Wong ga si je IV: Jik gik jing yan

This movie is really just an excuse for a series of superb action scenes. The stunts are awe inspiring. There is one very funny moment at the end of a crazy motorbike chase /fight sequence involving hatchets which reminded me of The Marx Brothers.

I have seen the first two movies. Both get an 8 from me. I still have to watch the third.

Highly Recommended.

Between 1984 and 1991, after the demise of the traditional kung fu film, and before things really started going downhill with excessive wire-work, Hong Kong action movies moved through a kick-boxing phase which introduced more pragmatic fighting but retained some old-school sensibilities. Of all the films produced in these five/six years "Witness: ITLOD 4" is hands down the best. Here's my reasons why:

• the pacing is superb. You watch action films for action - and Yuan Ho-Ping,as is his wont, keeps the movie going at a breathless pace with a fight or chase almost every five minutes.

• Yuan Ho-Ping uses his strict rhythmic parameters so the action is clear and we can enjoy every movement. Some classical moves are dropped in just to make the action a little prettier. Long shots and close ups are used when appropriate and to give variety - all typical Yuan Ho-Ping trademarks and this is what sets him apart from inferior filmmakers in the genre. He also introduces some great novelty fighters - the female foreign fighter who looks like an English teacher with a heroin habit, the crazy eyed foreigner in the alley with the eccentric fighting style and of course Michael Woods.

• The syncronisation of the action and sound effects is SO crisp here and the sound effects have never sounded better - deep body blows and crisp "pak" sounds - music to my ears!

• The soundtrack music is superb! A little bit like the repeated theme of "Halloween" - it's icy and sinister - a delicious backdrop for the brutal and surgically precise action. There's a way that the theme anticipates the action in the way that a repeated theme introduces particularly nasty sequences in a Lucio Fulci film.

• Silence accompanying action. I love the way that characters roll over, across in and out of cars and buildings in silence. It may not have been a deliberate device - but the fact that HK films are shot silent and then dubbed later sometimes results in some very interesting dynamics.

• You enter into a world of claustrophobic and relentless brutality - which slips in and out of a cartoon universe where people take beatings with tire-irons and walk away intact one minute, and end up bleeding and lifeless in lift shafts in another. Yet in this icy universe of remorseless violence there are moments of compassion - for example when the "witness" is allowed to visit his mother - but this touching scene is, once again, abruptly terminated and violence resumes.

On top of the best action you will ever see, there are also the qualities to the film I have listed above. This all results in a quite extraordinary film with a very distinctive feel and ambiance. It's strange - I've never experienced the same kind of quality with any other Hong Kong film. When I first showed this to friends they demanded repeat viewings - it's like a roller-coaster ride that leaves you craving yet another adrenalin rush.

I think this fourth installment to the In The Line Of Duty series is the first that I have seen. If you like cop action movies In The Line Of Duty 4 is truly first rate. This was made in the prime Golden Era of Hong Kong cinema, which means you are getting some of the best action, fights and stunts on Planet Earth. It's directed and choreographed by Yuen Woo Ping( who is one of the best of the best action chreographers in HK and the world). Yuen Woo Ping adapted well from period martial arts films to modern action pictures like this. Cynthia Khan is the leading lady and Donnie Yen teams up for a early performance. This fits into the "girls with guns" subgenre that was popular in HK, but also has lots of great fight sequences. The stunts are insane and as a whole this stands up to pretty much any action movies coming out of the east or the west. I definitely need to check out the rest of the series as I really enjoyed this fourth installment.

Director Woo-ping Yuen who also created other classic martial arts flicks, Iron Monkey 1993, Thi Chi Master 1993 and another classic modern martial arts flick, Tiger Cage 2 1990 and was action choreographer on other classic flicks, The Matrix 1999, The Matrix Reloaded 2003, The Matrix Revolutions 2003, Fearless 2006, Kung Fu Hustle 2004, Kill Bill: Vol 2 2004 and was martial arts adviser on the classic flick, Kill Bill: Vol.1 2003 has created another gem in In the Line of Duty 4.

Starring Donnie Yen who has also been in other classic flicks, Ip Man 2008, Ip Man 2 2010, Flash Point 2007, S.P.L. 2005, Hero 2002, Blade II 2002, Once Upon a Time in China II 1992, Dragon Inn 1992, Cheetah on Fire 1992 and Woo-ping Yuen's Iron Monkey and Tiger Cage 2.

Also starring Cynthia Khan.

Also starring Michael Wong who was also in another classic flick, Beast Cops 1998.

I enjoyed the fight and chase scenes.

If you enjoyed this as much as I did then check out other classic modern day martial arts flicks, American Samurai 1992, Best of the Best 2 1993, Bloodmoon 1997, Bloodsport 1988, Broken Path 2008, Chocolate 2008, The Hunted 1995, Kickboxer 2: The Road Back 1991, The King of the Kickboxers 1990, Martial Outlaw 1993, Mission of Justice 1992, Ninja 2009, Ninja Assassin 2009, No Retreat, No Surrender 3: Blood Brothers 1990, The Perfect Weapon 1991, Ninja: Shadow of a Tear 2013, Death Grip 2012 and Versus 2000.

Pretty much an obscure Donnie Yen action flick in the States when compared to the Ip Man series or Flashpoint. Which mean while this one is not an essential Donnie Yen movie to watch for martial arts/action movie fans, this is still a solid action film nevertheless.

This is the 4th films in the In The Line Of Duty series in which I never seen the previous films, so I don't know if this a standalone or a continuation of the series.

After watching it, I don't even think this is a Donnie Yen vehicle, Yen only seem to be starring in this instead of being the real lead.

Because the real scene stealer is actress Cynthia Khan who played Madam Yeung, most of the best action scenes belong to her. Her fight scenes are better choreographed than Donnie Yen IMO. There's one notable scene involving a police van featuring dangerous stunts, but that scene feature Khan instead of Yen who is suppose to be the main hero.

Check out this one if you can find it but no need to rush. There are probably better retro Hong Kong action movies you haven't seen yet.