Leviathan

The first half of "Leviathan" is competently made and surprisingly absorbing, with strongly drawn characters and good acting all around. In the second half, the film degenerates into an "Alien" rip-off (and later on, it even steals a classic scene from "Jaws"), with derivative special effects and too many familiar elements. But it is saved (and gets 6/10) by Cosmatos' professionalism; he certainly redeems himself here for making the absolutely terrible "Cobra" three years earlier.

In the Atlantic Ocean, 16,000 feet deep, the Tri Oceanic Mining Corporation keeps a eight-men crew with the mission of extracting silver and other precious metals. The geologist and leader Steven Beck (Peter Weller) works with Dr. Glen 'Doc' Thompson (Richard Crenna) managing the miners astronaut wannabe Elizabeth 'Willie' Williams (Amanda Pays), the prankster Buzz 'Sixpack' Parrish (Daniel Stern), Justin Jones (Ernie Hudson), Tony 'DeJesus' Rodero (Michael Carmine), Bridget Bowman (Lisa Eilbacher) and G. P. Cobb (Hector Elizondo). He is also the liaison with the Tri Oceanic executive Ms. Martin (Meg Foster).

In their next to last day, Willie and Sixpack are assigned to work outside the base and Sixpack falls in a hole. Willie seeks him out and finds a Russian vessel named Leviathan. Sixpack finds a safe inside the vessel and brings it to their base. They find money, vodka, a videotape and documents and Beck keeps the content of the safe. However Sixpack steals a bottle of vodka and drinks with Bowman. Meanwhile Beck and Doc watch the videotape and the Russian Captain explains a problem that killed his crew. On the next morning, Sixpack does not feel well and stays in the sickbay. Soon Doc learns that his patient has a genetic mutation. When Bowman shows the same symptoms, Beck asks Ms. Martin to rescue them. But there is a hurricane on the surface and the rescuing mission is not possible.

"Leviathan" is an Alien rip-off underwater, but it is nostalgic to see this movie in the present days to admire the excellent cast in the late 80's. The lovely Amanda Pays shines with her beauty and is always good to see the eyes of Meg Foster. Peter "Robocop" Weller, Richard Creena and Hector Elizondo, all of them in good shape, is another attraction. Another good point is the special effect with the monsters, usual in the 80's and 90's and different from the exaggeration of the CGI in the present days. My vote is seven.

Title (Brazil): "Leviathan"

Note: On 11 July 2023, I saw this film again.

This movie is always going to be compared to Deep Star Six and The Abyss, because all three films came out at the same time. It is an underwater "Alien" movie, but it doesn't rip off The Abyss, which came out third of the three and none of them did any real business.

Anyway, this movie was one of those films that is engrossing in the theater and transfers very poorly to television and video. I would venture a guess that a wide-screen DVD version may be able to pick-up most of the considerable detail that was placed into this film. The acting is not awful and the story is well-paced, which is a step ahead of the other two 1989 underwater movies. This isn't Shakespere folks, so don't expect it. A little more polish to the script would have helped this movie greatly, but it is a fairly B horror flick so it was expected.

The cast is Weller, Hudson, Crenna, and Pays doing their things. They don't exactly phone it in, but they aren't expected to deliver that many lines convincingly anyway. Whatever happened to Amanada Pays? After seeing this I thought she had a chance to break through, but instead she disappeared.

The setting and special effects are the keys to this one, though. Visually, it is as tough as they come. Like I wrote before, stick to the DVD version, because I already know the VHS version stinks because it is so cloudy and out of focus. Watch the DVD and I can almost guarantee that you will find this movie to be better than you have been lead to believe by others.

Ah, yes, underwater sci-fi (and horror). From 'The abyss,' to 'SeaQuest,' to 2020's 'Underwater,' and everything in between, the niche genre has been a darling of enterprising filmmakers and studio executives. Reliably solid production design and art direction, robust effects and enticing designs for any associated creatures or entities, large casts, swell scores from well-known composers - 1989's 'Leviathan' fits the bill neatly. It really does look and sound great, and one notes what seems to me to be a fairly large budget to capitalize on what was at the time quite a trend in film. I'm not saying it's the most wholly engaging and essential of pictures, but this is a pretty good time all the same.

To repeat myself a bit, the contributions of all those behind the scenes are terrific. Costume design, hair and makeup work, effects practical and digital, props and weapons, set design and decoration, lighting, and all other such elements are superb; the facilities of the mining operation are a feast for the eyes. Direction, cinematography, editing, and the fundamentals of film-making are tight, with fine production values. There are recognizable names and faces among the ensemble, and I think everyone on hand gives swell performances.

More substantively, I think the screenplay is pretty capable in general. Characters and dialogue sometimes leave a bit to be desired, but the narrative is pretty strong, even if it's familiar in broad strokes. The scene writing is the best part of David Peoples and Jeb Stuart's contribution, with light humor in the suitable exposition that quickly gives way to growing mystery and mounting horror. And that's really the key: one could assess every little aspect day in and day out, but at the end of the day the real question is how effectively the sci-fi horror is realized - and in my opinion it's splendidly strong in 'Leviathan.' Yes, one can immediately discern clear inspiration from very famous previous titles, in multiple instances to the point of pure mimicry. That's a sure mark against this, but taken in and of itself the marine monster movie is stimulating and satisfying. The picture is filled with tinges of body horror, flashes of action-horror, and an abundance of creature feature fun. All the blood and gore, prosthetics, and fabricated creature effects are outstanding; for the strength of these alone I'd say 'Leviathan' is worth watching.

What it all comes down to for me is that by and large I think this is perfectly entertaining, with fantastic exploration of what sci-fi horror could be in the underwater setting. While it's imperfect in the first place, the biggest limiting factor is simply how how the picture undeniably borrows. If you've seen John Carpenter's 'The thing,' and if you've seen Ridley Scott's 'Alien,' then there's no small amount of George P. Cosmatos' 'Leviathan' that's going to feel recycled. It looks, sounds, and feels good, but the comparisons are so significant that they distinctly distract and detract from the viewing experience. I suppose on that note that the good news is, if you're approaching this with virginal eyes, it's going to be better still. For whatever issues it may bear, though, this is still a flick that's a sturdy recommendation for fans of the cast, and for the genre overall. So long as you don't mind abject parroting, 'Leviathan' is satisfyingly enjoyable, and not a bad way to spend 100 minutes.

How can you go wrong with a Robocop, a Ghostbuster, a burglar from Home Alone, Pretty Woman and Axel Foley's personal assistants, and Richard Crenna????

Does it rip off Aliens? YES. Does it rip off The Thing? YES...but who really gives a rip?!?! It's just fun. Give me Stan Winston's practical effects any day too!

I remember going to the theatres when it came out, but I think I enjoyed it even more watching it 35 years later in retrospect. The stars and dialogue from the 80's was delightfully nostalgic. Grab the popcorn and go to town.

The kids might not get it, but if you were a product of the times, give it a rewatch!