Violent Cop

I find it very difficult to rate a movie like this, as most of its interest is in who made it and how it points to his much superior later movies like Hana-bi. The script here is obviously just a standard actioner - the usual elements we've all seen a million times are there, the hard man cop with his innocent rookie partner, his one weakness (in this case, his sister), his 'no nonsense get things done attitude'. But this being Kitano, its full of mysterious, compelling scenes that in themselves often don't often make sense. The ending was never really in doubt, but the fascination of Takeshi movies is how he gets there. There really is nobody out there making movies quite like him now - such weird blends of Japanese sensibility, American action tropes and European art movie editing and camera-work. It shouldn't work, but somehow it does. Violent Cop is nowhere near his best work so I wouldn't recommend it to anyone curious about watching it, but its certainly worth a view for those who have seen his later movies and want to explore his strange vision of the world.

Kitano cripples the senses and jars the nerves in his films. This is a movie about a two-fisted cop whose blunt face and cliff's edge personality drive every scene, even the ones Kitano is not in. Kitano's character is not reacting to a violent world, but infecting it with his own brand of violence. The "violent cop" has lost his hope, therefore he fears nothing.

Kitano as director gives us a real world of humor and interaction. Events happen, there's no plot. Every scene has this pulse that is raging, the characters even when still seem kinetic as sprinters. Punches, kicks, and bullets explode bodies. Kitano's character clashes with a psychotic hit man, but it is Kitano's cop who is out of control, unstoppable in his desire to inflict justice as he sees it.

There's scenes which cannot be forgotten: Kitano's cop

interrogates a punk drug dealer in a club rest room. These two actors go through a scene in which Kitano slaps this man over and over until he talks. The difference is that Kitano is really slapping this actor, and slapping living hell out of him. Cringe-worthy, and up there with one of the other scenes that illustrates what a hard man Kitano is: stabbed with a knife, Kitano grips the blade as it comes out of him, clinching his fist down on it so he cannot be stabbed again. Blood pours out from between his fingers, he cannot let it go because his fist and knife are one; Kitano understands the brutality of the fight, the reality of two men trying to kill each other, no quips, no words, no yells or curses, just blood and rage; cut to the bone, it's the way the whole film makes you feel.

As far as the recent BROTHER is concerned, it makes perfect sense for Kitano to use similar themes seen in his earlier films. BROTHER is Kitano's first real attack on American audiences. They, en mass, haven't seen his stuff, and if Kitano's going over old ground, he's doing it in HIS style. Better a retread Kitano than most of Hollywood's slobbering star-cramped idiocy.

Yes, it´s true: all the real great movies of the 1990s seem to be produced in the land of the rising sun! This dark cop thriller is no exclusion, because "Violent Cop" is suspense-packed, dramatic, sinister - and the actors don´t say a word too much! The dark poetry often reminded me on the films of Paul Schrader or Abel Ferrera as well as the visual brilliance and the excellent cinematography this Japanese gem contains! And, of course, main actor Takeshi Kitano is the new God of Eastern cinema! Masterpieces like "Brother" or "Hana Bi" blew my mind, and his performance of the emotional broken cop is powerful and amazing! A highly recommended film!!!

A shallow description would refer to this as a Japanese version of Dirty Harry. And it does bear some resemblance to that film, but while Dirty Harry broke the rules in order to get a criminal at any cost, Kitano's character Azuma seems to seek vengeance due not only to his lust for revenge but because he's psychotic. There's a sense that Azuma won't rest until he gets his man not out of duty but out of madness. Kitano gives what might be his best performance in this film; he is absolutely riveting. And the film itself is beautifully shot, and the score is especially good. But the best part of this is perhaps the end - the film ends on a perfectly cynical note that couldn't be topped. Seek this out.

Violent Cop is the first directorial work of comedian and television host Takeshi Kitano. He wasn't even supposed to do this job but when the initially hired director pulled out of the project due to scheduling conflicts, Takeshi Kitano took over and rewrote large parts of the script in the process. People must have been surprised when this film was initially released because it has nothing to do with Takeshi Kitano's quirky, funny and entertaining shows throughout the seventies and eighties. Violent Cop does its title justice and is brutal, cynical and nihilistic. It is often compared to the Dirty Harry franchise but while the titular hero of the American franchise is able to keep his cool, Takeshi Kitano's main character is unstable, unpredictable and pitiless.

Takeshi Kitano plays brutal veteran detective Azuma who doesn't show much respect for his superiors, colleagues and rookies. He treats criminals the way they would actually treat their victims. The opening sequence is quite revealing in that regard as the detective follows the leader of a group of teenagers who beat up a helpless old man and proceeds to beat him up in his parents' house. The only person this detective seems to care about is his fragile sister who spent time at a hospital to treat a head injury. Once we are introduced to the detective's life, the actual plot unfolds. The detective discovers that his partner is involved in drug trafficking but before he can conduct further investigations, his partner is found hanged under a bridge. Azuma understands that the suicide had been staged and tries to track down the boss of the drug trafficking ring by any means necessary.

The cinematography of this movie is very experimental and foreshadows Takeshi Kitano's later works. The movie has few dialogues and especially the main character prefers to use his fists before asking any questions. The movie features long moments of silence and static camera work before they are interrupted by hectic sequences and brutal acts of violence. The movie is quite brutal indeed and the body count rises quicker and quicker as the film progresses. Innocent bystanders get killed, a helpless homeless man gets beaten to pulp and even a pitiful woman gets executed. The film's conclusion is particularly cynical and nihilistic but offers an unexpected twist and some food for thought.

Fans of Japanese V-cinema and enthusiasts for brutal yakuza movies will adore Violent Cop. It has an intriguing atmosphere, unusual characters and lots of violence. Despite its cynical, nihilistic and pitiless attitude, the movie is never shallow and actually offers some food for thought. The film has aged quite well and shows the dark side of Japan's society.