Tma/Svetlo/Tma

This really cool short film is everything you want from surrealism.

It's bizarre, freaky, but it's not arbitrary. It establishes a simple concept and follows it through with a fetishistic weirdness in every moment.

It's not meant to convey some cryptic message, it just gets it's hands dirty as it delves into the dream like and reshuffles the familiar human body.

"Darkness/Light/Darkness" is one of the most creative films from Jan Svankmajer, if not exactly his best or most praised work. To be sure, it doesn't carry an underlying meaning as in "Dimensions of Dialogue" and it lacks the story aspect of some of his earlier, less characteristic work, but even despite all of this the short is guaranteed to be perhaps the most memorable one anyone watching Svankmajer's work could imagine. The creativity exercised is remarkable and the craft is brilliant, including the setting and stop motion that is genius and entertaining.

Svankmajer's film basically consists of a body constructing itself from a number of body parts inside what appears to be a doll's house. It's quite enjoyable watching the different parts figure out where they're supposed to go and what the final result looks like. The title seems to be unrelated initially, but thinking about its relative meaning to what's happening in the film, I think it's a reference to the first day in history after God created the heavens and the earth, thus making an allusion to the theme of creation that both the movie and the creation story share. Overall on par with all of Svankmajer's other work and it's no wonder it is so well known.a.

I can't stop watching the short and feature films of the masterful animator Jan Svankmajer. His films manage to be surreal, creepy, weird, and funny, and "Darkness Light Darkness" manages to be one of his greatest accomplishments!

It is a very simple short film. The premise is that, in a room, various human body parts come together to create an actual human body, in only 7 minutes. It's a bizarre concept, which manages to be much less complicated than, say, "Dimensions of Dialogue" or "The Death of Stalinism in Bohemia" which both are much more political, and full of symbolism. "Darkness Light Darkness" isn't really political (at least I do not think it is, but there's the slight chance it could be, considering Svankmajer actually said that ALL of his films are political in the short documentary about him called "Animator of Prague"), but it is really surreal.

The atmosphere is somewhat uncomfortable and uneasy. No soundtrack accompanies the bizarre creation of this human body. But, as discomforting as its atmosphere is, "Darkness Light Darkness" also manages to be quite hilarious in its own weird way.

It serves as a sort of twist on the body horror genre, replacing horror with Svankmajer's dark sense of humor. He seems to play around with the strange concept, and fits some pretty funny scenarios into its short 7 minute runtime.

This is one of my favorite short films.

My first entry in to Jan Svankmajer's world was with "Neco z Alenky", a surreal take on Alice in Wonderland that drew me in instantly. After watching "Neco z Alenky", I immediately started looking for more material by Jan Svankmajer, and I came across this little short animation which blew my mind out of the water.

During the 6 minutes of "Tma/Svetlo/Tma" (Darkness/Light/Darkness) we are invited to witness the different parts of the human male body entering a room separately and trying to figure out how to complete the human form. During this, the small room gets more and more crowded and difficult to move in. To me, the message this short gave me was that we should not aim higher than our capabilities, or we might end up with our goals crowding a small room, eventually turning off the light on it. But this is my interpretation, I've read several more interesting ones as well.

If you enjoy surreal / abstract cinema art, you owe it to yourself to watch this short as soon as possible, you will not be disappointed.

"Darkness, Light, Darkness" is a creepy stop-motion film. However, it's not nearly as creepy as many of Jan Svankmajer's other films...that's for sure!

The film begins with a pair of clay hands in a room. The hands seem to have a mind of their own. Soon, other body parts begin to come into this very crowded room--first some eyes, then ears, a head and so on until eventually the entire body is assembled by the hands and crowds the room.

While this doesn't sound like a lot of plot, the film IS highly entertaining. In fact, I cannot recall another stop-motion film I enjoyed more. I think it's because of the amazing quality of the film combined with a sick and bizarre sense of humor that really kept my interest. Not to be missed!!