Old Gringo - Il vecchio gringo

Gregory Peck's over the top performance and Jimmy Smits in over his head do not however destroy a good story. Jane Fonda truly loved this story but even she looks lost in the pages told. But just imagine the last days of Bitter as recounted here. Just picture the upheaval and pain so universally shared by any people in the throes of hell and in the midst, yeah corny, but in the midst of that pain, the universal tale of hope and love. Sacrifice for something bigger than yourself. A story teller must always moralize. Worth the watch. All romantics welcomed. (PS Note to director: There are light skin Mexicans (not me but others) - no need for the garish make-up - ugh.)

This is a novelization of writer Ambrose Bierce's mysterious disappearance in Mexico during the bloody revoution in 1913. Features two big-name stars: Jane Fonda in the unlikely character of a virgin schoolteacher and a wasted Gregory Peck in the title role, adding atmospheric sets and costumes. A North American teacher, Harrier Winslow (Jane Fonda, besides carrying the voice-over), recently arrived in Mexico to work in a wealthy family, finds herself involved in this outbreak of the Revolution. In this situation she lives a romance with one of Pancho Villa's generals , Arroyo (Jimmy Smits' silly moustache), while at the same time she finds herself attracted to Gringo Viejo (Gregory Peck), a North American writer who has traveled to Mexico to die. In the autumn of his years Ambrose finds a surrogate family, a daughter and a satisfying quietus. Harriet Winslow is something of a stereotype, initially brittle and later melted by love. Some people spend their whole lives searching for something !. Some people find it. A woman inspired by a man of dreams swept into the arms of a general, and drawn into a worlds of danger !.

Novelist Carlos Fuentes speculation about what actually befell writer Ambrose Bierce when he joined Pancho Villa's revolution down Mexico way in 1913 makes a riveting but no superior story. Technical troubles and cheesy script spoil the triumph that the producers expected, which turned out to be a commercial flop. Enjoyable but uneven film, it is rich in characters, Mexican environment, relationships and cultural clashes. The movie, though it doesn't look particularly notable, and often sounds rather literary, certainly bulges with content, and the principals, Ambrose Bierce: Gregory Peck, middled-aged spinster: Jane Fonda and revolutionary general Arroyo: Jimmy Smits grab the dramatic opportunities with both hands. The picture can't substantiate its claim to play out the personal drama in terms of this thunderous period history, but it's a worthy project and will probably send people back to the book in order to explore better the interesting roles and even better to Ambrose Bierce himself. Functional acting by all: Jane Fonda, Jimmy Smits but Gregory Peck, whose presence is wasted in a sketchy and unlikely role. They're accompanied by a fine cast, mainly Mexican secondaries, such as: Gabriela Roel, Jenny Gago, Patricio Contreras, Sergio Calderón, Jim Metzler, Josefina Echánove, Pedro Damián and Pedro Armendáriz Jr.

In Old Gringo(1989) excels the sensitive and evocative musical score by Lee Holdridge. Likewise , a colorful and brilliant cinematography by cameraman Félix Monti. The motion picture was unevenly directed by Luis Puenzo, including some flaws, gaps and shortcomings. Luis Puenzo was born in Buenos Aires (1946) Argentina, he's a director and producer known for Luces en los zapatos (1973), Las sorpresas (1975), La peste (1992) y Broken Silence (2002), La puta y la ballena (2004) and especially La historia oficial (The official story1985), which won the Oscar for Argentina for best foreign film. Rating: 5.5/10. It is a passable and acceptable film, but better to read the novel.

Old Gringo is perhaps not as bad as has been made out by other reviewers, but it is not without its problems. The basic plot (generic war movie) is sufficient, but casting three headliners and trying to make sure they all get their stories and screen time in hollows out all three characters. All three characters were actually worthy of being portrayed as the lead, but it seems that none of the trio actually was. The movie would actually have been better with slightly lesser actors in two of the roles and more emphasis on just one of them.

I'm sure being a "Fonda Film" there was some thinly veiled commentary about something or another, but I either didn't catch it or didn't care enough to pay attention. I'd say it's an OK watch if you can find it for free, but maybe not worth paying for.

Mexico in the teen years of the last century was no place to be, not even for Mexicans as the country broke down completely after the overthrow of dictator Porfirio Diaz. A lot of people grabbed for power, including one Pancho Villa who got emboldened enough to cross the U.S. border and shoot up Columbus, New Mexico. That got Woodrow Wilson to sending the army to capture Villa without success.

But that's getting way ahead of this story. It concerns American writer Ambrose Bierce who went to revolutionary Mexico and disappeared into obscurity much in the manner of the French poet Francois Villon. The plot of this film offers a theory as to what could have happened to Bierce.

Dominating the film is Gregory Peck in the title role. He captures Bierce in all of his sardonic cynicism for which his writing lives on. This Bierce has all the reason to just want to leave his world behind, his wife had recently died, but not after being discovered to be involved with another man. Two of his three children, both of his sons died violent deaths. Bierce was a man who felt he had no reason to live on.

Peck gets involved with two other people in a romantic triangle, Jane Fonda as a spinster who gets hired to tutor some landowner children and Jimmy Smits who's using the revolution to settle some personal scores with that same landowner family. In fact Smits gets himself rather caught up in the whole ambiance of being to the manor born with what he feels are good reasons.

All though all three of the leads have been in much better product, Old Gringo still is a good piece of cinema and does capture some of the anarchy that was revolutionary Mexico.

In 1913, Harriet Winslow (Jane Fonda) is hired by a Mexican family as a governess, but she then is kidnapped by Gen Tomas Arroyo (Jimmy Smits) and along with other revolutionaries. She also meets Ambrose Bierce (Gregory Peck), who conceals his true identity and who is ready to die on this foreign land. The three of them form a love triangle, Harriet becomes Tomas's lover and her affection towards Bierce is rather like a daughter to a father. But when Tomas invades the house of Miranda, where his birth father, the master, rapes his mother and where his shoots Mr Miranda dead when he is seventeen, he becomes so haunted by his past and obsessed with the old papers. As he befriends Bierce, he also turns into a ruthless commander. In the end, things get tragic- Harriet is determined to fulfill Bierce' dying wish of not being publicised and Tomas has to face his ultimate punishment. Harriet now is the sole survivor who remembers her two beloved men. 'He said I would forget. But how could I not remember?'

I really like this film. Jimmy Smits is excellent as the tormented general and Gregory Peck was marvellous as the disillusioned writer and journalist. Jane Fonda is not too bad. The direction is okay, the story is very poignant and twisted. All in all, a nicely done drama.