Una ghigliottina per il tenente Colombo

Without being absolutely outstanding, Columbo Goes to the Guillotine is a solid and nice return for the great detective. The second half does drag though, and some scenes go on for too long, but other than that it is a very good episode, helped primarily by a good script and a clever plot with some interesting magic tricks. The locations and photography as per usual are striking, and the music is good as well. The acting isn't outstanding but it is still good. Peter Falk I have no problem with, while Anthony Andrews gives a good turn as well, while the supporting cast while not as good are solid. Overall, it is a nice return for Columbo, with an 8/10. Bethany Cox

I think of Peter Falk's Lieutenant Columbo as an old friend. I love watching him in action. Peter Falk is so good at playing him and he obviously enjoys it as well because he keeps coming back to him as well. I know that he kept the trademark raincoat from the series. Columbo Goes to the Guillotine was the first of many Columbo television films that came back after a decade long absence from our homes. We notice that Columbo hasn't changed that much including his raincoat over the last ten or so years that he stopped playing him. He's still the smart, funny, forgetful, and lovable Italian detective that we remember and treasure. I wish there was another episode even now. They're all treasures. I love how he doesn't change with the times but the characters do.

When Columbo returned to television in the late '80s, the integrity of the original series was usually in place. The qualities that made Columbo tops were never more apparent than in "Columbo Goes to the Guillotine," with guest stars Anthony Andrews, Anthony Zerbe, and Karen Austin. Andrews plays a psychic being wooed by a government organization for his gifts, but of course, they want to see proof. He is connected with a psychic institute run by beautiful Karen Austin, who not only wants the credibility a win like this could give her institute, but Andrews himself. She is running tests and helping him cheat.

Enter Zerbe, a magician who makes his living debunking psychics. He is brought in by the government to administer special tests to Andrews. Turns out, he and Andrews knew each other once, long ago, in a third world prison, and when Zerbe saw his chance to get out, he did, leaving Andrews behind. There is a hint here of more than just a prison friendship - in the hands of two excellent actors like Zerbe and Andrews, they have etched these characters and their relationship with a lot of layers. Andrews plays the card of their old friendship to get Zerbe to give him elaborate tests that are carried out by trickery, and then sanction him as real to the government. This accomplished, Andrews plays the revenge card for what Zerbe did by abandoning him years ago and, in a remarkable scene, gets rid of him. It's brilliantly done as the murder is never shown, but it makes you sick anyway.

It's up to Columbo to debunk the psychic and reveal him for what he really is, a cold-blooded killer. Watch Columbo figure out the tests, with the help of a boy who is a magic aficionado, and be prepared to be caught up in the scenario and feel like you've just seen a pretty great magic show. One of the truly great Columbos.

This is not the first time Columbo has entered the world of magic and illusion in the course of his investigations; it is an ideal setting for murder, with its built-in "things are not what they seem to be" theme. This movie, however, goes into greater detail exploring the mechanics of trickery, and adds in the richer theme of (supposed) paranormal phenomena to make things more confusing. A renowned magician and debunker of fake mystics (perhaps modelled somewhat on James Randi) declares that a celebrated young psychic is the genuine article, and has actually succeeded in passing rigorous laboratory tests to prove his psychic ability. In fact, the psychic is a fake, as the magician is fully aware, but a combination of guilt and sentiment over some shared history between the two men leads him to cover up for the young man, who takes advantage of this weakness to kill him. Columbo must not only work his way through the tricky surfaces presented by professional magicians, he has to also deal with a murderer who has been authoritatively declared a genuine psychic by the victim. The most useful advice he gets comes from a rather snotty little boy who is a magic buff and tells him "It's a trick. You start out knowing it's a trick, and then you figure out how to do it." Watching Columbo learn how to duplicate the apparently mystical feats of his opponent is highly enjoyable.

After a hiatus of over a decade Peter Falk returns as the dogged and persistent homicide detective Columbo of the LAPD. As usual he's got himself a suspect who thinks he's a cut or two above the hoi ploi.

Anthony Zerbe is our victim here and he's a magician in the tradition of Harry Houdini. And as history has taught us one of Houdini's sidelines was the exposure of psychics whom he thought were all a gang of frauds.

Zerbe knows that Anthony Andrews is a fraud and he's got some personal knowledge of that because they have some history together. Zerbe by the way is no saint either.

Zerbe is done in by one of his magician's props, a guillotine he uses in his act that proves to be all too real.

One thing about this episode, like in a few others Columbo doesn't have much of a case, he just hopes the suspect trips himself up. Andrews does in fact, but Peter Falk puts himself in harm's way to do it.

But of course he gets his man.