Los Angeles. La coppia di poliziotti Martin Riggs e Roger Murtaugh deve proteggere il testimone di un processo per traffico internazionale di droga che fa capo a un boss malavitoso, protetto... Leggi tuttoLos Angeles. La coppia di poliziotti Martin Riggs e Roger Murtaugh deve proteggere il testimone di un processo per traffico internazionale di droga che fa capo a un boss malavitoso, protetto dall'immunità diplomatica.Los Angeles. La coppia di poliziotti Martin Riggs e Roger Murtaugh deve proteggere il testimone di un processo per traffico internazionale di droga che fa capo a un boss malavitoso, protetto dall'immunità diplomatica.
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- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
The first half hour of this movie is such an empty mixture of very fast chase scenes and some dull talking between supposed bad guys you might not get to the final hour which is fun and funny and as good (in a way) as the first Lethal Weapon from two years earlier. Same cast, same crew, same assets.
The problem at first is partly that we don't know who the bad guys are. We have no reason to fear or hate them. We just know that Mel and Danny have to be in on some new awful crime situation. That requires faith, so okay, we keep watching. The opening chase is highly kinetic and violent and spectacular, if you like that kind of thing. It is also a heads up for a couple scenes later that are also really spectacular —a ridiculous machine gun festival from a helicopter (if they have helicopters that have rocket grenades and boom, that's that), and a really ridiculous yanking down of a spectacular building with a GMC pickup truck (an amazing highlight of the movie).
Yeah, it's a wonderful mixed bag. By the end I was loving it the way you love things like this—not as film studies, but as a lowbrow good time. There are some classic scenes, also ridiculous—like the great toilet one—and some filler, of course, but it clicks along and is a worthy sequel. If you liked the first, you'll like the second.
However, it's worth saying the first one has an elegance at times that makes it not just more artful (who cares?) but more compelling. Just the way the first scene is handled (in the first movie) makes you want to know what's happening, and you worry about the next few scenes because of the first one. Here, it's more a continuation of affection—which means you might have to see the first one before this, in case you haven't!
Again, like in my last Lethal Weapon comment, must we go on for ten sentences? I mean, is it just me or isn't that a little silly? I think so. It's like, you can't just put down you liked the movie or hated it? I miss the old IMDb! *sob!*
8/10
PS: Ask me questions about the movie if you have doubts about me witnessing it's glory.
"Jou Moer" translates into English, quite unmistakenly, as "You C*nt". As this was still in it, years later, when I just saw it for the second time, I feel that nobody in America check unidentified words for their true meaning.
This has given many South Africans high amusement over the years and they may not be well disposed towards me for spilling the beans.
Another thing was that Patsy Kensit played the part of an Afrikaaner (A Dutch descent South African and, whilst an English descent South African might say she (or he) hates his country, an Afrikaaner would never say that. He or she might say they hate the government but they would NEVER say they hate their country.
But apart from that, a good film, and it gave me so much amusement to see they hadn't cut out the offending word.
From an English rooinek.
Andrew
Jeffrey Boam's script delivers on all counts, matching Shane Black's original in terms of wit, pathos, and excitement, and although it does introduce what would become one of the most irritating characters in cinematic history—fast talking money launderer Leo Getz (Joe Pesci)—at least Boam has the good sense to inflict a lot of pain and suffering on the guy in the process, Leo getting more than a few bruises as the story progresses.
Seasoned Hollywood director Richard Donner handles proceedings well, balancing the light-hearted moments and the gritty action just right (a trick he seems to have forgotten come part 3), and with the benefit of a bigger budget than before, he gets to pull off some truly impressive action scenes, including the amazing destruction of an entire house on stilts.
Part 2 also benefits immensely from a pair of memorable villains—South African diplomat Arjen Rudd, played by Joss Ackland, and his truly wicked henchman/assassin Pieter (Derrick O'Connor), and the welcome presence of the wooden but still very lovely Patsy Kensit, who very kindly strips off for a sex scene (the price we must pay for that pleasure is yet another Mel Gibson ass shot, but at least it's only a side view— not a full on crack shot like in the first film!).
The introdction of Joe Pesci's character is a little annoying at first but it soon grows on you and he adds a focus for the comedy element.
Richard Donner again directs the cop duo and again we have a movie well worth watching.
Plenty of action, a few more laughs and a lethal weapon that is still just as sharp, all combine to deliver another great outing for Riggs and Murtaugh.
8/10
Lo sapevi?
- QuizDuring production, Richard Donner was shocked when Mel Gibson confided that he was drinking five pints of beer for breakfast. Despite his alcohol problems, Gibson was known for his professionalism and punctuality.
- BlooperThe MythBusters (2003) duplicated the toilet bomb and showed that, by freezing the battery with liquid nitrogen, the explosion would have been delayed by about 15 minutes.
- Citazioni
[Rudd fires at Riggs, hitting him several times. Riggs falls, writhing in pain. Arjen's gun clicks empty. Roger aims at him]
Roger Murtaugh: [shouting] DROP IT, ASSHOLE!
Martin Riggs: [weakly] Rog...
Arjen Rudd: [holds up his wallet] Diplomatic immunity.
[Roger slowly rolls his head on his neck, takes aim, and fires - his bullet goes through Rudd's wallet, and then his head]
Roger Murtaugh: It's *just been revoked*!
- Curiosità sui creditiThe Merrie Melodies theme is briefly heard during the opening sequence.
- Versioni alternativeTo receive a 15 certificate, the UK cinema version was cut by the BBFC. These cuts included:
- Reduced violence in the scene where Murtaugh kills two thugs with a nail gun (a shot showing blood on a thug's head was shortened and another showing nails embedded in the other thug's chest was optically darkened).
- Most of the sex scene between Riggs and his girlfriend was cut.
- Riggs' vengeful killing of the villains who killed his girlfriend on the pier was entirely cut.
- Riggs' repeated shooting of a villain during the final shootout was reduced.
- Kicks to Riggs' face by villain in climax were reduced.
- ConnessioniEdited into Alias: The Box: Part 2 (2002)
- Colonne sonoreCheer Down
Performed by George Harrison
Produced by George Harrison and Jeff Lynne
Courtesy of Dark Horse Records
Music by George Harrison
Lyrics by George Harrison and Tom Petty
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Arma Mortal 2
- Luoghi delle riprese
- 7436 Mulholland Drive, Hollywood Hills, Los Angeles, California, Stati Uniti(stilt house of Arjen 'Aryan' Rudd)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 28.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 147.253.986 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.388.800 USD
- 9 lug 1989
- Lordo in tutto il mondo
- 227.853.986 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Proporzioni
- 2.39 : 1