VALUTAZIONE IMDb
6,3/10
3106
LA TUA VALUTAZIONE
Sette episodi, ciascuno ambientato in un giorno diverso della settimana, sul tema del suicidio e della morte violenta.Sette episodi, ciascuno ambientato in un giorno diverso della settimana, sul tema del suicidio e della morte violenta.Sette episodi, ciascuno ambientato in un giorno diverso della settimana, sul tema del suicidio e della morte violenta.
- Regia
- Sceneggiatura
- Star
Eva-Maria Kurz
- Spinster (segment "Freitag")
- (as Eva M. Kurz)
Bela B.
- Singer (segment "Samstag")
- (as Dirk Felsenheimer)
Recensioni in evidenza
I read a small ad in some horror magazine in the early nineties about Liebe des Totes (the love of the dead) or something similar. This of course awoke my curiosity so I ordered Nekromantik 1 & 2 and Der Todesking (The Death King). The Nekromantik movies are Ok, even kind of interesting and unique in their approach to the subject Necrophilia (even if they obviously are horror-opera entries rather than intended to invoke fear in the viewers mind, they are actually quite funny.)
TODESKING, on the other hand is, in my opinion, one of the best films ever made. It consist of a series of scenes depicting the many facets of death. Death as an enemy; Death as a reliever, Death as the very fysical decomposition of the body. The film is a metaphor over life. It shows how fragile life is and how short our lives are. It reduces its viewers to the childs they (we) actually are. The fact that we cannot really understand the nature of Death, and hence neither the process of dying, is the core message of the film. This is a most realistic film. Never does Buttgereit try to hide death behind white roses or whatever. No matter what moral standards you set up, death is unevitable, and will sooner or later be not a fiction but YOUR reality. This applies to YOU, Dear Reader, like it applies to the viewers of the film. Some juvenile reviewers seem not to grasp this, which is fully excused, since they of course will live forever...
This is no exploitation movie. Why? Because death does not exploit us humans. It harvests us. We grow for seven days, then we are brought back to the schopenhauerian state of pre-birth, that is Death. Buttgereit gives us his version of the oldest of tales. Whether you choose to regard it as "optimistic" or "pessimistic" is up to you. At first glance it may seem very dark. Consider though, that in order for something to live, something else must die. "Who wants to live forever?"
I believe that when Buttgereit shows a body, that are being consumed by maggots, he shows not only decomposition, but GENERATION of new life. Is it not better to die and give life to maggots and then birds and eventually become soil, than to remain the living dead zombie that is one of the the favorite pets of the genre?
When you realize this, you see Der Todesking it its right context.
Sieben Tage hat die Woche, siebenmal letzte Stunden. Seven are the days of week (weak, mortal !), seven times the last hour.
Dont fear the Reaper, Buttgereit tells us, because the Reaper takes only what is ripe. And apples that are not plucked for food will rot!
Have a good life, fellow IMDB'ers !
(And watch this film, that compares only to Ingemar Bergmans "The Seventh Seal" in terms of depth and universality)
TODESKING, on the other hand is, in my opinion, one of the best films ever made. It consist of a series of scenes depicting the many facets of death. Death as an enemy; Death as a reliever, Death as the very fysical decomposition of the body. The film is a metaphor over life. It shows how fragile life is and how short our lives are. It reduces its viewers to the childs they (we) actually are. The fact that we cannot really understand the nature of Death, and hence neither the process of dying, is the core message of the film. This is a most realistic film. Never does Buttgereit try to hide death behind white roses or whatever. No matter what moral standards you set up, death is unevitable, and will sooner or later be not a fiction but YOUR reality. This applies to YOU, Dear Reader, like it applies to the viewers of the film. Some juvenile reviewers seem not to grasp this, which is fully excused, since they of course will live forever...
This is no exploitation movie. Why? Because death does not exploit us humans. It harvests us. We grow for seven days, then we are brought back to the schopenhauerian state of pre-birth, that is Death. Buttgereit gives us his version of the oldest of tales. Whether you choose to regard it as "optimistic" or "pessimistic" is up to you. At first glance it may seem very dark. Consider though, that in order for something to live, something else must die. "Who wants to live forever?"
I believe that when Buttgereit shows a body, that are being consumed by maggots, he shows not only decomposition, but GENERATION of new life. Is it not better to die and give life to maggots and then birds and eventually become soil, than to remain the living dead zombie that is one of the the favorite pets of the genre?
When you realize this, you see Der Todesking it its right context.
Sieben Tage hat die Woche, siebenmal letzte Stunden. Seven are the days of week (weak, mortal !), seven times the last hour.
Dont fear the Reaper, Buttgereit tells us, because the Reaper takes only what is ripe. And apples that are not plucked for food will rot!
Have a good life, fellow IMDB'ers !
(And watch this film, that compares only to Ingemar Bergmans "The Seventh Seal" in terms of depth and universality)
'Der Todesking' is my first experience with Jorg Buttgereit. I have no idea whether it is representative of his other work or not, but after watching this puzzling movie I intend finding out. A verbal description of this movie does it very little justice. Scenes of suicides by various individuals are interspersed with footage of a decomposing corpse. That really gives you NO idea how thought provoking, repellant AND beautiful this movie is in places.
I'm not sure if I fully understand Buttgereit's "message" or indeed, if there really IS one. But I did get something from watching this movie. It is much more than just a collection of disturbing images. Maybe it is like a painting or a poem, and everybody who experiences comes away with their own ideas or emotions about what it's "about".
Whatever your reaction to 'Der Todesking' I don't think you will regret having watched it. There are moments in this movie that will stay with you for a VERY long time... I was fascinated. A movie that blurs the distinctions between art and exploitation, and makes you question yourself. Yes, I was impressed.
I'm not sure if I fully understand Buttgereit's "message" or indeed, if there really IS one. But I did get something from watching this movie. It is much more than just a collection of disturbing images. Maybe it is like a painting or a poem, and everybody who experiences comes away with their own ideas or emotions about what it's "about".
Whatever your reaction to 'Der Todesking' I don't think you will regret having watched it. There are moments in this movie that will stay with you for a VERY long time... I was fascinated. A movie that blurs the distinctions between art and exploitation, and makes you question yourself. Yes, I was impressed.
A movie about suicide! Actually it's seven movies about suicide. We get to follow Buttgereit in to his strange world of death, it's not a fun trip, but I can guarantee you that it's not meant to be an enjoyable film. The film is divided into different short stories, Monday, Tuesday, Wednesday... If you haven't seen any of Buttgereits earlier movies this one can be pretty hard to sit through cause it is pretty bizarre although not as graphic as his other movies, Nekromantik, Schramm. Needless to say; I love it, I love Buttgereit for making death into the blackness that it's doomed to be, he's not joking around. Another thing that needs to be praised is the soundtrack; beautiful. Buy this film, then buy his other movies.
I've watched Schramm, Nekromantik 1 and 2. Der Todesking is really at the top of them. I spent like 40 EU on the movie. I didn't buyed it because I was a 100% sure it was good, I bought it because it was a rare film to find. When I finally saw it, I knew that the value of the film was above money.
The film is an essay on death and more than that is an analysis on audiovisual violence.
Der Todesking is an Art film with the soul of a Horror film.
If I would have to make a list of the films that I've saw in my life this film would definitely be on the top 10.
This is not a splatter film. Blood is shown only in a couple of scenes, nevertheless the film leaves you powerful visual impression.
The film is an essay on death and more than that is an analysis on audiovisual violence.
Der Todesking is an Art film with the soul of a Horror film.
If I would have to make a list of the films that I've saw in my life this film would definitely be on the top 10.
This is not a splatter film. Blood is shown only in a couple of scenes, nevertheless the film leaves you powerful visual impression.
Jörg Buttgereit goes a bit too far with his movies and themes at times, even for my taste but his movies are always something special and hard to classify. They are artistically made, with also often deeper meaning to its themes. This movie is a perfect example of his work.
It's also really hard to label this movie. It's not really a movie with a story to it, in a sense of having a beginning, middle and end in it. It also doesn't have a main character but instead focuses on 7 different suicides and killings, on 7 different days.
All different stories are being told with lots of class, though some of them are of course more 'interesting' and realistic than the others. They are not necessarily connected but yet together they still tell a story. The movie doesn't feel disjointed at all. All different stories have a different feel to it and Buttgereit tells the story without hardly using any words (also typical for his style) but instead lets the images and obvious sensible emotions of the characters tell the entire story. It helps to make this movie an effective one to watch.
Again, the production values all aren't too high and this might be something that might scare off some people. It however helps for this particular movie to set the right tone and atmosphere for the entire movie and its dark, disturbing and depressing themes.
A Buttgereit movie that I 'enjoyed' watching.
7/10
http://bobafett1138.blogspot.com/
It's also really hard to label this movie. It's not really a movie with a story to it, in a sense of having a beginning, middle and end in it. It also doesn't have a main character but instead focuses on 7 different suicides and killings, on 7 different days.
All different stories are being told with lots of class, though some of them are of course more 'interesting' and realistic than the others. They are not necessarily connected but yet together they still tell a story. The movie doesn't feel disjointed at all. All different stories have a different feel to it and Buttgereit tells the story without hardly using any words (also typical for his style) but instead lets the images and obvious sensible emotions of the characters tell the entire story. It helps to make this movie an effective one to watch.
Again, the production values all aren't too high and this might be something that might scare off some people. It however helps for this particular movie to set the right tone and atmosphere for the entire movie and its dark, disturbing and depressing themes.
A Buttgereit movie that I 'enjoyed' watching.
7/10
http://bobafett1138.blogspot.com/
Lo sapevi?
- QuizTutte le opzioni contengono spoiler
- Versioni alternativeAlthough listed as uncut by the BBFC, the 1990 UK video release had been slightly edited by around 4 secs before submission by director Jörg Buttgereit to remove the shot of a man's penis being cut off.
- ConnessioniFeatured in The Making of 'Der Todesking' (1991)
- Colonne sonoreMove - Did You Learn Your Cathechism
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