VALUTAZIONE IMDb
7,1/10
3298
LA TUA VALUTAZIONE
Durante una partita di pallanuoto, Michele, funzionario del PCI colto da amnesia, rimette insieme i pezzi della propria vita e discute sul disagio, la confusione, le contraddizioni della sin... Leggi tuttoDurante una partita di pallanuoto, Michele, funzionario del PCI colto da amnesia, rimette insieme i pezzi della propria vita e discute sul disagio, la confusione, le contraddizioni della sinistra.Durante una partita di pallanuoto, Michele, funzionario del PCI colto da amnesia, rimette insieme i pezzi della propria vita e discute sul disagio, la confusione, le contraddizioni della sinistra.
- Premi
- 6 vittorie e 15 candidature totali
Recensioni in evidenza
If you are Italian and old enough to have lived there in the 70s/80s, then you will probably get the point of this movie: Moretti's conflictual relationship with the (then) Italian Communist Party. But that doesn't change the fact that the film is weird and delirious.
If your clique is the intellectual/radical/snobbish kind, you'll have to say that the movie is superb.
If none of the above applies, then pick another film.
If your clique is the intellectual/radical/snobbish kind, you'll have to say that the movie is superb.
If none of the above applies, then pick another film.
I consider Red Lob one of the best Italian movies of all times. It's surreal, moving, thought-provoking and incredibly funny. I wonder what a non-Italian audience may make of it, since it's steeped in references of the Italian political environment of the 70s/80s but I hope such audience can enjoy in the same way, I, for example, can love an Aki Kaurismaki movie despite it coming from a culture whose finer points I ignore.
It's a film of my adolescence and nowadays it looks, feels and sounds quaint and almost naive -- but also courageous. Which Italian director would risk today to make a two-hours dream-like, heavily metaphorical political movie? And whose director would manage to make something so hilarious out of it?
I wish I could share at length how much Red Lob influenced me and my whole generation. Some scenes, like the one where Michele slaps the journalist in the face because she is using clichéd expressions, or the one where he tries to explain to a Catholic politician why they are different, are still quoted today and are part of our cultural baggage.
If you've never seen a Moretti movie, maybe start by something more conventional like The Mass is Ended but please don't pass by Red Lob, because it's a real treat.
It's a film of my adolescence and nowadays it looks, feels and sounds quaint and almost naive -- but also courageous. Which Italian director would risk today to make a two-hours dream-like, heavily metaphorical political movie? And whose director would manage to make something so hilarious out of it?
I wish I could share at length how much Red Lob influenced me and my whole generation. Some scenes, like the one where Michele slaps the journalist in the face because she is using clichéd expressions, or the one where he tries to explain to a Catholic politician why they are different, are still quoted today and are part of our cultural baggage.
If you've never seen a Moretti movie, maybe start by something more conventional like The Mass is Ended but please don't pass by Red Lob, because it's a real treat.
This is a very weird movie, one that feels so specific that it really is risky to recommend it to anyone. It is quite surrealist and random at times, but remains consistent in being hilarious. And perhaps the random nature of the movie is trying to convey the condition of the main character, who feels lost as much as his political party.
There are many references to the Italian culture, ranging from politics to music, cinema and sport. Some scenes ascended to a cult status, such as the famous slap. Overall an entertaining movie, thanks to the eccentric characters that populate the pool where the (inner) action takes place.
There are many references to the Italian culture, ranging from politics to music, cinema and sport. Some scenes ascended to a cult status, such as the famous slap. Overall an entertaining movie, thanks to the eccentric characters that populate the pool where the (inner) action takes place.
As cinema "Palombella rossa" is quite bad, probably Nanni Moretti's worst film, and curiously made after "La messa è finita", in which faith was put to test. In "Palombella..." it was the turn to reflect on one sector of the tense fabric of Italian politics of late 20th century: the Italian Communist Party. Maybe today it results interesting from a historical perspective, as it probably was in 1989 from an ideological point of view to both Italian Communists and those who cared about their predicaments after the Berlin Wall fell. Unfortunately, endlessly enunciated ideas do not make an attractive audiovisual experience, even if the plot device of resorting to the loss of memory is a fine and clever excuse to trigger personal evaluation. Moretti relies more on words than on moving images and sounds, and in the end his film becomes very tedious. You may enjoy it if you love to hear him shouting for 89 minutes, and if you share his ideology (whatever it is): this reminds me of a few of my theater friends who enjoy some tiresome, stage-bound motion pictures that are loaded with dialogues and heavy theatricality. But the average spectator, even the one who loves "films of / with ideas", will probably look in another direction after 20 minutes.
an exceedingly eccentric film, with a devil-may-care approach that succeeds - and only just, at that - to the extent that one is charmed by wild improvisation. this is my style, so what, says the director, and shall we next try this?
Political analysis is quite beside the point, which is indeed the point, if any, of the film. The absurdity of grasping at political meaning (or rather, replacing it with expression) is wonderfully captured in amnesia (and the entire success of the film, by the way, depends on a brilliantly sustained performance in this role).
babble; terrific fun.
Political analysis is quite beside the point, which is indeed the point, if any, of the film. The absurdity of grasping at political meaning (or rather, replacing it with expression) is wonderfully captured in amnesia (and the entire success of the film, by the way, depends on a brilliantly sustained performance in this role).
babble; terrific fun.
Lo sapevi?
- QuizThe meaning of "palombella" in Italian includes "columbine", "wild pigeon", and (in water polo, or in other ball sports) "a parabolic shot to go over the goalkeeper and score a goal"/"a lob shot". So the original title of the film could be read as "Red Lob", which brings the sport and the politics -red obviously signifies the Communist Party- together.
- ConnessioniEdited from La sconfitta (1973)
- Colonne sonoreE ti vengo a cercare
(1988)
Written by Franco Battiato
Performed by various characters
Courtesy of EMI Music Italy Spa
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