Oltre ogni rischio

Strong performance from McGillis still doesn't help this confusing thriller from Abel Ferrera. In the unrated version, there is a scene with McGillis in bed where she is asked to strip down nude. When asked to lie down on the bed, her captor takes out a revolver and places it in a sensitive place. It's a horrific image to imagine what could happen but Ferera is known for pushing the envelope.

It took many years before an Elmore Leonard book was given celluloid justice - Jackie Brown. However, this is a brave stab mainly thanks to an interesting cast, notably a sleazy Charles Durning in an unusual role.

It takes all of about five minutes to realise that this is not a Ferrara movie, the Direction is haphazard and uninspiring. Weller does his best but the character is so one-dimensional, he becomes a supporting character in his own movie. This movie has a lot of promise and deserves a revisit, casting maybe a George Clooney, Alec Baldwin or Val Kilmer in the Moran role.

File under forgettable Eighties thriller.

Of all the Leonard stories put to film, this to me is the best. The voice-over along with the visuals carry the book's feel, both plot and dialogue. Peter Weller has a subtleness that breaks through his seeming deadpan, and Charles Durning couldn't be better at ambiguity. Kelly McGillis is more than a pretty and sexy figure. All the characters are mixtures of good and not so good, and as typical Leonard characters they work out the balances of their desires.

The direction is great. It keeps you moving, wondering, and figuring out the mystery. The story has several components that mix well as they are revealed. And there is the basis of reality to this film. It helps to recall the invasion of the Dominican Republic and the practices of torture attributed to the head of police at the time.

One of this films wonderful attributes is the score by jazz pianist/composer Chick Corea. It surprises me that no one has mentioned it.

And lastly, let me say that the film is exciting. Viewing after viewing it holds up well.

Despite having some notable people in the roles of writer, director, and actor, "Cat Chaser" was never given a theatrical release. It may have been because Vestron Pictures was always struggling when it came to releasing its movies since it never had as much money as the major studios had when it came to marketing and distribution. But I think the real reason for the movie going direct to video is that it isn't very good overall. Not everything about the movie is bad - the acting (especially by Charles Durning) is decent. But the movie ultimately sinks due to a combination of unspectacular locations (which are also flatly photographed) and a story that after the first twenty minutes makes very little sense afterwards. The trivia section says the rough cut ran 157 minutes - obviously A LOT of explanation was taken away in the editing room. If I ever get the chance to see the 157 minute version someday, I'll give the movie another chance. Until then, this is a movie to avoid.

It's no secret that "Cat Chaser" was taken away from director Abel Ferrara and slapped together by committee right around the time of the Vestron bankruptcy. Consequently, Ferrara has disavowed this film. But he shouldn't. While it has some murky plotting, no doubt due to the re-editing, it's quite an interesting, evocative adaptation of an Elmore Leonard novel. Ferrara always impresses with his sharp direction, and the wonderful art direction really captures the feel of sleazy bars, motel rooms, and the Dominican Republic. Peter Weller is fine, Kelly McGillis is quite uninhibited in her numerous nude scenes, and it's fun to hear Charles Durning pronounce "toilet" as "tur-let." "Cat Chaser" is a lost treasure from the late 80's worthy of rediscovery and a director's edition DVD.