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5,5/10
4168
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn undercover cop forms an alliance with a Native American to help him hunt down the criminals who stole an ancient Lakota tribal lance.An undercover cop forms an alliance with a Native American to help him hunt down the criminals who stole an ancient Lakota tribal lance.An undercover cop forms an alliance with a Native American to help him hunt down the criminals who stole an ancient Lakota tribal lance.
- Premi
- 1 vittoria e 1 candidatura in totale
Robert Knepper
- Marino
- (as Rob Knepper)
Joseph Griffin
- Matt
- (as Joe Griffin)
Recensioni in evidenza
RENEGADES is your standard buddy-buddy action cop thriller from the late '80s, with the twist here that one of the central twosome is a Native American and the other's, well, Kiefer Sutherland. Otherwise it's business as usual as the pair are forced into an unlikely partnership when they have to track down a gang of diamond thieves.
The film benefits immensely from the presence of skilled director Jack Sholder, straight from the excellent B-flick gem THE HIDDEN and bringing plenty of style in his wake. The early heist-turned-chase sequence is the definite highlight of the whole movie and although it never regains this level of expertise, it proves to be perfectly adequate.
The script is fairly routine but the addition of some Indian philosophy (and more than a little mumbo-jumbo) makes for a welcome change. Sutherland is a solid leading man even this early in his career, but Lou Diamond Phillips is the real star, bringing a zen-like calm to his character. RENEGADES isn't brilliant and certainly doesn't have the intensity of the likes of the first two LETHAL WEAPONs but it does pass the time well enough.
The film benefits immensely from the presence of skilled director Jack Sholder, straight from the excellent B-flick gem THE HIDDEN and bringing plenty of style in his wake. The early heist-turned-chase sequence is the definite highlight of the whole movie and although it never regains this level of expertise, it proves to be perfectly adequate.
The script is fairly routine but the addition of some Indian philosophy (and more than a little mumbo-jumbo) makes for a welcome change. Sutherland is a solid leading man even this early in his career, but Lou Diamond Phillips is the real star, bringing a zen-like calm to his character. RENEGADES isn't brilliant and certainly doesn't have the intensity of the likes of the first two LETHAL WEAPONs but it does pass the time well enough.
RENEGADES is a great formula film from Jack Sholder. The films format is action adventure with a heavy native american theme. The film tells the tale of police corruption, mafia dirty dealings and the theft of a sacred lance from a native american tribe. The film has predictable elements yet is worthwhile. Of note is the directing style of sholder which is kinetic enough to keep the audience interested. RENEGADES is formula but succeds at being good formula; good formula never fails. I recommend this film as a popcorn and coke film.
Keifer Sutherland is an undercover cop who has gotten himself in too deep, and Lou Phillips is a long-haired Indian on the trail of a stolen lance sacred to his tribe. The two team up against the bad guys, and all hell breaks loose. Plenty of car chases, shootouts and general mayhem ensue, in the best style of all those late 1980s low-budget crime thrillers. Sutherland and Phillips are always fun to watch, although Phillips is maybe a bit too stoic from time to time. The finale is high on the body count, which is all we can ask from many of these '80s action setpieces. If it all looks a bit dated now, especially Sutherland's funky-chicken hairdo, so be it. They can't all be DIE HARD or LETHAL WEAPON. Having said that, RENEGADES beats TANGO AND CASH any day.
I can't understand why the cop drama/action film 'Renegades' has such a steady following (relegating it, of course, to cult status), although I can guess that it's familiar cast--Sutherland, Phillips, and Gertz--had much to do with it, because this is certainly one bland, if not condescending "thriller." Kiefer Sutherland plays good cop and bad cop. He's working undercover investigating a ruthless gang leader who is in cahoots with a dirty cop and brokers a deal with the gang leader on a jewel heist in exchange for giving up the cop's name. But, the ruthless leader is of course, ruthlessly violent, and the heist goes seriously foul. When the leader decides to take with him a valuable Native American relic, killing one young man's brother in the action, Lou Diamond Phillips seeks revenge like a martial arts film.
This movie is wholly unconvincing. You can figure it out almost immediately who the "dirty cop" as it is done without any subtleties. The story lingers on far longer than it should, especially with all of the effects of car chases and explosions of a good (if not cheesy) action film, minus the need for all of it. With either Sutherland's arrogant and seemingly out-of-place character or Phillip's "spiritual-mined" character-with-a-vengeance, this film probably would've been much better, even if following more of a martial arts genre routine, with just the story of the Native American family seeking revenge on the drug dealer. There is something here that does not mesh between the two main leads. And Gertz is wasted altogether.
For a good 1980s cop thriller, look elsewhere.
This movie is wholly unconvincing. You can figure it out almost immediately who the "dirty cop" as it is done without any subtleties. The story lingers on far longer than it should, especially with all of the effects of car chases and explosions of a good (if not cheesy) action film, minus the need for all of it. With either Sutherland's arrogant and seemingly out-of-place character or Phillip's "spiritual-mined" character-with-a-vengeance, this film probably would've been much better, even if following more of a martial arts genre routine, with just the story of the Native American family seeking revenge on the drug dealer. There is something here that does not mesh between the two main leads. And Gertz is wasted altogether.
For a good 1980s cop thriller, look elsewhere.
(53%) A decently sized step up from the more average buddy cop movies of the 80's and 90's, that has still managed to get itself largely forgotten about. The plot is simple as you like fluff surrounding undercover Kiefer Sutherland tracking down a typical, yet without doubt very dangerous bad guy criminal who just so happens to steal a native American spear and kill a family member of Lou Diamond Phillips (big mistake) which of course leads to an unlikely team-up. The action sequences are better than most with plenty of car chases, shoot-outs and it's all solidly entertaining. The script could have been improved by giving more depth to the characters as the cast are fed on scraps throughout resulting in no real lasting impression. Which probably explains why this has fallen through the cracks a little. For fans of police action movies this is well worth a look, as it does give most of what one could possibly want from a mid-budget 80's flick.
Lo sapevi?
- QuizLou Diamond Phillips spent time with Floyd 'Red Crow' Westerman and his tribe to help him prepare to play a Native American character.
- BlooperWhen Hank enters the subway car on the platform at the station it is one car but when it exits the tunnel it becomes another subway car.
- Citazioni
Buster McHenry: Was that an old Indian praying for me last night?
Hank Storm: That's right.
Buster McHenry: You don't believe in that shit, do you?
Hank Storm: I *am* that shit.
- Colonne sonoreOnly the Strong Survive
Written by Bryan Adams and Jim Vallance
Performed by Bryan Adams
Courtesy of A&M Records
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Dettagli
Botteghino
- Budget
- 16.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.015.164 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.075.030 USD
- 4 giu 1989
- Lordo in tutto il mondo
- 9.015.164 USD
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