Erik il vikingo

Terry Jones is probably the least appreciated member of Monty Python, but viewing `Erik the Viking' should change your opinion on that. The movie's world is bleak and bitter (reading about Norse religion will show you that the Vikings lived in a bleak and bitter world), but Tim Robbins' idealistic and earnest Erik is just sweet and hopeful enough to keep things interesting, rather than completely depressing. The casting is excellent. Particularly noteworthy are Jones himself as a king who quite literally only sees what he wants to see; Eartha Kitt as a very effective and chilling Norse goddess (yeah, it sounds weird, but it's perfectly done); and Antony Sher, whose Loki is equal parts weasel and villain. You'll be disappointed if you come in expecting over-the-top Pythonesque zany-ness, but to me, this movie felt like a maturation of that style. The satire is still there but it's more sober than frenetic. I only rated this movie an 8 because I don't watch it very often, but it's probably my favorite of all the Pythons' solo projects.

An average Monty Pythonesque movie set in Dark Ages about a Barbaric warrior, Erik : Tim Robbins, who grows dissastified with his Viking way of life at the era Ragnagok , then he decides to set out to encounter the mythical Aagsgard kingdom, by blowing three times a supernatural horn, and where Norse Gods inhabit. By the way he joins a misfit and motley crew :Tim McInnerny, Freddie Jones, Anthony Sher. .., embarking into an orgy of fighting, destructiveness and battles . Our hero attempts to execute a prophecy told by a cave-dewelling witch-seer-hag, Freya : Eartha Kitt, to arrive in Hy-Brasil : Atlantis, ruled by a nasty king, Terry Jones, who has a beautiful daughter : Imogen Stubbs falling for Erik, and towards the edge of world by blowing the Horn Resounding in a legendary island, to get awakening the Gods dewelling at a fantastic location and achieving them to release the sun that formerly has been swallowed by Fenrir the Wolf.

This weird movie is a blending of Monty Python farce with Simbad the Sailor but no much laughs and amusement . An indulgent delight in making fantasies come to life, including wonders, irreverence, sense of wonderful style, researched detail, and a lot of incidental pleasures. Here a Viking hero meets villians, Gods as Thor and Odin dwelling at Walhalla and strange adventures. The picture is filled with bizarre roles and rare nombres as Thorfinn, Sven the Bersek, the blacksmith Loki and the very evil indeed Haydon the Black played by John Cleese giving a dry delivery . Fashionable camera work by cinematographer Ian Wilson , splendidly photographed mainly in white and brown , as well as rousing, epic musical score by Neal Innes . This is the scattershot tale of how Erik, a real character, arriving in the edge of world, and he attempts to terminate the age of warfare by besting a dragon on the North Sea. The movie results to be mediocre, athough there are a few laughs and chuckles mainly provided by an invisible sheet who wears Tim Robbins and the dry delivery by villain Halfelam wryly played by the always great John Cleese. Too tall Tim Robbins plays a kind of lovelorn gentle and simple , dismayed by the daily drudgery of rampage, ravage, conquest, pilllage and rape. This Tim Robbins vehicle proves as ramshackle as a Viking hut, as unwieldly as a Viking sword. Support cast is good but frankly wasted. Acting range from hysterical to exaggerated. There intervene notorious secondaries as Mickey Rooney, Imogen Stubbs, John Cleese, Tim McInnerny, Freddie Jones, and brief interpretations from Jim Broadbent , Eartha Kitt, John Sinclair, and Terry Jones himself. And Samantha Bond, subsequetly MoneyPenny in James Bond saga. it contains decent production design and lavish scenaries, adding traditional as well as modern special effects.

The motion picture was middlingly directed by Terry Jones, one of the main members of Monty Phyton. This is a post-Python frolic inspired by his own Norse saga children's book. It is not very fun movie, nor well directed, not exciting but being entertaining enough . Jones wrote and directed various Monty Phytonesque films as The Holy Grail,The meaning of life, Life of Brian, Personal services and Mr Toad's wild ride. Rating 6/10. Passable and acceptable but a so-so film and it is inferior than other Monty Python movies.

Seen as a poor relation to true-Python movies (even forgotten), it tells the tale of a young adventurous Viking, Erik, who sets out on a quest to find Asgard. Along with a selection of other Norsk villagers, they sail into the unknown, encounter a sea monster and stumble across the idyllic 'Hy-Brazil', a land ruled by King Arnulf (Director, Terry Jones) who keeps insisting that in the face of adversity "It's alright. It's not happening".

The badness in this piece is care of Halfdan the Black (John Cleese) and delivered in typical Cleese fashion. Loki ((now) Sir Anthony Sher) plays to Halfdan as a crooked little stoolpigeon, only looking to improve his standing and possible gains.

Sadly, no other members of the original Python team played a part in this film as, rumour has it, after the death of Graham Chapman (in October of 1989), the remaining Pythons. Gilliam, Palin and Idle, decided not to appear.

Erik The Viking is a light comedy with occasional droplets of Python rain, gently falling about the story. Director, Terry Jones, relies on a pair of old-school character actors who number his and many Python films: John Scott Martin (Ingemund the Old) and Charles McKeown (Sven's Dad).

Jones allowed his cast to keep their mother-tongues: Tim Robbins (Erik) and Mickey Rooney (Erik's Grandfather) keep their American drawls and John Gordon Sinclair (Ivar), his broad Scottish accent. One of the best interactions is between Ivar and Thorofinn, discussing seasickness aboard their boat and a welcome diversion comes in the shape of 28yr old Imogen Stubbs (Princess Aud).

In the end, it's just a bit of fun and serves as a good 'hors d'oeuvre' to anyone who needs a gentle initiation into the world of Python.

'Erik' was quite cute and had some absolutely brilliant moments but overall wasn't as tight and consistently funny as I was hoping. There were quite a few sections that seemed to wander along pointlessly; what a pity!

Tim Robbins was fine in a cutesy, little boy way which is, I guess, what he was supposed to be. I couldn't help wishing he had a tad more substance. Cleese's role seemed generally uninspired with only brief moments of genius. It was fun, however, seeing Tim McInnerny pre-Blackadder-"Captain Darling" days and Antony Sher made an excellent "trickster" Loki.

It's possible that the print I rented from my local video shop was a bit more dingy than the original, but the stunning scenery (filmed in Norway, Malta and England) lost its effect.

Despite these negatives, it's certainly worth watching at least once, if only for those inspired moments of comedy it contains.

In true Python alum fashion, this movie is rewatchable (despite what Maltin says) and a lot of fun each time you watch it. Tim Robbins does his usual good job in a light-hearted but sensitive role; and possibly the best line of the movie is John Cleese's reaction to Robbins when Robbins *believes* himself to be invisible, declaring: "Now you see me, now you don't!" Cleese's reaction has me laughing out loud every time.

Behind all the fun and games, though, Terry Jones has done some pretty darn clever commentary on belief systems and epistemology; the fact that you can only be affected by that particular brand of magic in which you believe is a strong idea which rings nicely throughout the movie. (The addition of the priest character drives the point home nicely.) Interesting ideas, which I'd bet are ignored by most people just out for a good time (which is okay too, since it's a funny movie).