Noce blanche

now this was the vanessa paradis video i had been waiting weeks to see. i finally got my copy ordered off of ebay and i was so glad i did. in it, vanessa paradis plays a moody young teenager named mathilde who has no parents. she rarely shows up to class, and when she does, it appears as if she is just wasting her time. her philosophy teacher francois (played by bruno cremer), happens to stumble across her path and once he finds out more about her, is eager to help her learn more. he starts to come over to her house everyday going over her homework, and teaching her the art of the study.

now, eventually, mathilde starts placing little hints that she finds francois attractive. (if you didn't know, she is 17, he is 49) he tries to resist her, but he finds himself falling for mathilde as well. they soon blossom into a passionate love. they must keep their affair a secret from his wife and the school.

you can tell that mathilde was a person who was not used to anybody caring for her before, especially in that way, so she took the first chance she got. and fell in love with him. francois, on the other hand, really just got a little too involved trying to help her. i don't think he meant to fall in love with her, but it happened.

this movie shows the struggles between a student & teacher relationship. it deals with adolscents, anger, jealousy, love, and all these other elements. the cinematography is top notch. there are some beautiful scenes of vanessa paradis in them, especially one while she is sleeping and the light streams in on her fragile body.

most of you would probably go "okay that's just plain sick. he's so old! and she's so....young!"

and that's true.

but mathilde did say "old, sick, wrinkled, thin, fat, i don't care. i'll love you for any and everyway you are" she really did love him.

this was a beautiful and moving movie that actually made me cry at the end. it's a tragic story, dealing with a taboo love that just isn't allowed in today's world.

i would like this title to be realeased in america, so people can see this wonderful gem of a film. paradis and cremer both did superb jobs in their acting, as well as jean-claude brisseau in directing and writing the screenplay.

take a break from american blockbusters and see this tragic drama.

you may just like what you find....

final rating: A+

This film was outrageous, about a teacher acting on the advances of a minor. Even though the minor played by Vanessa Paradis who was 17 at the time of acting this part was sexually aggressive this does not excuse the teacher, a man in the position of power, from allowing himself to be drawn into her web. The minor was a little mentally unstable but very intelligent and unconventional to say the least. He should have offered her love and support but not sex. This is an interesting film, though, very watchable if totally unrealistic and amoral.

Vanessa Paradis is most famous today as American superstar Johnny Depp's longtime girlfriend, but she is also a FRENCH actress, which means she, of course, she has an early role where she plays a nubile teen in love with a middle-aged man. The French penchant for drooling over beautiful teenage girls may be annoying to some, but is it really worse than the American/Hollywood penchant for pretending they're NOT drooling over the beautiful teenage girls that seem to find their way into every other movie somewhere? But really there is no "eew" factor here--there are no on-camera sex scenes between the man and the girl, and 17 or not, a few shots of a naked Vanessa Paradis are not going to make ANYONE go "eew".

The bigger problem with these French "lolita" movies is the plausibility. Middle-age men don't generally date teenage girls, not because they find them icky and physically unappealing, but because they're very rarely as worldly and sophisticated as the fictional nymphets in these French movies. Moreover, even in France very few girls that age are probably too interested in ennui-filled men old enough to be their spry young grandfathers. It's actually understandable that the married middle-aged philosophy teacher in this movie would fall in love with his brilliant but troubled student since she is absolutely beautiful (clothed and unclothed) and wise beyond her years. But Paradis' character is supposed to be this streetwise urchin who has dabbled in prostitution in the past, and it is a little hard to believe she'd fall madly, obsessively in love with a fifty year man just because he shows her some kindness. (Also, while 17 may not get you twenty in a French bastile, I'm pretty sure it would get you kicked out of the teaching profession).

Paradis is indeed pretty good in this (although she would be better playing another troubled teenager a few years later in "Elisa"). And this movie is definitely well-made with some memorable scenes of sad beauty. It still remains somewhat of a middle-age male sex fantasy however, which doesn't make it at all distasteful, but does make it somewhat implausible.

must watch movie but not for faint hearted/ emotional ones like me.

i'm so moved by the movie that at 5.12 a.m in the morning i'm writing this. all night i've not slept. i just wanted to distract my mind from the movie so that i could sleep. that didn't happen i will have to go to class at 7 without sleeping. why these touches our heart, when i know love is not anything. somebody is sad without it , others are sad with it. love just distracts your mind for some days , then when you adjust with it and ponder what next.......... and then you realize it was not what you wanted... perhaps

acting by Vanessa paradis is outstanding, she is now the wife of Johnny depp......

she is looking so gorgeous

Was this a joke? Stunning young pupil falls for droopy, haggard old philosophy teacher, becomes obsessed with him, disaster ensues. Imagine "Lolita" with the predatory roles reversed, none of the humor, literacy or irony, and delivered with a sleep-inducing dullness. The "erotic" scenes are laughably soft-core. The film's attempts at a sex/death dialectic are pathetic---you'd do a lot better with Kubrick's Nobokov adaptation, Pabst's "Pandora's Box" or at least "American Beauty", Tragic Jailbait stories with intelligent subtexts.

Vanessa Paradis is transcendental. She enlivens the film, even if her character is written in a cheap, tawdry and uninteresting note. The sight of Cremer slobbering over Paradis' silky young skin gave me the shivers, almost as much as watching Harvey Fierstein making out with Matthew Broderick in "Torch Song Trilogy": anything to skip this Creepy Old Guy fantasy that doesn't show any awareness of its own ludicrous hamfisted-ness.

Double Ewwwwwwww...