Palombella rossa

As cinema "Palombella rossa" is quite bad, probably Nanni Moretti's worst film, and curiously made after "La messa è finita", in which faith was put to test. In "Palombella..." it was the turn to reflect on one sector of the tense fabric of Italian politics of late 20th century: the Italian Communist Party. Maybe today it results interesting from a historical perspective, as it probably was in 1989 from an ideological point of view to both Italian Communists and those who cared about their predicaments after the Berlin Wall fell. Unfortunately, endlessly enunciated ideas do not make an attractive audiovisual experience, even if the plot device of resorting to the loss of memory is a fine and clever excuse to trigger personal evaluation. Moretti relies more on words than on moving images and sounds, and in the end his film becomes very tedious. You may enjoy it if you love to hear him shouting for 89 minutes, and if you share his ideology (whatever it is): this reminds me of a few of my theater friends who enjoy some tiresome, stage-bound motion pictures that are loaded with dialogues and heavy theatricality. But the average spectator, even the one who loves "films of / with ideas", will probably look in another direction after 20 minutes.

1989: Berlin wall is down. communist dictators in the past. for all the people that lived this age a new freedom, but for those who were in the west, it's the falling of hope. unless everybody knew that real socialism was a bad solution, it represented the chance to create, or just imagine, something different from capitalism. now the wall is down, what does it mean to be left-wing? if you've been a communist all of your life, what's your new position in society. Moretti here represents perfectly this situation: Italian communist party, is almost lost, a great discussion inside: what are we doing, where do we come from, and (most important) where do we go now? are we different, are we the same of the rest? can we find back the will to fight?

If you are Italian and old enough to have lived there in the 70s/80s, then you will probably get the point of this movie: Moretti's conflictual relationship with the (then) Italian Communist Party. But that doesn't change the fact that the film is weird and delirious.

If your clique is the intellectual/radical/snobbish kind, you'll have to say that the movie is superb.

If none of the above applies, then pick another film.

I think Palombella Rossa is the best movie of Nanni Moretti (but I am afraid that non-italians people may not think the same, because there are several references to the situation of Italy, both in the 70's and at the time of the movie, that is 1989).

I also think that it is easy to like Moretti (and his movies) very much or dislike him (and his movies) very much. It is much more difficult to stay in the middle.

I personally find in this movie a wonderful mix of humour, fun and poetry. I also appreciate a lot the choice of music and songs and the images from Doctor Zivago (which is immortal, in my opinion).

I think people who liked Moretti movies like April, Son's room and Dear Diary should see this one as well, and I hope they will enjoy it.

I consider Red Lob one of the best Italian movies of all times. It's surreal, moving, thought-provoking and incredibly funny. I wonder what a non-Italian audience may make of it, since it's steeped in references of the Italian political environment of the 70s/80s but I hope such audience can enjoy in the same way, I, for example, can love an Aki Kaurismaki movie despite it coming from a culture whose finer points I ignore.

It's a film of my adolescence and nowadays it looks, feels and sounds quaint and almost naive -- but also courageous. Which Italian director would risk today to make a two-hours dream-like, heavily metaphorical political movie? And whose director would manage to make something so hilarious out of it?

I wish I could share at length how much Red Lob influenced me and my whole generation. Some scenes, like the one where Michele slaps the journalist in the face because she is using clichéd expressions, or the one where he tries to explain to a Catholic politician why they are different, are still quoted today and are part of our cultural baggage.

If you've never seen a Moretti movie, maybe start by something more conventional like The Mass is Ended but please don't pass by Red Lob, because it's a real treat.