Rosalie va a fare la spesa

This movie is clearly a clever, subtle satire of banking systems. The tag line is the premise of the movie "When You're $100,000 In Debt, It's Your Problem. When You're $1,000,000 In Debt... It's The Bank's." Now, in 2010, we're seeing that if banks owe many billions of dollars, then it is the taxpayer's problem. Rosalie's problem has recently become a problem for all of us. This problem is not only limited to one country or banking system.

Rosalie is not a heroine, she is the personification of consumerism gone out-of-control, and a banking system that enables it. The movie really provides an underlying warning message. It should be required watching for anyone who wants to understand why things can easily go wrong in any banking system.

Although I first saw this movie in the early 1990s, I think it will make most sense to people now, in 2010!

This movie is one-of-a-kind.

Overall it's not outstanding, but it's a definite "must-see" for anyone who enjoys torturing themselves with cult-classic bizarre behavior and humor.

It's more of a wacky-bizarre than a psycho-bizarre. We've groaned our way through it several times and the title has become the enigma of "Oh no, don't make us watch that again!" However, it's painfully humorous and worth the time!

Basically, the point of this movie is that everyone worships Marianne Sagebrecht, both the director and her fans. She's got enough charisma and personality to carry the movie on her own. Otherwise, all it's got is a thin plot with some very funny scenes; the direction inclines to pointlessly flashy camerawork. But who cares about inessentials?

It was delightfully quirky for the first half hour or so, reminiscent of John Waters, without the grossness or the sex. But it got dull thereafter--never as funny as it should have been--and dwindled to an ending that was so non-climactic, they had to intersperse it between the credits so you'd know it was over. Too bad, because the first part showed a lot of promise. Still, worth seeing if you're in the mood.

Germans think smirking is funny (just like Americans think mumbling is sexy and that women with English accents are acting). I had to cross my eyes whenever the screen was filled yet again with a giant close-up of a smirking face. One of those 'housewife hacks corporate mainframe' tales where she defrauds a bank by tapping a few random keys on her home PC which is connected only to a power socket. The director obviously loves the rather large leading lady. Can't say I share his feelings. There's quite a funny bit when the entire family sit in front of the television chanting tonelessly along with the adverts. Apparently this review needs to be one line longer so here it is.