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IMDbPro

Come fare carriera nella pubblicità

Titolo originale: How to Get Ahead in Advertising
  • 1989
  • R
  • 1h 30min
VALUTAZIONE IMDb
6,8/10
6901
LA TUA VALUTAZIONE
Richard E. Grant in Come fare carriera nella pubblicità (1989)
Trailer for How To Get Ahead In Advertising
Riproduci trailer1:52
2 video
16 foto
CommediaFantasiaSatira

Aggiungi una trama nella tua linguaA cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.A cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.A cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.

  • Regia
    • Bruce Robinson
  • Sceneggiatura
    • Bruce Robinson
  • Star
    • Richard E. Grant
    • Rachel Ward
    • Richard Wilson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    6901
    LA TUA VALUTAZIONE
    • Regia
      • Bruce Robinson
    • Sceneggiatura
      • Bruce Robinson
    • Star
      • Richard E. Grant
      • Rachel Ward
      • Richard Wilson
    • 43Recensioni degli utenti
    • 46Recensioni della critica
    • 63Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video2

    How to Get Ahead in Advertising
    Trailer 1:52
    How to Get Ahead in Advertising
    How to Get Ahead in Advertising
    Trailer 2:16
    How to Get Ahead in Advertising
    How to Get Ahead in Advertising
    Trailer 2:16
    How to Get Ahead in Advertising

    Foto16

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 9
    Visualizza poster

    Interpreti principali31

    Modifica
    Richard E. Grant
    Richard E. Grant
    • Bagley
    Rachel Ward
    Rachel Ward
    • Julia
    Richard Wilson
    Richard Wilson
    • Bristol
    Jacqueline Tong
    Jacqueline Tong
    • Penny Wheelstock
    John Shrapnel
    John Shrapnel
    • Psychiatrist
    Susan Wooldridge
    Susan Wooldridge
    • Monica
    Hugh Armstrong
    • Harry Wax
    Mick Ford
    Mick Ford
    • Richard
    Jacqueline Pearce
    Jacqueline Pearce
    • Maud
    Christopher Simon
    Christopher Simon
    • Waiter
    Gino Melvazzi
    Gino Melvazzi
    • Waiter
    Victor Lucas
    Victor Lucas
    • Tweedy Man
    Dawn Keeler
    • Tweedy Woman
    Kerryann White
    • Girl in Elevator
    Vivienne McKone
    • Sullivan Bristol Receptionist
    Donald Hoath
    • Businessman
    John Levitt
    • Businessman
    Gordon Gostelow
    • Priest
    • Regia
      • Bruce Robinson
    • Sceneggiatura
      • Bruce Robinson
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti43

    6,86.9K
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    Recensioni in evidenza

    8Stay_away_from_the_Metropol

    B-movie on paper, A-movie when viewed

    Quite a special and singular film! I was not expecting the movie to go the route it did but I was very glad it did. Most films that go down the absurd path that this did usually end up somewhere in a pool of camp or B-movie status, but this movie has enough plausible meaning, and is written, acted, and delivered with such impeccable talent that it holds ground as a film that can be taken seriously thoroughly in all regards. The concept is quite brilliant and daring and it was pulled off in a manner that is only more impressive as the movie continues - there is intelligence behind it. I was thinking through most of it how it surprisingly didn't remind me of most other British films or even British humor that I have observed - the only thing I could really place it with is some of the more bizarre Australian books, shows, and films I have taken in over the years. Richard E. Grant honestly gives an Oscar worthy performance in this - he is a maniac, and his range deserves immense praise. The film does feel somewhat inconclusive, but I really don't have many complaints about it... I am excited to check out the director's most notable film, Withnail & I, soon.
    6strong-122-478885

    The Man From "Boil Busters" Pays The Price Of Creativity

    Just like having dandruff, B.O., and/or bad breath, having boils (especially one that has a bad attitude and can talk) is certainly no laughing matter, or is it?

    It would be an understatement to say that having a lippy, ego-centric carbuncle can make one extremely unpopular at any social function.

    So you can well-imagine the unpleasant predicament advertising whizz-kid, Dennis Bagley, found himself in when, sure enough, he discovered a sizable, jabbering boil growing out of his shoulder, at the base of his neck.

    For the most part, I found 'How To Get Ahead In Advertising' to be quite a novel and entertaining look at the ill-effects of job-related stress, paranoia, and split-personality disorder.

    Offensive, insulting, quirky, & bizarre - Actor Richard Grant (and all of his agitated and haywire ranting & raving) delivered a hyperactive, adrenaline-rush performance as Dennis Bagley, the hilariously irritating ass from "Boil Busters".

    Even though this 1989, British comedy wouldn't suit everyone's tastes, it still does contain enough genuinely comical moments to make it worth at least one honest viewing.

    Yes. This film definitely hit its fair share of bona-fide bum-notes, but, generally speaking, its cynical and sneering look at the advertising business was quite a frank, and, yes, even refreshing one, at times.
    6michael-1151

    Not exactly satire, not exactly farce

    If you want nuance, you'll not find it here, subtlety, pah!!! No, it's laid on with a shovel as advertising executive Richard E Grant discovers advertising is more shallow than a paddling pool, and like said pool, if a toddler was unable to contain a lavatorial need, full of....well,you know what! The trouble is, although we see Grant having his breakdown, becoming obsessive and growing a boil which becomes his alter-ego, we do not see his journey, he's dubbed a success by everyone, but we do not see him succeed. We merely witness the repercussions of his desultory realisation that he's been part of the problem, rather than the solution.

    The idea of the talking boil is fun, but the scriptwriter/director didn't know whether to make it surreal, knockabout or farce, in the end sticking to what he perceives as satire. I'd have liked the themes to have been developed more - together with the two differing characters within the same body. We each see thousands of commercials on television, commercialisation is everywhere, referees and umpires have ads on their sleeves, I'm expecting the police to have sponsors' names on their trousers when they finally come to get me.

    This needed a little more subtlety, more comedy with the beautiful wife, who seemed discomforted by having sex with the brash alter-ego - that could have produced an amusing scene or three.

    It's much better that Robert Altman's unsuccessful parody of fashion, Pret-a-Porter, but uses a sledgehammer to lance a boil.
    10funkyfry

    Great film on modern life

    Hilarious, bitter satire of adverising, humanity, and personality. Ad exec Dennis Bagley gets so hung up on boils developing a "boilbusters" ad campaign that he grows a malignant boil which takes on its own personality and eventually takes over the show. Grant is perfect in the lead role, the direction and photography are excellent, and the effects cheap but grotesque. There are so many hilarious scenes, I found myself laughing out loud through most of the film even though I saw it by myself! I love the scene where Bagley explains to his wife why the boil only talks to her when she turns away : "He's waiting for you to do it!" A classic, should be sought out by all fans of sadistic humour(especially British, i.e. League of Gentlemen, Monty Python) .
    outsider-2

    Deep, dark truthful mirror

    Its a brave, scathingly funny film that might be an acquired taste. This one definitely needs a memorable quotes section!! For a film made so long ago, its quite an accurate and eerie depiction of what the PR industry has mutated into...

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Writer/director Bruce Robinson provided the voice of the boil.
    • Blooper
      After Bagley has lunch with his wife, she drops him back at the advertising firm's office building, but it is a different building to the one used for the interior scenes, which is the tall red building several hundred yards up the street (visible in the crane shot of their car pulling up), right next to the Lambeth bridge, as we can see from the window view in the scenes in Bagley's and Bristol's offices.
    • Citazioni

      [first lines]

      Denis Dimbleby Bagley: Let me try and clarify some of this for you. Best Company Supermarkets are not interested in selling wholesome foods. They are not worried about the nation's health. What is concerning them, is that the nation appears to be getting worried about its health, and that is what's worrying Best Co., because Best Co. wants to go on selling them what it always has, i.e. white breads, baked beans, canned foods, and that suppurating, fat squirting little heart attack traditionally known as the British sausage. So, how can we help them with that? Clearly, we are looking for a label. We need a label brimming with health, and everything from a nosh pot to a white sliced will wear one with pride. And although I'm aware of the difficulties of coming to terms with this, it must be appreciated from the beginning, that even the nosh pot must be low in something, and if it isn't, it must be high in something else, and that is its health-giving ingredient we will sell. Which brings me to my final question: who are we trying to sell this to? Answer: we are trying to sell this to the archetypal average housewife, she who fills her basket. What you have here is a 22 year old pretty girl. What you need is taut slob, something on foot deodorisers in a brassiere.

      Larry Frisk: I, uh, I'm not quite sure we can go along with that, Mr. Bagley. I mean, if you look at, like, the market research...

      Denis Dimbleby Bagley: I don't need to look at the market research. I've lived with 13 and a half million housewives for 15 years and I know everything about them. She's 37 years old, she has 2.3 children, 1.6 of which will be girls, she uses 16 feet 6 inches of toilet tissue a week and fucks no more than 4.2 times a month. She has 7 radiators and is worried about her weight, which is why we have her on a diet, and because we have her on a diet we also encourage her to reward herself with the little treats. And she deserves them, because anyone existing on 1200 calories of artificial synthetic orange-flavoured waffle a day deserves a little treat. We know it's naughty but you do deserve it, go on, darling, swallow a bun! And she does, and the instant she does, the guilt cuts in. So here we are again with our diet. It's a vicious, but quite wonderful circle, and it adheres to only one rule: whatever it is, sell it. And if you want to stay in advertising, by God, you'd better learn that!

    • Connessioni
      Edited into Video Macumba (1991)
    • Colonne sonore
      Oscillate Wildly
      (uncredited)

      Written by Johnny Marr

      Performed by The Smiths

      Courtesy of Rough Trade

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    Dettagli

    Modifica
    • Data di uscita
      • 28 luglio 1989 (Regno Unito)
    • Paese di origine
      • Regno Unito
    • Sito ufficiale
      • Handmade Films Website
    • Lingua
      • Inglese
    • Celebre anche come
      • How to Get Ahead in Advertising
    • Luoghi delle riprese
      • Datchet Railway Station, Datchet, Berkshire, Inghilterra, Regno Unito(scene where train pulls into station)
    • Azienda produttrice
      • HandMade Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 418.053 USD
    • Lordo in tutto il mondo
      • 418.053 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 30min(90 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Stereo
    • Proporzioni
      • 1.85 : 1

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