VALUTAZIONE IMDb
5,3/10
2491
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA man loses his home and suffers life-threatening burns from a fire deliberately set by commercial real estate developers vying for his property. One year later, a shopping mall opens on the... Leggi tuttoA man loses his home and suffers life-threatening burns from a fire deliberately set by commercial real estate developers vying for his property. One year later, a shopping mall opens on the land, and a series of murders begins.A man loses his home and suffers life-threatening burns from a fire deliberately set by commercial real estate developers vying for his property. One year later, a shopping mall opens on the land, and a series of murders begins.
- Regia
- Sceneggiatura
- Star
Louise Alvarez
- Girl Dancing with Buzz in Nightclub
- (non citato nei titoli originali)
Recensioni in evidenza
Dont be put off this film by the star rating or the tacky movie title. I collect 80s B- movie classics and i quite enjoyed this movie. Its about a girl who starts a new job in a mall and is still traumatised over the death of her boyfriend(Eric)and evidence keeps on showing up that makes her believe he may still be alive. He protects her when she is in danger, and goes on a murderous rampage. The Fx arent fantastic but the story is quite interesting and the acting is reasonable, (ive seen worse). So if you can find a copy catch it if you can!
Though I suppose it would be well possible to make a better movie about a shopping mall version of the Phantom of the opera, to the best of my knowledge no one ever has. Unless you count "Gremlins 2: The New Batch", on account of the fact that it featured a Phantom themed Gremlin. I don't count this though, so let's move on. Not only is "P.O.M" (as I shall now call it) the best movie ever to place the Phantom in a mall, but it is also the greatest (IE: only tolerable) Polly Shore movie ever made. This movie being made in 1988 before Polly Shore was famous enough to be allowed to act like Polly Shore in a film. Another nice touch is the fact that the front doors of the Mall are labelled "Mall Entrance." Really I though they were the entrance to something other than the building they're attached to like the magical world Narnia or something. Anyway the real draw of this film is it awesome musical theme. It's reminiscent of a better day when almost all movies had a rock'n song about their plot at the end, under Hollywood's "well it worked for Ghostbusters" policy. The song boldly dares to use such controversial terms as "Boobs" and "Retard". Point being if your not doing something productive to uplift the human spirt (which if you're reading my review on "The Phantom of the Mall" you and I both know you aren't) rent and watch this hidden jewel of cinema and make Mr. Polly "The Free World's Punching Bag" Shore a couple pennies richer. Go ahead, I dare ya!
The sound quality and picture quality were a little ugly but this could have been down to a bad quality transfer. The effects and design were ample for the purpose. Nothing special though. I liked the attempt at a modern take of a classic story. Shame that it is really tacky and unimaginative! Still tacky cheesy fun is contained within which is something. It was enjoyable seeing Pauly Shore looking fresh-faced and young but he hadn't fully become the weasel yet. Apart from one cool moment and some fun stunts it is average tacky cheese from the eighties. This deserves a remake, it could have been better!
"Phantom of the Mall" follows a young teenage girl whose boyfriend died in a house fire. A year later, property developers erect a shopping mall on the land. Soon after, a series of murders begin, as a shadowy figure seems to stalk the mall-goers, hiding in its labyrinthine air ducts.
While this late-'80s quasi-slasher is a low-stakes viewing experience, that doesn't mean it isn't a lot of fun. For many, there will be a big nostalgia factor due to the period fashions, and the overall atmosphere of the shopping mall at its cultural peak.
The story here is (needless to say) adapted from "The Phantom of the Opera," and the screenplay is riddled with silly dialogue and a pace that is often rambling. However, if you can abandon all pretenses, "Phantom of the Mall" is a lot of fun, full of great gags, a handful of bonkers (and reasonably gory) slashings, and a dramatic mall-tastic finale. The performances here are not great, but they are functional given the material, and there are a number of familiar faces, including Morgan Fairchild as the town mayor, and Pauly Shore as an eccentric frozen yogurt shop clerk.
Overall, this is a fun, frivolous late-'80s slasher flick that is perhaps more amusing as a time capsule than as a horror movie; however, even despite its clunkier elements, it remains an amusing and over-the-top rehash of a classic story. 6/10.
While this late-'80s quasi-slasher is a low-stakes viewing experience, that doesn't mean it isn't a lot of fun. For many, there will be a big nostalgia factor due to the period fashions, and the overall atmosphere of the shopping mall at its cultural peak.
The story here is (needless to say) adapted from "The Phantom of the Opera," and the screenplay is riddled with silly dialogue and a pace that is often rambling. However, if you can abandon all pretenses, "Phantom of the Mall" is a lot of fun, full of great gags, a handful of bonkers (and reasonably gory) slashings, and a dramatic mall-tastic finale. The performances here are not great, but they are functional given the material, and there are a number of familiar faces, including Morgan Fairchild as the town mayor, and Pauly Shore as an eccentric frozen yogurt shop clerk.
Overall, this is a fun, frivolous late-'80s slasher flick that is perhaps more amusing as a time capsule than as a horror movie; however, even despite its clunkier elements, it remains an amusing and over-the-top rehash of a classic story. 6/10.
My review was written in May 1989 after a Cannes Film Festival Market screening.
Horror movie cliches get a ho-hum airing in "Phantom of the Mall", a sleep-inducing effort which generates camp humor only in its ridiculous final reel, probably too late for most fans.
Mayor of Midwood, California, Morgan Fairchild, inaugurates a new shopping mall, but a masked figure stalking the airshafts starts killing people. His main target is pretty young waitress Kari Whitman, who in her nightmares is convinced the killer is her dead boyfriend Eric.
Rather strained script contrives an additional killer plus a couple of nefarious villains. Visual references to the "Phantom of the Opera" don't come off, and the phantom's makeup job is poor and unscary.
Final reel features some effective stuntwork and breathless pacing, with the deaths and twists sadly coming so fast that it's funny. If only helmer Richard Friedman had turned up the throttle earlier. (Producer Tom Fries is credited with directing additional footage.)
Kari Whitman makes an empathetic heroine, but her flashback sex scenes are poorly shot and use of a nude body double is obvious. Fairchild has little to do until the slambang finale, while rest of the cast is adequate.
Horror movie cliches get a ho-hum airing in "Phantom of the Mall", a sleep-inducing effort which generates camp humor only in its ridiculous final reel, probably too late for most fans.
Mayor of Midwood, California, Morgan Fairchild, inaugurates a new shopping mall, but a masked figure stalking the airshafts starts killing people. His main target is pretty young waitress Kari Whitman, who in her nightmares is convinced the killer is her dead boyfriend Eric.
Rather strained script contrives an additional killer plus a couple of nefarious villains. Visual references to the "Phantom of the Opera" don't come off, and the phantom's makeup job is poor and unscary.
Final reel features some effective stuntwork and breathless pacing, with the deaths and twists sadly coming so fast that it's funny. If only helmer Richard Friedman had turned up the throttle earlier. (Producer Tom Fries is credited with directing additional footage.)
Kari Whitman makes an empathetic heroine, but her flashback sex scenes are poorly shot and use of a nude body double is obvious. Fairchild has little to do until the slambang finale, while rest of the cast is adequate.
Lo sapevi?
- QuizShot at the same mall as the 1986 classic "Chopping Mall"
- Versioni alternativeThere are three known versions (plus a "Phan Cut"): The theatrical version, the American TV version, and the Subterranean Cut. Each presents a few scenes in a different sequence. The TV version replaces gore and nudity with alternate shots and deleted scenes. The Subterranean Cut includes additional gore.
- ConnessioniFeatured in 31 Horror Movies in 31 Days: Phantom of the Mall (1989) (2012)
- Colonne sonoreHeart of Darkness
Performed by Stan Bush
Written by Stacy Widelitz and Lara Cody
Produced by Stacy Widelitz
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El fantasma del centro comercial
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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