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Il fantasma dell'opera

Titolo originale: The Phantom of the Opera
  • 1989
  • VM14
  • 1h 33min
VALUTAZIONE IMDb
5,5/10
4772
LA TUA VALUTAZIONE
Robert Englund in Il fantasma dell'opera (1989)
A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.
Riproduci trailer1:43
1 video
99+ foto
Dramma psicologicoHorror soprannaturaleDrammaMusicaOrroreRomanticismo

Aggiungi una trama nella tua linguaA young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.

  • Regia
    • Dwight H. Little
  • Sceneggiatura
    • Gaston Leroux
    • Gerry O'Hara
    • Duke Sandefur
  • Star
    • Robert Englund
    • Jill Schoelen
    • Alex Hyde-White
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,5/10
    4772
    LA TUA VALUTAZIONE
    • Regia
      • Dwight H. Little
    • Sceneggiatura
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Star
      • Robert Englund
      • Jill Schoelen
      • Alex Hyde-White
    • 96Recensioni degli utenti
    • 80Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Video1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Foto164

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    + 158
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    Interpreti principali30

    Modifica
    Robert Englund
    Robert Englund
    • Erik Destler…
    Jill Schoelen
    Jill Schoelen
    • Christine Day
    Alex Hyde-White
    Alex Hyde-White
    • Richard Dutton
    Bill Nighy
    Bill Nighy
    • Martin Barton
    Stephanie Lawrence
    • La Carlotta
    Terence Harvey
    Terence Harvey
    • Insp. Hawkins
    Nathan Lewis
    • Davies
    Peter Clapham
    • Harrison
    Molly Shannon
    Molly Shannon
    • Meg (New York)
    Emma Rawson
    • Meg (London)
    Mark Ryan
    Mark Ryan
    • Mott
    Yehuda Efroni
    Yehuda Efroni
    • The Rat Catcher
    Terence Beesley
    Terence Beesley
    • Joseph Buquet
    Ray Jewers
    Ray Jewers
    • Elise
    Robin Hunter
    • Roland
    Virginia Fiol
    • Sarah
    Cathy Murphy
    Cathy Murphy
    • Esther
    Andre Thornton Grimes
    • Bartender
    • Regia
      • Dwight H. Little
    • Sceneggiatura
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti96

    5,54.7K
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    Recensioni in evidenza

    gypsycaine

    I adore this movie!

    Yes, folks, I am a PotO fan. I can listen to ALW's soundtracks all night and day. I also am a huge fan of Freddy's series. The Nightmares are my favorite of the slasher genre.

    That said, let's continue into the commentary, shall we? The thing that struck me most about this movie is the music, Don Juan Triumphant. It's a haunting melody that just sticks in your mind. For me, it stayed for years. I was lucky enough when with friends (who were working, leaving me alone in their off-campus housing bored for several hours) to find a copy at the corner video store. It was a delight.

    Christine is NOT what you expect--she has no accents, doesn't look much like Sarah B, and I haven't a clue if that was really her singing. They did play fast and furious with the book. This does not mean it's a bad movie! I can count if I thought for three minutes ten other movies that deviated from the books they were based on? *S*

    Basically, the movie, to me, deals with reincarnation. When Christine locates and brings the lyrics and melody for Erik's inspired masterpiece to an audition, she is struck on the head by a sand-bag in mid verse. This has her traveling back in time to the days of the setting of the book, but in England rather than France. I actually don't mind the changes; they make the story fresher in my mind. There, we learn that this 19th century Christine has been learning from a mysterious stranger who has taught her singing and plans to make her a star. Jill is a lovely woman, and in the role, she shines as she dones the jewels of Faust's love interest in the opera. Robert as Erik is as usual a wonderfully mysterious, sinister, yet humorous "bad guy", if you can call Erik that.

    After the climax of the 19th century, Christine awakens to find herself in modern times again (hence my belief that it was a tale of reincarnation rather than actual-time travel--the 19th century Christine was established well before the incident!) and assisted by the show's patron.

    I adore the synthesized versions of the music, and was extremely pleased when the library was able to locate a copy of the CD OST for me to check out. It's just as good as I remembered. Amazon had the VHS, and I am good to go now! :)

    If you're seeking consistancy, accuracy towards the novel, or something resembling Michael Crawford, you're in the wrong place. If you're looking for a good tale that sends shivers up your spine (it did me as she placed money in the hat!), then this is the place.

    Enjoy!

    Now to just collect the rest of the NoES series....
    luckyhouse

    A sleeper film with a charming and talented cast snubbed by the academy and golden globes in a deserving production

    I found the premise not only intriging, but the cinematography combined with passionate performances combined with the music make for an entertaining evening. I was so pleased with this film that I went out to buy a copy of the soundtrack to listen to while I went to buy the movie. The leading lady is not only captivating in her role, but resembles Shannon Dougherty facially and gives a Meryl Streep performance. I found the music to be very original and heartfelt although some lip sync was done during production. Robert Englund is wonderful as the Phantom. I found myself wanting to sleep with the lights on. In an alley scene where theives try to rob him, Eric Dessler (The Phantom)cleverly asks what they will trade for his purse. His delivery is strong and clever as a cat which goes well with his final remedy of the situation. We can all guess the theives steal no more.

    The end of the film finds an extremely original twist, as Eric is found to be the modern day leader of the group who is putting on the broadway play in New York. Love enduring is made so clear when certain death is avoided again, which in itself is expected but executed with dynamic acting.

    Yes, I loved this film and feel those who don't lack the training and intelligence to appreciate the story to begin with...Go buy the movie. You'll be glad you did.
    sin_operahouse

    Not just another Nightmare Elm flick

    This is not just Robert Englund being Freddy yet again. The music, storyline, and direction are just awesome. The music for one is outstanding (hint try finding the soundtrack though) It is available but hard to get. But I disagree with Tim, this isnt just Englund playing a suave Freddy. Theres a lot more to the whole Phantom of the Opera storyline, and this movie, than Freddy will ever have hands down. Just ask Jason hahahah
    moonknight2010

    Good Phantom movie and Great Horror film!

    I am a huge horror movie fan and also a big Phantom of the Opera fan. I remember this film when it came out in 1989 but did not get the chance to see it until years later. I love the 1943 version and also love this one as well. Robert Englund proves in this film that he is a great actor and has moved far beyond his Freddy Kreuger days. This film is also very haunting as a horror film where the 1943 re-make is more of a drama/horror film. Robert is also very haunting as Erik Desller / The Phantom. Tha main thing i loved about this film is the dark and frightening atmosphere that it set out for the viewers. well the rank this film from 1-10 i give it a 8 for sure... Great film for both Horror movie fans and Phantom of the Opera fans.

    Highly recomended!!!!!!!!!!!!!!!!!
    horror7777

    What You Get When You Try And Entertain Phantom Fans And Slasher Fans At The Same Time

    There is no doubt in my mind that the writers of this film were trying to make an enjoyable slasher film to entertain teenagers and attract fans of "The Phantom of the Opera" at the same time. What gives this away is the casting of Robert Englund. It shows that they wanted to attract teenagers by casting Freddy Krueger. However, at the same time the writers include lots of technical stuff from the novel to try and get fans of "The Phantom of the Opera." The result can be one of two things. You can either have teens screaming saying they were fooled because they thought they were going to see Freddy Krueger kill a lot of people and you can have "Phantom" fans screaming saying they thought they were going to see a real "Phantom" film rather then some stupid teenage slasher film. Personally, I am a slasher film fan and not a "Phantom" fan. Not because I don't like the "Phantom" films, but just because I've never seen any of them. My initial reaction to this film was a positive one. It's stylish, has great acting and directing, and it's something different. It's not your typical slice and dice film but rather an interesting look at the "Phantom" and his life. Die-hard "Phantom" fans probably won't truly enjoy this as I think at the end the makers of the film quit trying to please everyone and the film degraded into the typical slasher genre. I really enjoyed this one and personally I think that it's wrong that die hard "Phantom" fans give this film negative comments. If you were expecting to see the 1925 version all over again with Robert Englund as the "Phantom" then you're way off. Die-hard slasher and horror fans as well as "Phantom" fans should find this at least marginally enjoyable. ***out of****This film is fun and really cool especially when you watch it for the first time and late at night

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      During a scene with fire, hot wax fell on Jill Schoelen, and burned her arm and shoulder. Despite this incident, director Dwight H. Little convinced Schoelen to do two more takes in the fire.
    • Blooper
      When Christine first starts singing to the phantom in front of the fireplace near the beginning, her voice doesn't match her lip movement.
    • Citazioni

      Christine Day: [back in the present] You're him, aren't you?

      Erik Destler: [gives a sarcastic gasp] Had you expected someone else? Christine, you have always been my inspiration. You. And now, it's only a question of what you want: Love or music.

      Erik Destler: [after she rips his fake skin off while he screams]

      [seething in discomfort]

      Erik Destler: I have waited a very long time for you to come back to me my dear

      [coughing]

      Erik Destler: We had a bargain you and I

      [barks]

      Erik Destler: FOREVER!

      [now quietly]

      Erik Destler: Forever!

      Christine Day: [snatches up one of his surgical tools] NOT...

      [and stabs him with it]

      Christine Day: ... FOREVER!

    • Curiosità sui crediti
      This Motion Picture is not associated with any current or prior stage play or motion picture of the same title.
    • Versioni alternative
      Several scenes of extreme graphic violence had to be trimmed/deleted in order to get an R-rating in America.
    • Connessioni
      Featured in Behind the Mask: The Making of The Phantom of the Opera (2015)
    • Colonne sonore
      Don Juan Triumphant
      Composed and Conducted by Misha Segal

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    Dettagli

    Modifica
    • Data di uscita
      • 3 novembre 1989 (Stati Uniti)
    • Paesi di origine
      • Stati Uniti
      • Regno Unito
      • Ungheria
    • Lingua
      • Inglese
    • Celebre anche come
      • El fantasma de la ópera
    • Luoghi delle riprese
      • Londra, Inghilterra, Regno Unito
    • Aziende produttrici
      • 21st Century Film Corporation
      • Breton Film Productions
      • Columbia Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 3.953.745 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2.050.000 USD
      • 5 nov 1989
    • Lordo in tutto il mondo
      • 3.954.044 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 33min(93 min)
    • Colore
      • Color
    • Mix di suoni
      • Ultra Stereo
    • Proporzioni
      • 1.85 : 1

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