Un detective... particolare

One of Kevin Kline's better films. An interesting thriller of a flic with a very good supporting cast. So good in fact that Danny Aiello as the highly agitated police administrator & Alan Rickman as "Ed" nearly steal the show. The movie has an interesting plot and some reasonably good humor to go along with the suspense of the story line. If you're looking for a good suspense movie, a few laughs or if you're just a Kevin Kline fan who wants to catch up on his back catalog give January Man a play. You definitely won't regret it.

I have always had "The January Man" on tape, but I never really sat down and watched it. One day I decided to give it a try, and I must say that it was unbelievable. Definitely one of Kline's best roles. Don't get me wrong, he was great in "A Fish Called Wanda", but he was in perfect form as Nick Starkey. And Rod Steiger was hilarious. And Alan Rickman was perfect as Ed. Great casting there. An amazing script, well directed, and great acting all around. I give it four out of four stars.

First things first, this film has a few problems with trying to work out what it wants to be. Some of the scenes are a bit ridiculous and unrealistic, and sometimes it gets a bit slow. But that could be said about some hugely successful blockbuster films as well.

Underneath this is a good little crime thriller with some likable characters who are trying to work out the clues to catch a killer with a taste for strangling women in their city apartments.

Kevin Kline is enjoyable, Susan Sarandon and Mary Elizabeth Mastrantonio are classy, Harvey Keitel doesn't really do much and Alan Rickman kind of floats around to help loosen up the mood of the film. Some of the dialog sounds like it was lifted from an adapted play or is better for an older, more mature generation.

But, the stand out star of this film is Danny Aiello, who plays Captain Vincent Alcoa. He has a filthy mouth, loves yelling and putting people down all the time and has to deal with a Kline as a difficult police detective who returns to the job.

The film alone is worth seeing for his performance.

If you're looking for extreme suspense and top-notch thriller, go watch Seven. But if you're looking for a nice little movie with stellar cast, very good acting and silly story that'll amuse you for some 90 minutes, then try The January man. It is silly - an absurd mix of thriller, comedy, romance, drama, good cop - bad cop, the story is full of flaws, but the movie itself is really well done. Too many people around wonder where's logic in it and give it low rating because of that, but The dark knight (with sillier story and average acting) is somehow best film of a decade?!? This is a movie that doesn't take itself too seriously and neither should you.

"The January Man" bombed both with critics and the box office when it was released to theaters. It doesn't take long watching it to figure out why. The script, for starters, is a real mess. It takes deadly serious elements and mixes them with broadly comedic elements. It might have been possible to balance them properly when it came to filming them, but the cast doesn't seem capable of doing so. Except maybe for Alan Rickman, the cast gives really awful performances (especially Rod Steiger), not helped by a number of instances of some really terrible dialogue. You can sense director Pat O'Connor's lack of assurance with this project, not just that he couldn't steer the cast properly, but with a screenplay that has a number of elements that feel half baked or unfinished. (Actually, there are signs that the original cut of the movie was more coherent, but got edited down to a shorter running time before being released.)

However, I have to admit that the movie remains weirdly watchable. It's so odd in its changing tone, next to incoherent at times with its story, and packed with really bad performances by a normally talented cast, that you can't help but keep watching in order to see what next miscalculation will be displayed on the screen. It certainly doesn't make the big mistake of being boring. If you have an interest in major studio movies that go wrong in just about every way you can think of, this does deliver.