L'odio e l'intolleranza crescono fino ad esplodere nella violenza in una strada nel quartiere Bedford-Stuyvesant di Brooklyn durante la giornata più calda dell'anno.L'odio e l'intolleranza crescono fino ad esplodere nella violenza in una strada nel quartiere Bedford-Stuyvesant di Brooklyn durante la giornata più calda dell'anno.L'odio e l'intolleranza crescono fino ad esplodere nella violenza in una strada nel quartiere Bedford-Stuyvesant di Brooklyn durante la giornata più calda dell'anno.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 21 vittorie e 19 candidature totali
- Mister Señor Love Daddy
- (as Sam Jackson)
Recensioni in evidenza
For about the first two thirds of the movie the plot meanders around a section of New York City as the characters awaken and start their days. For this first two thirds we have a comedy that is funny because of the eccentric and wonderfully developed characters. The audience is pulled into the story by the rich dialogue and inventive cinematography. There is just some quality about this film that makes it seem so real. This all sets up for the imminent tragedy to be all the worse as a result of the connection the audience has with the movie.
Then the film explodes. Those who have seen it know what I mean and those who have not should see it. This last third of the film should not be explained, it must be experianced. In fact this whole film should be experianced. I can't say enough.
Do the Right Thing is a beautiful mix of comedy, great narration (what movie introduces an entire block of characters and makes you care about each of them?), intense dialogue and a very dark, grueling reality we live in, today. Not just in the United States, but everywhere in the world.
Unfortunately it cannot be fully called a historical drama yet. But hopefully, some day in the future we can watch this, have a chuckle and weep tears of sadness for the past in which racism, prejudice, bigotry and police brutality was commonplace. Until then: let's spread this movie out like a virus. It's been 30 years with hardly any change, the previous generations haven't been able to eradicate the evil that is racism. Let's do our best to make a difference.
Do The Right Thing is not an easy watch; it's a mesmerizing, tense, difficult film that breaks many taboos and slaughters many holy cows. But in the end of it - hopefully - you'll be wiser than you were in the beginning, and that's what Lee have always tried to achieve in all his films. Watch it to get a real view on racism that doesn't duck the difficult issues and isn't afraid to tackle the real problem, and to see a master director at work. It's one of the best films of its time.
This ingenious film explores extremes, but never gives itself over to stereotypes as its plot cleverly navigates through the politics of inner city life and the struggles of American racism. As an artful and intelligent examination of the ethics of violence and prejudice, Do the Right Thing is unparalleled. It implies a simple profound question - what is the 'right thing'? But steadfastly refuses to supply even a hint of an answer - appropriately leaving its central point entirely up to its audience. Instead, the film points to a different, perhaps more important question "Whose version of right is right for you?" There are a lot of good people, a lot of bad people, and a very realistic majority of people who are usually somewhere in the middle but also somewhat confused throughout this film. African American, Latino, East Asian and Italian American cultures form the dynamics of the relationships that drive the story, and conflict is their medium. Drawing from two incisive but different comments on violence from Martin Luther King and Malcolm X, Lee extrapolates his story and the ideas he wants to explore by showing us characters that are as real as they are exaggerated and somewhat unpredictable events that they create, are swept into or actively or passively participate in. Although the point of the film is not really critique, nobody is left unscathed.
I am not going to tell you what the film says - I can't, because it is, more than most films dealing in such a direct manner with the subject of race, open to interpretation. And what you bring to it will influence, but not determine what you take away from it. It is just that powerful.
Instead, I will simply give Do the Right Thing my highest recommendation.
Superbly written, edited, directed and filmed. Well acted (Danny Aiello, Ossie Davis, Giancarlo Esposito, Rosie Perez, Spike Lee and Richard Edson really stood out for me) and very nicely soundscaped, Do the Right Thing is the perfect film for a solitary night of reflection or for sharing with an intelligent group of friends. However, be forewarned, the film hits hard, and will disturb some people a great deal - especially those who feel a need for closure and resolution.
For this movie, Spike Lee has put together a terrific cast, that includes many actors that have gone on to become big names in the movie industry, people such as Samuel L. Jackson, John Turturro and Martin Lawrence, not to mention smaller stars such as Ossie Davis. The cast comes together excellently and the neighbourhood that Spike Lee has created for this film feels very real, and through the multiple personalities that inhabit it, it manages to stay interesting and realistic throughout. The atmosphere of the neighbourhood is also of note, and you really do get the feeling that someone could say 'biatch' or 'dogg' at any time. Spike Lee delights in showing us many different people, and at different times - including their reactions to certain events and their interactions with each other, and it all helps to build up both their own characters and the neighbourhood that they live in. This proves to be invaluable to the film as it has no real plot and therefore relies on the characters and the neighbourhood that it has created to build itself, it's scenario and therefore it's message, up.
Do the Right Thing is a portrait of how multiple cultures live together in modern day America and it also succeeds in being a stark and potent portrayal of how violence never gets anyone anywhere. Spike Lee has shown his talents as an actor, director and a writer with this film, and even though majority opinion of him seems to be that he's a disagreeable old crone; at least he's one that has talent.
Lo sapevi?
- QuizDuring the 1990 Oscar ceremony, while announcing the Best Picture nominees, Kim Basinger caused some controversy when she ignored her scripted text and said: "We've got five great films here, and they're great for one reason: because they tell the truth. But there is one film missing from this list, that deserves to be on it, because ironically, it might tell the biggest truth of all, and that's Fa' la cosa giusta (1989)." Spike Lee would later thank her for it in a 2019 episode of the podcast "Unspooled".
- BlooperThe bicyclist walks past him on the left; but the black mark is on the right side of his shoe.
- Citazioni
Radio Raheem: Let me tell you the story of Right Hand, Left Hand. It's a tale of good and evil. Hate: it was with this hand that Cain iced his brother. Love: these five fingers, they go straight to the soul of man. The right hand: the hand of love. The story of life is this: static. One hand is always fighting the other hand, and the left hand is kicking much ass. I mean, it looks like the right hand, Love, is finished. But hold on, stop the presses, the right hand is coming back. Yeah, he got the left hand on the ropes, now, that's right. Ooh, it's a devastating right and Hate is hurt, he's down. Left-Hand Hate KOed by Love.
- Curiosità sui creditiFilm title logo at the end of closing credits
- Versioni alternativethe "pan & scan" version broadcast on ITV4 truncates the conversation between Radio Raheem and the Koreans when he visits their store to replace the batteries for his portable radio. The sequence where the husband loses his temper and swears "mother-f&%k you", to which Raheem responds warmly is omitted.
- ConnessioniEdited into Film Title Poem (2016)
- Colonne sonoreFight the Power
Music and Lyrics by Chuck D (as Carlton Ridenhour), Hank Shocklee, Eric Sadler,
and Keith Shocklee
Performed by Public Enemy
Def American Songs, Inc. (BMI)
Courtesy of DefJam/CBS Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Haz lo correcto
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.545.445 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.563.535 USD
- 2 lug 1989
- Lordo in tutto il mondo
- 37.295.445 USD
- Tempo di esecuzione2 ore
- Colore