Dr. Caligari

This is definitely one of the strangest alt-indie-freak films I have seen. The characters are almost caricatures, but their actions are choreographed with their lines as they pose around each other.

Madeline Reynard is electrifying as Dr. Caligari, a descendant of the infamous Caligari. She is working on an insidious plot to transfer personality traits between patients in a mental hospital by swapping brain fluids. Her plans go awry when some staff members catch on and she uses a cannibalistic masochist (Shivver Boy) in her experiments.

I definitely recommend this movie for your collection, if not to scare your "normal" friends but for the giant latex tongue.

This is unquestionably a WTF film. One of those strange films that seem made precisely to test the viewer's resistance to absurdity.

Loosely inspired by Robert Wiene's 1920 classic, takes from it, in addition to the name, a vague inspiration in the expressionist sets of the time and the surrealist theme.

With bright, plasticized colors, and an eroticism worthy of a Rocky Horror Picture Show, it misses, however, the music, the main attraction of the cult gay musical from the seventies. Here, we have some very eighties electronic sounds, which do nothing to help a weak and totally absurd script.

However, there remains a visual richness, in the sets, in the wardrobe, even in the surreal exaggeration with which some characters are embodied.

For some it will be enough to make a cult film. For me, however, it is complete nonsense and a waste of time.

It's better to see Rocky Horror Picture Show again, it's much more fun and above all, it has a memorable soundtrack and characters.

I absolutely love this movie. It has so many different levels to appreciate. Besides the main twisted storyline that should make any cult movie lover wriggle, there is an interesting use of colors in the film (bright pinks, neon yellows, etc) that reminds me of the Dick Tracy movie. It is also just full of catty one-liners that my friends and I use all the time (i.e., "I know what it's like when a girl needs her prescription filled." and "Ms. Koombs is less aware than the chair that you're squirming in now."). With the strong sexual themes and partial female nudity, I often refer to it as an "art film". I have watched this movie over thirty times, and I still find new symbolism and hidden meanings when I view it each time.

I feel that this movie would especially appeal to fans of the John Waters films (Pink Flamingos, Female Troubles, Desperate Living, etc), but if you're offended by sexual discussions involving drag queens and lesbians, this is NOT the movie for you.

With all of the insane and colorful zest of a Douglas Sirk melodrama, the similarly unnatural bodily horror dysplazia of VIDEODROME, some incredibly witty, well written and razor-sharp dialogue to rival the likes of FASTER, PUSSYCAT KILL! KILL!! And even HEATHERS, finished off with equal parts ERASERHEAD. FORBIDDEN ZONE and THE CORPSE GRINDERS, the resulting abortion emerges as director Stephen Sayadian's brilliant, long overdue sequel (of sorts... not really, though!) to the 1919 classic German expressionist CABINET OF DR. CALIGARI, this more recent incarnation, also titled DR. CALIGARI, reaches such insanely overblown, expressionistic and unlikely comedic heighths, that it is an immensely bizarre and enjoyably welcome, diverting hoot of a bad acid trip that consistently veers off in the opposite direction from the atypical genre fare one might easily anticipate from such efforts, that it really does emerge as a wholly original and consistently first rate breath of fresh abstraction, quite apart, above and far beyond anything one might wish to compare it to... the mere fact that DR. CALIGARI was produced, released and exists at all justifies it as achieving meritorious mention as the unheralded and unsung art/sex/grindhouse classic that it truly is, rightly belonging alongside all those other, better known underground cult classics of the last fifty years, and, to my reasonably well-educated, informed cinematic estimation, is nothing short of a minor masterpiece and truly one of the very finest horror comedies in all of film history.... That being so firmly stated : UNLESS sustained representations of abnormal psychology and psychotic situations, every kind of aberrant sexuality, highly stylized instances of day-glo color schemes, synchronized avant-garde staging beyond any rational, functional or logical reasoning and some of the funniest, most ridiculously realized puns & double entendres ever to appear so intentionally, consistently rhythmic and delivered with such hyper-realized absurdist aplomb as you're ever likely to experience from any other title in the library of contemporary adult genre films... If any of that doesn't exactly sound like your particular cup of angel dust, then I would earnestly suggest that you definitely steer clear of this queer grand guignol melting pot of ideas, genres and psyches! Sure, the film is far from perfect, but hell, even SUNSET BOULEVARD had it's fair share of mis-steps!

I saw this flick when it first came out and just recently re-discovered it on the 2 for $5.00 table at the local video store. YOW it is goofier than I remember. High-1980's weirdness. A bit of the incomprehensible nutty flavor you'd expect from an Alfred Jarry play, minus the gravity. Dreadful production values, but cool costumes and great innovative homemade sets - really cool overall look and feel. Entertaining, clever, creepy and crappy all at the same time. The script?!?! Err...unique...(how's that for diplomacy?). One of a kind film.

Belongs in the same category as Liquid Sky and the first couple of years of music videos made for MTV.