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Fa' la cosa giusta

Titolo originale: Do the Right Thing
  • 1989
  • VM14
  • 2h
VALUTAZIONE IMDb
8,0/10
119.935
LA TUA VALUTAZIONE
POPOLARITÀ
2111
56
Spike Lee and Danny Aiello in Fa' la cosa giusta (1989)
Official Trailer
Riproduci trailer2: 07
11 video
99+ foto
CommediaCommedia darkDrammaTragedia

L'odio e l'intolleranza crescono fino ad esplodere nella violenza in una strada nel quartiere Bedford-Stuyvesant di Brooklyn durante la giornata più calda dell'anno.L'odio e l'intolleranza crescono fino ad esplodere nella violenza in una strada nel quartiere Bedford-Stuyvesant di Brooklyn durante la giornata più calda dell'anno.L'odio e l'intolleranza crescono fino ad esplodere nella violenza in una strada nel quartiere Bedford-Stuyvesant di Brooklyn durante la giornata più calda dell'anno.

  • Regia
    • Spike Lee
  • Sceneggiatura
    • Spike Lee
  • Star
    • Danny Aiello
    • Ossie Davis
    • Ruby Dee
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,0/10
    119.935
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2111
    56
    • Regia
      • Spike Lee
    • Sceneggiatura
      • Spike Lee
    • Star
      • Danny Aiello
      • Ossie Davis
      • Ruby Dee
    • 606Recensioni degli utenti
    • 114Recensioni della critica
    • 93Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 21 vittorie e 19 candidature totali

    Video11

    Do the Right Thing
    Trailer 2:07
    Do the Right Thing
    Do The Right Thing
    Trailer 2:07
    Do The Right Thing
    Do The Right Thing
    Trailer 2:07
    Do The Right Thing
    A Guide to Spike Lee Joints
    Clip 2:03
    A Guide to Spike Lee Joints
    Rosie Perez in Three Roles
    Clip 2:14
    Rosie Perez in Three Roles
    Blaxploitation Movies & Black Power in the 1970s
    Clip 4:51
    Blaxploitation Movies & Black Power in the 1970s
    Spike Lee: Four Decades of 'Wake Up!'
    Clip 3:05
    Spike Lee: Four Decades of 'Wake Up!'

    Foto155

    Visualizza poster
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    + 148
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    Interpreti principali49

    Modifica
    Danny Aiello
    Danny Aiello
    • Sal
    Ossie Davis
    Ossie Davis
    • Da Mayor
    Ruby Dee
    Ruby Dee
    • Mother Sister
    Richard Edson
    Richard Edson
    • Vito
    Giancarlo Esposito
    Giancarlo Esposito
    • Buggin Out
    Spike Lee
    Spike Lee
    • Mookie
    Bill Nunn
    Bill Nunn
    • Radio Raheem
    John Turturro
    John Turturro
    • Pino
    Paul Benjamin
    Paul Benjamin
    • ML
    Frankie Faison
    Frankie Faison
    • Coconut Sid
    Robin Harris
    Robin Harris
    • Sweet Dick Willie
    Joie Lee
    Joie Lee
    • Jade
    Miguel Sandoval
    Miguel Sandoval
    • Officer Ponte
    Rick Aiello
    Rick Aiello
    • Officer Long
    John Savage
    John Savage
    • Clifton
    Samuel L. Jackson
    Samuel L. Jackson
    • Mister Señor Love Daddy
    • (as Sam Jackson)
    Rosie Perez
    Rosie Perez
    • Tina
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Smiley
    • Regia
      • Spike Lee
    • Sceneggiatura
      • Spike Lee
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti606

    8,0119.9K
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    Recensioni in evidenza

    Vlad W.

    An underappreciated masterpiece

    I find it a tremendous oversight that this film gets so little recognition. The American film institute couldn't find one place in one hundered American films for this cinematic masterpiece that pulls no punches . It got no academy award and most importantly I could not find one friend who had heard of it. I call this a tremendous oversight because the film is wonderful. I know that Spike Lee is a rather eccentric personality and is not well liked by everyone, but his films are brilliant and this is no exception.

    For about the first two thirds of the movie the plot meanders around a section of New York City as the characters awaken and start their days. For this first two thirds we have a comedy that is funny because of the eccentric and wonderfully developed characters. The audience is pulled into the story by the rich dialogue and inventive cinematography. There is just some quality about this film that makes it seem so real. This all sets up for the imminent tragedy to be all the worse as a result of the connection the audience has with the movie.

    Then the film explodes. Those who have seen it know what I mean and those who have not should see it. This last third of the film should not be explained, it must be experianced. In fact this whole film should be experianced. I can't say enough.
    9Tivanboven

    Cruel reality meets light-hearted comedy

    I went to see a free showing of this film the other night, in light of recent events. Where a younger version of myself would have maybe shrugged and thought 'Well, this is an extreme depiction of reality', I now realize that it is not.

    Do the Right Thing is a beautiful mix of comedy, great narration (what movie introduces an entire block of characters and makes you care about each of them?), intense dialogue and a very dark, grueling reality we live in, today. Not just in the United States, but everywhere in the world.

    Unfortunately it cannot be fully called a historical drama yet. But hopefully, some day in the future we can watch this, have a chuckle and weep tears of sadness for the past in which racism, prejudice, bigotry and police brutality was commonplace. Until then: let's spread this movie out like a virus. It's been 30 years with hardly any change, the previous generations haven't been able to eradicate the evil that is racism. Let's do our best to make a difference.
    10itamarscomix

    That's the double-truth, Ruth

    In all likelihood Spike Lee's most important achievement - as director, writer and actor (though to my taste Mo' Better Blues is just as good a picture) and one of the strongest films you'll see about race relations, 'Do The Right Thing' looks dated at times, but it lost none of its impact and relevance. The movie takes place in a particularly hot day in a primarily African-American neighborhood in Brooklyn, and follows the various personalities who live there throughout the day; the center of the story is Sal's Famous Pizzeria - its owners, some of the few white people living in the neighborhood: Sal (Oscar nominated performance for Danny Aiello) and his two sons (John Torturro and Richard Edson), and Mookie (Spike Lee himself), the black delivery boy. What starts out as a light, entertaining movie with some amusing characters and light humor, gradually builds up tension to the point of being unbearable, up to the dramatic and tragic climax. Spike doesn't put as much emphasis on the characters themselves as he does on the relationships and the tension between them; and in this image of a very specific and small frame in time and place, makes a strong and important message about racism and race relations in general. The film is populated with many different characters, all of them very memorable and each one a representative of a certain belief, mode of behavior or state of mind - on both sides of the conflict. From the uninhibited anger of Buggin Out (Giancarlo Esposito) and Radio Raheem (Bill Nunn) on one side and Pino (John Torturro) on the other side, to Jade (Joie Lee, Spike's sister in the film and in real life) and Vito (Richard Edson), who are trying to connect and live at peace with the other side, to Da Mayor (Ossie Davis), in his isolated but peaceful state of mind, living in complete peace with the world around him, and Smiley (Roger Smith), living in his own isolated existence. Then there's Mookie, who is stuck in the middle, torn between his commitment and responsibilities to both sides. Finally we have Mister Senor Love Daddy - played gorgeously by the one and only Samuel L. Jackson, in one of his finest performances - half active character and half all-knowing narrator - who represents the voice of reason in the conflict, the reason which is bound, ultimately, to collapse. Each and every character plays an important part in the climatic and dramatic conflict to which the movie builds up, and though it's the radical ones - Buggin Out and Radio Raheem - who trigger the events that cause the tragedy, they are not necessarily the ones who finish it. It is Mookie and Sal, in fact, who ultimately play the main part.

    Do The Right Thing is not an easy watch; it's a mesmerizing, tense, difficult film that breaks many taboos and slaughters many holy cows. But in the end of it - hopefully - you'll be wiser than you were in the beginning, and that's what Lee have always tried to achieve in all his films. Watch it to get a real view on racism that doesn't duck the difficult issues and isn't afraid to tackle the real problem, and to see a master director at work. It's one of the best films of its time.
    10mstomaso

    There it is..... Love and Hate

    90% of Spike Lee's masterpiece Do the Right Thing is a perfectly developed character study of a wide range of model personalities who all happen to be in Bedford-Stuyvesant on the hottest day of the summer. What the other ten percent consists of you will have to discover for yourself.

    This ingenious film explores extremes, but never gives itself over to stereotypes as its plot cleverly navigates through the politics of inner city life and the struggles of American racism. As an artful and intelligent examination of the ethics of violence and prejudice, Do the Right Thing is unparalleled. It implies a simple profound question - what is the 'right thing'? But steadfastly refuses to supply even a hint of an answer - appropriately leaving its central point entirely up to its audience. Instead, the film points to a different, perhaps more important question "Whose version of right is right for you?" There are a lot of good people, a lot of bad people, and a very realistic majority of people who are usually somewhere in the middle but also somewhat confused throughout this film. African American, Latino, East Asian and Italian American cultures form the dynamics of the relationships that drive the story, and conflict is their medium. Drawing from two incisive but different comments on violence from Martin Luther King and Malcolm X, Lee extrapolates his story and the ideas he wants to explore by showing us characters that are as real as they are exaggerated and somewhat unpredictable events that they create, are swept into or actively or passively participate in. Although the point of the film is not really critique, nobody is left unscathed.

    I am not going to tell you what the film says - I can't, because it is, more than most films dealing in such a direct manner with the subject of race, open to interpretation. And what you bring to it will influence, but not determine what you take away from it. It is just that powerful.

    Instead, I will simply give Do the Right Thing my highest recommendation.

    Superbly written, edited, directed and filmed. Well acted (Danny Aiello, Ossie Davis, Giancarlo Esposito, Rosie Perez, Spike Lee and Richard Edson really stood out for me) and very nicely soundscaped, Do the Right Thing is the perfect film for a solitary night of reflection or for sharing with an intelligent group of friends. However, be forewarned, the film hits hard, and will disturb some people a great deal - especially those who feel a need for closure and resolution.
    8The_Void

    excellent drama with a message

    If I had to make a list of the top ten things that I find most boring, racism would be right at the summit along with economics and The Blair Witch Project. For that reason, I have avoided Do the Right Thing up until now for fear that it would be a lecture on racism...but actually, I don't know what I was afraid of, as this film is really good. Spike Lee's racial drama is actually more a film about the feebleness of racial divides and how violence only breeds violence, as opposed to a film ABOUT racism. In fact, the film can be best described as a cinematic materialisation of Martin Luther King's famous "an eye for an eye leaves everybody blind" speech.

    For this movie, Spike Lee has put together a terrific cast, that includes many actors that have gone on to become big names in the movie industry, people such as Samuel L. Jackson, John Turturro and Martin Lawrence, not to mention smaller stars such as Ossie Davis. The cast comes together excellently and the neighbourhood that Spike Lee has created for this film feels very real, and through the multiple personalities that inhabit it, it manages to stay interesting and realistic throughout. The atmosphere of the neighbourhood is also of note, and you really do get the feeling that someone could say 'biatch' or 'dogg' at any time. Spike Lee delights in showing us many different people, and at different times - including their reactions to certain events and their interactions with each other, and it all helps to build up both their own characters and the neighbourhood that they live in. This proves to be invaluable to the film as it has no real plot and therefore relies on the characters and the neighbourhood that it has created to build itself, it's scenario and therefore it's message, up.

    Do the Right Thing is a portrait of how multiple cultures live together in modern day America and it also succeeds in being a stark and potent portrayal of how violence never gets anyone anywhere. Spike Lee has shown his talents as an actor, director and a writer with this film, and even though majority opinion of him seems to be that he's a disagreeable old crone; at least he's one that has talent.

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    Trama

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    Lo sapevi?

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    • Quiz
      During the 1990 Oscar ceremony, while announcing the Best Picture nominees, Kim Basinger caused some controversy when she ignored her scripted text and said: "We've got five great films here, and they're great for one reason: because they tell the truth. But there is one film missing from this list, that deserves to be on it, because ironically, it might tell the biggest truth of all, and that's Fa' la cosa giusta (1989)." Spike Lee would later thank her for it in a 2019 episode of the podcast "Unspooled".
    • Blooper
      The bicyclist walks past him on the left; but the black mark is on the right side of his shoe.
    • Citazioni

      Radio Raheem: Let me tell you the story of Right Hand, Left Hand. It's a tale of good and evil. Hate: it was with this hand that Cain iced his brother. Love: these five fingers, they go straight to the soul of man. The right hand: the hand of love. The story of life is this: static. One hand is always fighting the other hand, and the left hand is kicking much ass. I mean, it looks like the right hand, Love, is finished. But hold on, stop the presses, the right hand is coming back. Yeah, he got the left hand on the ropes, now, that's right. Ooh, it's a devastating right and Hate is hurt, he's down. Left-Hand Hate KOed by Love.

    • Curiosità sui crediti
      Film title logo at the end of closing credits
    • Versioni alternative
      the "pan & scan" version broadcast on ITV4 truncates the conversation between Radio Raheem and the Koreans when he visits their store to replace the batteries for his portable radio. The sequence where the husband loses his temper and swears "mother-f&%k you", to which Raheem responds warmly is omitted.
    • Connessioni
      Edited into Film Title Poem (2016)
    • Colonne sonore
      Fight the Power
      Music and Lyrics by Chuck D (as Carlton Ridenhour), Hank Shocklee, Eric Sadler,

      and Keith Shocklee

      Performed by Public Enemy

      Def American Songs, Inc. (BMI)

      Courtesy of DefJam/CBS Records

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    Dettagli

    Modifica
    • Data di uscita
      • 17 novembre 1989 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
      • Spagnolo
      • Coreano
    • Celebre anche come
      • Haz lo correcto
    • Luoghi delle riprese
      • Stuyvesant Street, Bedford-Stuyvesant, Brooklyn, New York, New York, Stati Uniti(the block)
    • Azienda produttrice
      • 40 Acres & A Mule Filmworks
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 6.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 27.545.445 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3.563.535 USD
      • 2 lug 1989
    • Lordo in tutto il mondo
      • 37.295.445 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore
    • Colore
      • Color

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