Long hang tian xia

Although Jet Li is in it and as a viewer you are aware that you are watching an action (Eastern) movie, it doesn't mean that the movie doesn't have to meet a standard! Unfortunately it doesn't reach the heights of the Li flicks.

I'd even say that Jet Li is the best thing in it. And I don't mean it in any way as a disrespect to Tsui Hark (director). The thing is though, that if you're not a Li fan, than there is high possibility that you won't enjoy the movie at all.

I am a fan and can say for certain, that Li has done better pictures than this. Though this is not a complete stinker, you might want to watch other Li flicks for your viewing pleasure ...

I noticed there wasn't a lot of information on this movie, along with some low rating and negative reviews. Nonetheless, I vowed to own every Jet Li movie, so I had to buy this and watch it. And I must say, I was positively surprised!

Jet Li plays the student of Uncle Tak (Yuen Wah), who is a kung fu master and has established a shop for traditional Chinese medical treatment in America. Meanwhile there is an "evil" martial arts club that causes trouble, challenging and beating up kung fu masters all over town. Only with the help of Jet can these hooligans be stopped.

You can't enjoy this movie if you over-analyze every detail and point out the goofs, which are rather numerous. "The Master" is probably one of Jet's goofier movies, with a lot of miscommunication jokes and silly sidekicks. If this isn't your deal, try focusing on the great non-wired action scenes with Jet Li and Yuen Wah, who are both excellent fighters. All in all, this movie isn't for everyone, and it's definitely not Jet Li's best by far. HOWEVER, if you consider yourself a true Jet Li fan and can withstand some silly humor, then you should definitely see this movie. The fights were surprisingly good, which made me enjoy "The Master".

this is tsui hark's tribute to the 'golden age' of hong Kong chop-socky kung-fu films. although set in los Angeles, tsui makes sure he has most of the better known clichés at work here - the 'school-against-school' clash, the reluctant fighter who wants to avoid violence, the training sequence, questions of loyalty between masters and students, etc.

the film, to be properly appreciated, has to be seen in this light. it is not intended to be a typical jet Li film or typical tsui hark film; it's intended to be a Bruce-lee-clone-film of the later '70s.

in fact in some ways this reminds one of 'Ta e kou' aka 'the godfather from hong Kong' aka 'the godfather squad' starring Bruce Liang, a little known - but surprisingly effective - chop-socky effort to cash in on lee's 'return of the dragon'.

given that, the Li-tsui movie has to be given credit as both amusing and entertaining for fight fans - the kung-fu here is really top-notch.

one word of caution - the violence here goes over the top once or twice, and the film really needs to be seen by mature audiences, especially those familiar with the genre it pays tribute to.

In "The Master", one of his earliest and relatively little-seen flicks, Jet Li is basically placed in a fish-out-of-water situation: he comes from Hong Kong to America (knowing only a few words of English) to visit his old kung fu teacher, is followed everywhere by three Mexican small-time crooks who want him to teach them the martial arts, and tries to protect his teacher's shop from a gang led by a rival kung fu master. The main problem with the film is that it lacks urgency: much like the bad guy in Jackie Chan's "Thunderbolt", the villain has no real motive for his actions apart from wanting to prove that he is "the best". To put it in his own words: "When I finish with you, I'll go to China and beat all the kung fu teachers there!". But it has some pretty funny moments (watch Jet describing his experiences on his first day in America), great (if sometimes brief) fight sequences, and even a warm message about interracial friendship and acceptance: those Mexicans may seem like silly stereotypes at first, but if you think about it, the movie shows how people can overcome the barriers of their different races and languages to work together and help each other. (**1/2)

If you've seen Jet Li beat people down hard with kung-fu in ROMEO MUST DIE, UNLEASHED, CRADLE 2 THE GRAVE and KISS OF THE DRAGON, then you need to check out THE MASTER, a fist-flying kung-fu gem that features loads of realistic fight sequences that unfolds the extraordinary Wu Shu specialties of a then-unknown Jet Li.

Tsui Hark, the visionary director who helmed two Jean-Claude Van Damme-headlined vehicles, DOUBLE TEAM and KNOCK OFF, presented this story about a young Chinese martial artist (Li) from Hong Kong who travels to the United States in hopes of finding his master, Uncle Tak (played by Yuen Wah, the Landlord in KUNG FU HUSTLE). When arriving there, he learns that Tak was badly beaten in a fight by a former student named Johnny (Light Welterweight World Kickboxing Champion, Jerry Trimble), who is responsible for terrorizing martial art dojos across Downtown L.A. While Tak recovers from his injuries, Li tries to settle his differences with him while preparing for an all-out kung fu brawl against Johnny and his group of students in order to regain his master's honor.

Shot on location in L.A., THE MASTER was sort of how RUMBLE IN THE BRONX was with Jackie Chan where a Chinese kung-fu expert travels to a crime ridden area in America to achieve a simple goal while encountering thugs and impressing people with his combat methods. He teaches a Police Force healing secrets as if he was instructing a Tae Bo class, teaches a Latino gang kung fu to help them beat off thugs and faces off against an American martial artist to save his master and other hostages held by Johnny's students. The film's simple plot allowed plenty of space for non-stop martial art fights.

One of the film's greatest achievements was the nicely choreographed fight scenes, courtesy of co-star Yuen Wah who incorporated traditional kung fu and weaponry. The absence of fancy wirework and computer-generated effects allowed the fights to be believable and realistic as possible. Yuen Wah revealed his incredible kung fu specialties against a group of fighters on a building rooftop. He uses close-range takedowns, Wu Shu-oriented butterfly kicks, acrobatics, and other fight moves to show audiences that he is a true master of the art. Jerry Trimble exchanges blows with Jet Li on more than one occasion but the one-on-one finale features Trimble using Tae Kwon Do to execute his cinematic footwork while dealing with Li's counter attacks, fast-flowing jabs, and Wu Shu Kung Fu. In addition to that, fight, Li gets his leg stuck in a circular pipe handle but is still able to pull off kung fu.

Li helps his newly-befriended Latino gangster buddies fight off Johnny's posse (two of them who were played by stuntman and martial artist Steven Ho- Liu Kang's brother in MORTAL KOMBAT and Ju Jitsu expert Stefanos Militsakakis- BEST OF THE BEST 2, MAXIMUM RISK, DAREDEVIL) before facing off against Johnny on top of a car.

Yuen Wah is famous for his recent role as the Landlord in KUNG FU HUSTLE and remembered by fans as the man one who caught the apple in ENTER THE DRAGON and doubled for Bruce Lee in some of the sequences. He also had a small role in Chinese CONNECTION (aka FIST OF FURY) as the Japanese who taunts Lee by telling him to walk like a dog. He was a regular in old-school kung fu flicks produced by the legendary Shaw Brothers (recently saluted by Quentin Tarrantino in KILL BILL VOL. 1's opening).

World Karate Champion and Tae Bo exercise founder Billy Blanks made a quick-second cameo as a gang thug but unfortunately, he did not do any fighting which was a disappointment. The reason why the filmmakers did not let him fight will be a mystery but with his martial arts skill (shown in countless B-grade Hollywood movies), he should have fought someone but instead, he is depicted as an unknown extra.

Originally filmed in 1989, THE MASTER would not earn the 5-time National Wushu Champion his crown to superstardom. The film was delayed until 1992 because Li and Tsui Hark were unaware of what was to come that year when they collaborated again to make ONCE UPON A TIME IN CHINA, which was a box-office success and Li's ticket to superstardom (in Asia).

To help capitalize on Li's fame in America, the generally unknown film, THE MASTER finally got an international DVD release in 2002 by Miramax Films to give viewers the chance to witness the stunning talents of this kung fu master.

Overall, THE MASTER was a bad movie with good fight scenes. It suffered form poor acting and bad antics but it still deserves a full view because it was one of a few modern kung-fu movies to feature lightning-fast, raw and street-effective kung fu to make it comparable to fight-films like ONG-BAK and THE PROTECTOR.