Un buttafuori duro viene assunto per domare un bar sporco.Un buttafuori duro viene assunto per domare un bar sporco.Un buttafuori duro viene assunto per domare un bar sporco.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Marshall R. Teague
- Jimmy
- (as Marshall Teague)
Sunshine Parker
- Emmet
- (as 'Sunshine' Parker)
Recensioni in evidenza
Love it. No idea why but I keep coming back. Utter cheese but Swayze is awesome.
Maybe a guilty pleasure for me but during my childhood and to this day I really enjoy this movie.
A Patrick Swayze in a state of grace with role after role, which one is more iconic (remember that this movie is between Dirty Dancing and Ghost for example).
It has everything an 80's action movie had to have: violence, rock and roll, drama, romance and risque scenes.
It does not shine because of its script but rather the meme lies in the fact that everyone who approached the main character had a bad fate assured.
I really highlight the soundtrack with songs by Bob Seger, which is a personal weakness but with an incredible Jeff Healey and that every lover of a good electric guitar cannot ignore.
It hurts the remake and that damn Hollywood habit of wanting to bring old things to the present with the usual result: it's not the same.
Recommended for all lovers of this type of cinema.
A Patrick Swayze in a state of grace with role after role, which one is more iconic (remember that this movie is between Dirty Dancing and Ghost for example).
It has everything an 80's action movie had to have: violence, rock and roll, drama, romance and risque scenes.
It does not shine because of its script but rather the meme lies in the fact that everyone who approached the main character had a bad fate assured.
I really highlight the soundtrack with songs by Bob Seger, which is a personal weakness but with an incredible Jeff Healey and that every lover of a good electric guitar cannot ignore.
It hurts the remake and that damn Hollywood habit of wanting to bring old things to the present with the usual result: it's not the same.
Recommended for all lovers of this type of cinema.
"Road House" tells the story of Dalton, a "cooler" who is hired by the owner of a small town dive bar in Jasper, MO. Dalton is hired to clean up the bar, as it has devolved into a very dangerous establishment. This place is so dangerous and rowdy that the house band plays behind a cage and the wait staff regularly engages in brawls with the patrons. This story used one of the common Western film tropes-- a new Sheriff is hired and brought in to clean up the town. That is essentially Dalton's role in this film. He's kind of the Gordon Ramsey of the bar scene. He's brought in to clean things up and kick out the riff raff. And boy is there a lot of riff raff to clean up.
The conflict in "Road House" is that there is a gang, led by Brad Wesley (Ben Gazzara) whose entire MO it seems is to intimidate the local business people into giving them money and favors in exchange for not being beat up or having their businesses destroyed - an old fashioned protection racket if you follow the 1930s B films. Most of the town (including law enforcement!) is scared of Wesley and his gang and the group pretty much has full run of everything--including the bar where Dalton is hired. Wesley and his gang begin to resent Dalton's presence, because he isn't a pushover and isn't letting them have control.
Much of the action of the film involves Dalton fighting Wesley and his gang of ruffians. Wade Garrett (Sam Elliott), Dalton's friend and mentor, who also works as a cooler at another club/bar, arrives in town to help out his friend. Together, Wade and Dalton try to take on Wesley. And of course, because this is Patrick Swayze, there is a love story intertwined, when he hooks up with his ER surgeon (Kelly Lynch).
The bar scenes are crazy. A lot of nudity, fighting, violence, everything. The opening scene melee resembles the wild saloon fight in "Dodge City" or "Blazing Saddles." Jeff Healy plays the lead singer/guitarist of the house band, and they're fantastic. I especially loved their cover of The Doors' "Roadhouse Blues."
Anyway. If you're adverse to movies with violence (including a particularly spectacular Rambo-esque turn for Swayze near the end of the film), nudity, and language, then this film isn't for you. But, if you're interested in a ridiculous trashy movie, with great music, then this is worth a watch.
The conflict in "Road House" is that there is a gang, led by Brad Wesley (Ben Gazzara) whose entire MO it seems is to intimidate the local business people into giving them money and favors in exchange for not being beat up or having their businesses destroyed - an old fashioned protection racket if you follow the 1930s B films. Most of the town (including law enforcement!) is scared of Wesley and his gang and the group pretty much has full run of everything--including the bar where Dalton is hired. Wesley and his gang begin to resent Dalton's presence, because he isn't a pushover and isn't letting them have control.
Much of the action of the film involves Dalton fighting Wesley and his gang of ruffians. Wade Garrett (Sam Elliott), Dalton's friend and mentor, who also works as a cooler at another club/bar, arrives in town to help out his friend. Together, Wade and Dalton try to take on Wesley. And of course, because this is Patrick Swayze, there is a love story intertwined, when he hooks up with his ER surgeon (Kelly Lynch).
The bar scenes are crazy. A lot of nudity, fighting, violence, everything. The opening scene melee resembles the wild saloon fight in "Dodge City" or "Blazing Saddles." Jeff Healy plays the lead singer/guitarist of the house band, and they're fantastic. I especially loved their cover of The Doors' "Roadhouse Blues."
Anyway. If you're adverse to movies with violence (including a particularly spectacular Rambo-esque turn for Swayze near the end of the film), nudity, and language, then this film isn't for you. But, if you're interested in a ridiculous trashy movie, with great music, then this is worth a watch.
I love this movie. Why? Because it's sooo bad it's good. It dosen't
take itself too seriously (for the most part) but the lines really put
this one over the edge. "It's gonna get worse before it get's better"
""Be nice until it's time to not be nice" and "Oh baby, your gonna
be my regular Saturday night thing!" are classics of bad cinema.
The characters? All one dimensional hillbillies. The acting? Awful.
The plot? Yeah right. This movie is great because you can't take
your eyes away. What cheesy line comes next? When's the next
fight? And Who's the hot blonde? A guilty pleasure through and
through but it is fun sitting around with a bunch of guys watching
this and laughing your ass off. A great guy movie. Recommended.
take itself too seriously (for the most part) but the lines really put
this one over the edge. "It's gonna get worse before it get's better"
""Be nice until it's time to not be nice" and "Oh baby, your gonna
be my regular Saturday night thing!" are classics of bad cinema.
The characters? All one dimensional hillbillies. The acting? Awful.
The plot? Yeah right. This movie is great because you can't take
your eyes away. What cheesy line comes next? When's the next
fight? And Who's the hot blonde? A guilty pleasure through and
through but it is fun sitting around with a bunch of guys watching
this and laughing your ass off. A great guy movie. Recommended.
Lo sapevi?
- QuizMarshall R. Teague initially didn't get along with Patrick Swayze. While filming their big fight, both men quickly realized they shared a dedication to realistic stunts. They developed so much mutual trust that they improvised a lot, and allowed each other to throw real punches and kicks. When Jimmy swings a log at Dalton, Teague mistakenly thought it was a breakable prop log. By the end, Swayze was covered in bruises, with two broken ribs and a busted knee.
- BlooperWhen Red is reaching for the replacement antenna for Dalton, you can see a prop man handing the antenna to him.
- Curiosità sui creditiWhile the end credits are rolling, the house band does one more number.
- Versioni alternativeThe UK cinema version was intact, although the video release was cut by 10 seconds by the BBFC to remove a knee kick, a double ear-clap and a groin punch. Dialogue about felling enemies by kicking them in the knee was also removed. The cuts were waived in 2001 for the DVD release.
- ConnessioniEdited into Jeff Healey (1991)
- Colonne sonoreDon't Throw Stones
Written by Tito Larriva
Produced by Waddy Wachtel
Performed by Cruzados
Courtesy of Arista Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El duro
- Luoghi delle riprese
- 24650 Arch Street, Santa Clarita, California, Stati Uniti(Double Deuce and Red's Auto Parts - Demolished 2011)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 17.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.050.028 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.957.656 USD
- 21 mag 1989
- Lordo in tutto il mondo
- 30.052.173 USD
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