Romuald e Juliette

Romuald et Juliette is one of those French romantic comedies where they seem to break all the rules, rather like Trop Belle Pour Toi. The gorgeous Daniel Auteuil learns about true loyalty and love when his life threatens to crash around his ears. The film isn't a preachy morality tale, but a wonderful story that will keep you hooked until the last. Firmine Richard (as Juliette) is a heroine that women will cheer - her laughter is my abiding memory of this warm and witty film. The down-to-earth way she has of including all her children by their different fathers - particularly the birthdays - gives the film an edge that lifts it above your average romantic comedy. But its always the French that seem to show us how effortless this all is!

i was glad that this movie did without all the supposed depth of all too many pseudo-serious interracial movies. race was one issue, yes, but so was class...and loyalty...and honesty, etc.

i also loved the idea that the love affair wasn't couched solely in the 'decorative' aspects of either character's appearance. aren't our divorce courts (on both sides of the Atlantic, i daresay!) filled now with enough couples who thought 'looking good. together.' is all it takes to make a solid marriage? in any case, the tenderness and sensuality of both characters was thick enough to cut in love scenes that would have brought a rainbow to any dreary day! in other words, a light-hearted movie that's by no means a light-weight!

I would not compare it to Le Placard, which IMHO had more comic moments, but Romuald & Juliette while being a slow starter certainly kept your attention going throughout the film, nicely paced and reaching a heart warming conclusion :) There were many marvellous comedic moments, some brilliant pathos and realistic situation acting by all actors.

It was a typically French film, in which while confronting prejudices and phobias, which in turn the made the viewer confront his own shortcomings! I am certainly pleased to have this in my library, and will no doubt watch it time and time again, which to me is a mark of a great film.

This is a very sweet film. While it has its humorous moments, I wouldn't really bill it as a comedy, but perhaps it's funnier if you're French. But I really loved the characters and the story. Firmine Richard is a real beauty (I'm going to look up more of her films), and I too fell in love with Juliette. I saw "Le Placard" last week, which was my first exposure to Daniel Auteuil; I didn't know he was in this film until I started watching it. There are a lot of great French actors that Americans are too unaware of. Expand your horizons folks -- watch foreign films. There are some real gems out there. Go to your library and check out a few.

Now, this 10-line-minimum rule is really starting to get annoying. I think my comment above is quite adequate, but the system still won't allow me to submit it. You folks really need to change that.

A more or less typical form of numbskull Hollywood osmosis was responsible for the change of title for this charming French interracial romance when it crossed the Atlantic, from the perfectly adequate 'Romuald and Juliette' (shades of Shakespeare), which at least identifies the two unlikely lovers. Romuald is an aggressive yogurt tycoon who works in the executive suite of a Paris skyscraper; Juliette is the black cleaning woman who empties his garbage overnight, and when she learns of an insider trading and sabotage scheme the two become allies and (inevitably) lovers. There's nothing deep or significant here, but the script is both sensitive and, at times, even clever, and (surprisingly) never loses sight of the obvious social/racial/economic gaps dividing its two protagonists. But to say it ends happily-ever-after is an understatement: the resolution is too incredibly upbeat. And does it seem odd that a French film should have to justify their affair by showing Romuald's wife also fooling around?