Aggiungi una trama nella tua linguaRay Trueblood, member of a street gang, is framed by an enemy of a rival gang, Billy "Spider" Masters. Ray is accused of killing a cop and he has to escape leaving behind his little brother,... Leggi tuttoRay Trueblood, member of a street gang, is framed by an enemy of a rival gang, Billy "Spider" Masters. Ray is accused of killing a cop and he has to escape leaving behind his little brother, Donny. Ten years later Ray returns to his neighborhood to take his brother with him, but ... Leggi tuttoRay Trueblood, member of a street gang, is framed by an enemy of a rival gang, Billy "Spider" Masters. Ray is accused of killing a cop and he has to escape leaving behind his little brother, Donny. Ten years later Ray returns to his neighborhood to take his brother with him, but things are worse than he could expect: his brother, now 18 years old, hates him and is a m... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Bobby Gaines
- (as Everett Mendes)
- Det. Brian Randell
- (as James Lovelett)
Recensioni in evidenza
Check out Billy Drago's filmography if you want a list of R-rated fare: Hunter's Blood is a good example, and you will also enjoy Guncrazy, Vamp and Death Game.
True Blood has a lot of ups and downs, and it's probably not one you'll watch more than once or twice, but once or twice is enough to enjoy it completely.
Sherilyn Fenn is beautiful.
A young Jeff Fahey is interesting to watch, even if he doesn't really come off as the leader of an urban gang. The interaction between him and is brother (Chad Lowe) has some serious pathos.
I can call it predictable, overwrought and flaccid, but there's something well-measured and entertaining about this by-the-numbers premise. A top line cast featuring Jeff Fahey, Sherilyn Fenn, Billy Drago, James Tolken, Chad Lowe and Ken Foree goes a long way too. Director / writer Frank Kerr stages the action rather soundly, without much in the way of surprises (anything resembling suspense doesn't show up until the dying stages), but he creates an effectively atmospheric urban setting and keeps it moving fast. Due to that, the material can feel a little on the shallow side with the inclusion of some secondary characters. Fenn's confidently uptight performance is better than what the material asks for and Foree is always a delight whenever on screen. Fahey is solid and Lowe surprisingly captures the angst. Tolken is amusing as the gum-chewing, hard-nose cop. As for Drago well what can one say? He doesn't have a lot of screen time, but his juicy reptilian presence strikes up that villainous role with such ease. It's just expected. Loved the scar too. Kerr seems to want to tell a story more, and build upon the character's relationships. But this brothers/wrong side of the tracks story might compel, it doesn't particularly hold up and feels a little mushy and down-trodden. No biggie, but it evoked some moody passages. Scott Roewe's heavy, oozing music score was a mixed bag. Under-seen, but passable.
Lo sapevi?
- Curiosità sui creditiThere is a credit to the Wyoming Film Commission, despite the film being neither set nor filmed in Wyoming
- ConnessioniVersion of Utol (1996)
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