L'ossessione di Sarah Hardy

I remember this as one of the first great mystery films that I saw as a child. My parents only let me watch it because Alan's office and Ms. Stepford's kitchen were both located in my family home in Oregon. We still tell the tale of Sela Ward volunteering to babysit my baby brother while Mom drove the three of us girls to elementary school.

Not until I saw The Others have I seen a movie that makes me second-guess myself so much. I love Sela's acting, even if the writing would not have impressed me as an adult.

It also reminds me of What Lies Beneath, the conspiracy of one character who may not believe in supernatural influences preying on the credulous for their own gains.

I enjoyed this movie! I didn't know what to expect. Morgan Fairchild & Sela Ward are always excellent. Polly Bergen is just so very talented. Such wonderful acting! The actors were all well cast. Watching Michael Woods was definitely swoon inducing! He has been in many films with major leading ladies: Diane Lane, Sharon Stone, Jane Seymour, Jaclyn Smith... just to name a few! I believe he has starred in another movie with Morgan Fairchild before. I also remember seeing him on Oprah when he starred on Private Eye with Josh Brolin. A very handsome & talented actor, indeed. I think I should go refresh myself and watch a few more of his films.

I thought the movie was very good. Thrilling. It had me literaly on the edge of my seat. But the ending was rather confusing. When it was over I said "Right, so they end it." I think they should have made a sequel.

Initially interesting movie with a plot that held promise. Sela Ward's performance was better than what audiences have come to expect in television movies. The build up of suspense started with increasing expectancy. I felt that the ending was anti-climatic and sputtered into confusion. I give 3 stars out of 10.

This is a TV movie thriller masquerading as a ghost story, and it's as dim as it sounds. It encapsulates everything terrible about the American TV movie genre of the 1990s (although it narrowly missed that decade by a year): horrible scripting, a lack of decent characters, routine acting, and a storyline that thinks its something special when in actual fact it isn't.

THE HAUNTING OF SARAH HARDY attempts to build a decent Gothic atmosphere along the line of Du Maurier's REBECCA but attempts at building suspense are destined for failure. Instead, this becomes a piece of strictly routine hokum, with characters supposedly sent out of their wits by mysterious hauntings and spooky goings-on. The main issue I had was with the predictability of the storyline, which meant I knew exactly what was going on and guessed the twist well in advance. That makes for a very boring viewing experience.

There are no actors of note in the production, just the kind of faces that appear in this particular genre and never anything else. The lead, Sela Ward, would go on to appear in the horror remake of THE STEPFATHER some 20 years later, seemingly not having aged in the meantime, but given her lacklustre acting on show here you wonder how she ever had a career in the first place.