interesting as Seinfeld was. Many of its episodes are really comedy masterpieces. After watching one of them you become an addict. The characters are fantastic, the actors performed so well that you can't think of them like anything but the character they played, maybe this is the reason because they couldn't success in other shows. The writers who could do 8 seasons of a "show about nothing" doing each episode funnier than the last one deserves our respect and admiration. To sum up, Seinfeld rules
Seinfeld is the funniest TV show in history. Built around the day-to-day life of a New York comedian, Seinfeld managed to spear every sacred cow in sight. The irreverence of the show's four main characters never let up over 9 glorious seasons. The "gang of four" were petty, childish, surly, selfish, compulsive, obsessive, and totally hilarious ... like 4 children in adults' bodies.
Jerry Seinfeld played himself and surrounded himself with an ex-girlfriend (Julia Louis-Dreyfus), a childhood friend (Jason Alexander), and a neighbor (Michael Richards). Four terrific actors with incredible chemistry among them, the four careened through 9 seasons of total mayhem. Sex, religion, politics, old age, political correctness, race, relationships, homosexuality, Los Angeles ... you name it, they harpooned it.
Great supporting cast over the years included Jerry Stiller, Estelle Harris, Barney Martin, Liz Sheridan, Wayne Knight, Patrick Warburton, John O'Hurley, Len Lesser, Heidi Swedberg, and others.
And so many brilliant actors who only showed up once or a few times: Steve Hytner as Bania, Mark Metcalf as the Maestro, Megan Cole as Peggy the germophobe, Sheree North as Babs Kramer, Charles Levin as the mohel, Elmarie Wendel as Helene the actress, Philip Baker Hall as the library detective, Judge Reinhold as the close talker, Bette Midler as herself, and so many others.
Seinfeld probably added more catch phrases to the English language than any other show in TV history. Brilliant writing that found humor in WORDS (such a concept) as well as SITUATION, Seinfeld owed much to the writing of Jerry Seinfeld, Larry David and others. So with great scripts, a perfect cast, and no respect for anything, Seinfeld marched along to his own drum and made us all captives of its brilliant wit.
One of the great things about Seinfeld was that you could see a little bit of yourself in each of the 4 zany characters. And you could ALWAYS recognize the dumb situations they found themselves in. Just brilliant!
And let's not forget that Jerry Seinfeld became the first Jewish Superman/Everyman on TV. He was everything from comic to sex symbol and everything in between.
Jerry Seinfeld played himself and surrounded himself with an ex-girlfriend (Julia Louis-Dreyfus), a childhood friend (Jason Alexander), and a neighbor (Michael Richards). Four terrific actors with incredible chemistry among them, the four careened through 9 seasons of total mayhem. Sex, religion, politics, old age, political correctness, race, relationships, homosexuality, Los Angeles ... you name it, they harpooned it.
Great supporting cast over the years included Jerry Stiller, Estelle Harris, Barney Martin, Liz Sheridan, Wayne Knight, Patrick Warburton, John O'Hurley, Len Lesser, Heidi Swedberg, and others.
And so many brilliant actors who only showed up once or a few times: Steve Hytner as Bania, Mark Metcalf as the Maestro, Megan Cole as Peggy the germophobe, Sheree North as Babs Kramer, Charles Levin as the mohel, Elmarie Wendel as Helene the actress, Philip Baker Hall as the library detective, Judge Reinhold as the close talker, Bette Midler as herself, and so many others.
Seinfeld probably added more catch phrases to the English language than any other show in TV history. Brilliant writing that found humor in WORDS (such a concept) as well as SITUATION, Seinfeld owed much to the writing of Jerry Seinfeld, Larry David and others. So with great scripts, a perfect cast, and no respect for anything, Seinfeld marched along to his own drum and made us all captives of its brilliant wit.
One of the great things about Seinfeld was that you could see a little bit of yourself in each of the 4 zany characters. And you could ALWAYS recognize the dumb situations they found themselves in. Just brilliant!
And let's not forget that Jerry Seinfeld became the first Jewish Superman/Everyman on TV. He was everything from comic to sex symbol and everything in between.
Lo sapevi?
- QuizLarry David famously instituted a policy of "no hugging, no learning," meaning that the show must avoid sentimentality and moral lessons, and the characters must never learn or grow from their wrongdoings.
- BlooperJerry and Kramer's apartment building address is said several times to be 129 West 81st Street, but the awning outside of the building has the address 757.
- Citazioni
Telemarketer: Hi, would you be interested in switching over to TMI long distance service?
Jerry: Oh, gee, I can't talk right now. Why don't you give me your home number and I'll call you later?
Telemarketer: Uh, well I'm sorry, we're not allowed to do that.
Jerry: Oh, I guess you don't want people calling you at home.
Telemarketer: No.
Jerry: Well, now you know how I feel.
[Jerry hangs up phone]
- Versioni alternativeGeorge's father was initially played by 'John Randolph' in the episode "The Handicap Spot". In syndication his guest appearance has been replaced by new footage featuring Jerry Stiller who played George's father in the later episodes. The DVD release of this episode featured in the Season 4 box set allows the option to watch either version.
- ConnessioniEdited into Where's Larry?: Seinfeld's Secret Guest Star (2006)
- Colonne sonoreSeinfeld Theme Song
Written by Jonathan Wolff
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