VALUTAZIONE IMDb
2,6/10
1524
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaYoung people exploring a cave in Hawaii fall into a hole, and wind up in the lost city of Atlantis.Young people exploring a cave in Hawaii fall into a hole, and wind up in the lost city of Atlantis.Young people exploring a cave in Hawaii fall into a hole, and wind up in the lost city of Atlantis.
- Regia
- Sceneggiatura
- Star
Jeff Celentano
- Tola
- (as Jeff Weston)
Liesel van den Bergh
- Burrows
- (as Leisl van den Bergh)
- …
Recensioni in evidenza
Fans of Jules Verne's timeless adventure story should take heed of early signs of impending danger in this train-wreck of a movie and immediately turn back: Journey To The Center Of The Earth '88 is extremely tough going and many pitfalls lie in wait.
The first indication that this is going to be a disastrous expedition into the unknown comes with the introduction of the film's heroine, British nanny Crystina (Nicola Cowper), an unappealing, androgynous looking young woman with a very nasty haircut. Things get worse when Crystina takes a job in Hawaii, looking after a dog for wild rock singer Billy Foul (Jeremy Crutchley), and her path crosses with two irritating, American teenage boys, Richard (Paul Carafotes) and Bryan (Ilan Mitchell-Smith), and their younger sister Sara (Jackie Bernstein). By now, it's perfectly clear that this film bears little resemblance to Verne's novel.
When the kids go exploring volcanic caves on the island, with Crystina following (having had her dog basket put in the back of their jeep by mistake), the group find themselves plunged into a subterranean world where they discover Atlantis, home to a Brazil-style dystopian society of bizarre 80s punk-styled characters.
This charmless mess of a movie was started by writer/director Rusty Lemorande, but when Cannon films refused to cough up the cash for his intended special effects, the film was eventually completed by tacking on material shot by B-movie legend Albert Pyun, whose abysmal Atlantis based footage ostensibly serves as a sequel to his earlier movie Alien From L.A. (which was also loosely based on Verne's classic).
The diabolical, incoherent narrative, cheap sets (complete with polystyrene rocks), and wooden performances from Cowper and Mitchell-Smith make the whole sorry affair difficult to endure. After much aimless Atlantis-based action in which the youngsters (minus Richard, who mysteriously vanishes) try to avoid capture by the villainous General Rykov (Janie du Plessis), who plans to invade the Earth's surface, the film ends abruptly with a completely pointless montage of earlier scenes set to a crappy 80s pop/rock tune.
The first indication that this is going to be a disastrous expedition into the unknown comes with the introduction of the film's heroine, British nanny Crystina (Nicola Cowper), an unappealing, androgynous looking young woman with a very nasty haircut. Things get worse when Crystina takes a job in Hawaii, looking after a dog for wild rock singer Billy Foul (Jeremy Crutchley), and her path crosses with two irritating, American teenage boys, Richard (Paul Carafotes) and Bryan (Ilan Mitchell-Smith), and their younger sister Sara (Jackie Bernstein). By now, it's perfectly clear that this film bears little resemblance to Verne's novel.
When the kids go exploring volcanic caves on the island, with Crystina following (having had her dog basket put in the back of their jeep by mistake), the group find themselves plunged into a subterranean world where they discover Atlantis, home to a Brazil-style dystopian society of bizarre 80s punk-styled characters.
This charmless mess of a movie was started by writer/director Rusty Lemorande, but when Cannon films refused to cough up the cash for his intended special effects, the film was eventually completed by tacking on material shot by B-movie legend Albert Pyun, whose abysmal Atlantis based footage ostensibly serves as a sequel to his earlier movie Alien From L.A. (which was also loosely based on Verne's classic).
The diabolical, incoherent narrative, cheap sets (complete with polystyrene rocks), and wooden performances from Cowper and Mitchell-Smith make the whole sorry affair difficult to endure. After much aimless Atlantis-based action in which the youngsters (minus Richard, who mysteriously vanishes) try to avoid capture by the villainous General Rykov (Janie du Plessis), who plans to invade the Earth's surface, the film ends abruptly with a completely pointless montage of earlier scenes set to a crappy 80s pop/rock tune.
This movie should win or be in the category the worst film ever made. I cannot say anything good about it at all. The acting, writing, direction, scenery, and everything else is just so poor. However, I would actually recommend that you see this film just to believe that it was made. The first half of the film is about the journey to the center of the world. Then people go missing, some without any reason. Then the second half is about the lost city of Atlantis which I believe is the 2nd half of another film which they obviously thought would work together. It didn't. If you like B movies then it might be funny to you. But, to anyone else, it really sucks. Gave it 1 out of 10 because there is no option of 0 out of 10.
This film is the worst film I have ever seen. The story line is weak - I couldn't even follow it. The acting is high-schoolish. The sound track is irritating. The attempts at humor are not. The editing is horrible. The credits are even slow - I would be embarrassed to have my name associated with this waste of film. Don't waste your time even thinking about this attempt at acting.
One of many many adaptations of the Jules Verne classic Journey to the Center of the Earth it's also the sequel to Alien from L.A (1988).
It's easy to make it randomly a sequel to some dodgy film as it has about as much to do with Verne's work as E.T (1982) does with Alien (1979)!
It tells the story of three young people who find themselves trapped in a cave system when a nearby volcano erupts. Forced to go further in to try and find a way out they come across the lost city of Atlantis and all the drivel that came with the previous movie.
To its credit it does follow Alien from L.A fairly well, but that's pretty much all it has going for it. It's yet another cheesy mess that lacks in pretty much every area of entertainment value.
To make matters worse there is a dream sequence that has nothing to do with anything and the scene that builds up to the finale seems to have been removed entirely!
If you can get past these issues and so very much more than you might find some level of enjoyment watching the two movies as a pair but as a stand alone it's devoid of anything and everything.
The Good:
Follows on from the previous movie well
Some neat pop culture references
The Bad:
The application of bioluminescence is still stupid
Not even remotely an adaptation
Pointless dream sequence
Very dishonest cover art
Ending feels unfinished
It's easy to make it randomly a sequel to some dodgy film as it has about as much to do with Verne's work as E.T (1982) does with Alien (1979)!
It tells the story of three young people who find themselves trapped in a cave system when a nearby volcano erupts. Forced to go further in to try and find a way out they come across the lost city of Atlantis and all the drivel that came with the previous movie.
To its credit it does follow Alien from L.A fairly well, but that's pretty much all it has going for it. It's yet another cheesy mess that lacks in pretty much every area of entertainment value.
To make matters worse there is a dream sequence that has nothing to do with anything and the scene that builds up to the finale seems to have been removed entirely!
If you can get past these issues and so very much more than you might find some level of enjoyment watching the two movies as a pair but as a stand alone it's devoid of anything and everything.
The Good:
Follows on from the previous movie well
Some neat pop culture references
The Bad:
The application of bioluminescence is still stupid
Not even remotely an adaptation
Pointless dream sequence
Very dishonest cover art
Ending feels unfinished
I'm the named director of the film. Only the approximately first 8 minutes of the film were written or directed by me. The remainder of the film is actually the sequel to "Alien In LA" which was tacked on and renamed "Journey to the Center of the Earth" in order to fulfill contractual commitments by the production company to foreign distributors. The remainder of the footage I shot (my film) has never been seen by the public (and few others) due to the lack of funds at the time to shoot and insert the many special effects shots required. The storyline of my version/script is entirely different from that in the above-titled film (the released version).
Lo sapevi?
- QuizAccording to director Rusty Lemorande, only the first eight minutes of this film were directed by him. The rest of it is the sequel to the Kathy Ireland vehicle Un'aliena al centro della Terra (1988) directed by Albert Pyun, which was tacked on by the producers and renamed "Journey to the Center of the Earth" in order to fulfill contracts with foreign distributors.
- ConnessioniFeatured in Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014)
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- Die Reise zum Mittelpunkt der Erde
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By what name was Journey to the Center of the Earth (1988) officially released in India in English?
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