Dr. Jekyll e Mr. Hyde: sull'orlo della follia

Anthony Perkins finally stars in remake of the Dr. Jekyll / Mr. Hyde story about a timid sexually repressed doctor who is transformed into a vicious, sleazy killer from time to time slashing the throats of hookers. This film is only of interest for yet another one of Perkins truly demented performances, some fine costumes & sets, and a few nice directorial touches. Be forewarned though, this remake is very graphic both sexually and violence wise.

Edge Of Sanity is a dark thriller/horror movie and is an interesting and sordid, sleazy take on the Dr. Jeckyll and Mr. Hyde story with nods to Jack The Ripper spliced in as well. Anthony Perkins is up for the task and delivers a solid and very creepy performance in this film. His experiments with cocaine, bring to life evil persona Mr. Hyde. Mr. Hyde has a lot fun serial fornicating and slashing the throats of beautiful hookers across Victorian era London. The story is not always cohesive in the way it is told, but it more than makes up for it with stunning cinematography and stunning actresses that have no problem disrobing for this film. The film has a nice score and some Gothic atmosphere as well. As Mr. Hyde, Anthony Perkins looks like he would blend in easily at a Sisters Of Mercy or Bauhaus show. The supporting cast is good, but the visuals and Anthony Perkins performance are what most commands the audience's attention. The film here is pretty grim and violent as well, this is not recommended for the squeemish. Edge Of Sanity is a depraved, unhinged and highly erotic, if that sounds good to you, I doubt this flick will let you down.

I've had the unrated version for this, since about the time I started buying tapes. Gerard Kikoine (once a Jess Franco disciple!) really cuts loose with this one, and he brings Anthony Perkins along for the ride! Despite ubiquitous art direction that sacrifices much for the "look" ( the lab has numerous beakers, all filled to the same level, with blue liquid. What it is, I don't know). Perkins really goes off as the respected scientist, who unleashes his inner self through experiments with the new drug, cocaine. He even somehow, apparently creates some sort of Crack, that can be lit with a wooden fireplace match!?! Production values are surprisingly high! Like a friend of mine said, I could almost buy into the idea, that Jack The Ripper was a sexually frustrated scientist experimenting with new drugs. Lush, often restrained, but also often quite gory. Probably more in tune with 70's arty euro-porn, than the history of horror films, this is often quite disturbing, and Perkins is at his best. Almost assured of a better reputation as time goes on. Don't miss, at least once.

Pax

--Judexdot1--

This dreary film based on an intriguing concept which cross-contaminates the Jack the Ripper murders with the "Dr. Jekkyl and Mr. Hyde" story. For such a far fetched idea, the script is painfully grim, with Perkins seemingly reveling in his relentlessly character. The film feels European in its pacing and photography, with the Budapest locations filling in for 19th century London.

Director Kikoïne plays the film completely straight, the moody script offering no respite from the tedious reel of violence and perverse sexuality. Other than Perkins, the supporting cast is forgettable, much like the film itself. Failing on the level of being scary, or entertaining, it is hard to recommend anything about this. Perkins shows his talent, playing two vastly different characters without the aid of radical make-up effects.

Like a nightmare, this film feels so much longer than it actually is. It is perhaps the longest 85 minute film ever made, which is no compliment. The story does not seem to progress anywhere, the film relies entirely on violence and sex - and frankly, there is too much of each. Anthony Perkins is acting below his level here, which is a terrible shame considering his talent. It is quite amazing that he still shines even in this piece of traumatic drivel. This surely is no "Psycho".

In conclusion, "Edge of Sanity" is neither enjoyable or scary, which one would suppose makes it a poor attempt. This is a wasted concept, the possibilities for such a story are almost endless, so why is this film bogged down with it's long, boring script? Die-hard Perkins fans may draw something from this, but for the average movie goer, give it a miss.

In Victorian London Anthony Perkins plays shy but brilliant Dr. Henry Jekyll. He has a loving wife (Glynis Barber), a beautiful home and is a respected man. One night he accidentally ingests some vapors from alcohol mixed with cocaine and becomes evil, vicious, sex-obsessed Mr. Hyde. Also around this time Jack the Ripper is killing prostitutes. Is it Perkins...or someone else?

This came and went VERY quickly in 1988. It was cut to ribbons by the MPAA and the critics called it a sick, unpleasant piece of trash with Perkins at his worst. While I agree it's no classic it's not the disaster I heard it was.

It's a very sleazy movie and makes no apologies for it (which is sort of refreshing). It's full of female nudity and even full frontal male (which was cut out of the R rated version). It is unpleasant with graphic stabbings but it's shot on elaborate, beautiful, expressionistic (check out Perkins' lab) sets. It's obvious a lot of money went into this. The script is also quite interesting getting into Jekyll's mind about what's going on.

Good acting all around helps. Ben Cole (looking like he came from "A Clockwork Orange") plays a male prostitute and is good. Barber is excellent as Jekyll's wife. All the ladies playing prostitutes are actually pretty good actresses--they're beautiful and have no trouble taking off their clothes. However Perkins holds this movie together. He does overact as Hyde but in a good way. When he's on screen you can't take your eyes off him.

The MGM DVD released a few years ago is the unrated version, not the R one as is advertised---not that I'm complaining. So it is graphic and unpleasant but also very interesting and well-made. Worth seeing if you're not easily offended. A 7.