The Karen Carpenter Story

Nice review by Tom Barrister. Just finished reading Little Girl Blue, very interesting biography. This movie leaves out a lot of details, and glosses over a few major moments in Karen's life. Specifically, the extent to which she went to hide her anorexia (as someone said she was the most honest person except she would lie like a trooper about her anorexia), her solo album which was criticized by Richard among others and scrapped, and finally her disastrous marriage to a gold digging liar. As for lots being filmed then scrapped because of the family, Richard was an executive producer and guess he was trying to protect the family, especially his mother. I read somewhere the family was sorry they helped make the movie because they think it wasn't fair in parts. IMHO the movie does a good job overall portraying the success, talent (that voice!) and tragedy of KC. Like Tom Barrister said in his review, a voice like that comes along every few decades.

ps my favorite song is Superstar. THAT VOICE!

Every time I hear Karen Carpenter's voice, there is that old familiar feeling of 70's blues. What an overwhelmingly beautiful and mature voice she had. Cynthia Gibb cast in the title role does a good job, however, I thought Karen Allen would have been a better choice. This is a tearjerker movie that does a fine job of presenting the professional careers of Karen and Richard but also the personal struggles that Karen dealt with and her disease. The recording sessions in Herp Albert's studio are very nicely done. However Karen Carpenter turned out, there was a time when she was very special and brought a great deal joy to her fans and music lovers. Even if you weren't a Carpenter's fan this is a nice story that depicts how a great talent can fall victim to the pressures of society.

I've never usually been emotional at movies, but this one requires a box of Kleenex standing by. It is not hard to be carried back to the time when the Carpenters' were at the top of their profession, cranking out hit after hit like a music factory. They had a perfect combination, Richard's tremendous musical genius and Karen's angelic voice. As I watched the story unfold, I found myself remembering this wonderful time and the thought crossed my mind, how many people fell in love listening to the Carpenters' music. How many prom-nights was "close to you" danced to cheek to cheek, and how many wedding ceremonies used "We've only Just Begun" as the wedding dance? That was a special time, even at a time when hard rock and heavy metal were beginning to make a big splash on the music scene, The Carpenters' did not suffer for there share of the music market in the 70's was nothing less than staggering. Anyway, the movie touches on all the technical plus gives you their personal side of the lives of these two icons, and the demons they dealt with, Richard successfully, Karen, tragically. At least, Karen will always be immortal through the legacy of music left behind, and as I've seen it written at her graveside, "A star on earth, A star in heaven."

There is a clever little scene in The Karen Carpenter Story, where both Carpenters are in a recording studio, and Richard makes an impromptu decision to have Karen sing for the owner of the studio.

Richard picks the wrong key for Karen to sing in, so Karen is singing above her natural range. You can see a look of bemusement on the owner's face; he figures she really can't sing. Richard quickly realizes his mistake and tries again in a different key. The next thing you hear is Karen's amazing, beautiful voice, and the owner does a priceless double take. Nicely done! For some reason, I have never forgotten that scene.

The Karen Carpenter Story chronicles the meteoric rise of the Carpenters, and Karen's struggle to overcome anorexia. A lot of things are glossed over. This isn't a documentary, and the movie left me with a lot of questions. Very little is mentioned of Karen's solo venture (the CD was released only a few years ago. If you buy it, you will wonder why they waited. It's some of Karen's best work. The songs aren't as timeless as her work with brother Richard, but it was a great recording, in my opinion).

I have heard it said that, you can be listening to a cheap, time-worn little radio in the middle of the Third World, that would seem to produce more static than anything else. But when a Carpenter song comes on the radio, you would think you were listening to a $1000 Hi-Fidelity unit.

Watch this movie!

Karen Carpenter had a singing voice that only comes along in the world every few decades. It was instantly recognizable. She had a full three octaves of range, with the lower two of those possessing a rich timbre and an uncanny ability for a very soothing slow-vibrato (my term).

Karen's problems were partly caused by her desire to be accepted and were intensely driven by her stage-demon of a mother, Agnes Carpenter. The problems perpetuated because her family lived in denial that a problem existed. They refused outside help until the damage to Karen's heart from her abuse of ipecac (which she eventually discontinued because she feared that it would damage her vocal cords) was irreversible.

The acting in the movie is good, and the songs are well-mixed, but it takes unreasonable liberties with reality. Over half of the scenes that Barry Morrow wrote were rejected by the family (mainly by Agnes Carpenter), who didn't want any negativity. It drove Morrow to the point where he refused to work on the movie any longer. His replacement had the same problem, and a third writer was brought in to finish. The whole thing is contrived, and to anybody who knew the actual situation, the movie has very little to do with how things really were.

Anybody who wants a realistic view of how things were should read the book "Little Girl Blue" by Randy Schmidt, which offers an objective view.