Bashu, il piccolo straniero

This is one of the nicest movie I've ever seen. I just would like to comment on the language. This is an Iranian movie, but the language is not Persian as the small boy (Baashu) speaks Arabic and the region where the film has been shot is Gilaan or Mazanderaan, therefore the language is Gilaki or Mazanderi. It is not really understandable to Persian speakers. So you might need subtitles to understand it. I loved this touching movie. It is the story of a Baashu, a small nomad boy who escapes combats in the south of Iran (during Iran-Iraq war). He jumps in a truck and finds himself in an unknown place where he understands nobody's language. A farmer woman takes him under her protection. The film is about differences or I should say humanity and common feelings among all humans, like love and compassion. I will not tell you more, but advise you to watch this exceptional film. I wish you a nice moment watching this wonderful movie.

"Bashu" is special, important, soulful, educational, touching and not to be missed by anyone who even mildly likes film.

Aside from the cinematography acting as a medium and taking the viewer into the world of rural Iran, director Bahram Beizai uses supernatural touches to move the audience. Sussan Taslimi is tough and beautiful; the children in the film are delicious; the elders of the village are real, hateful, human.

Very little dialogue moves the story along, another feature that makes this film watchable. The piece is shot with trust and slowness that you can bathe in the surroundings without having to feel that you are on a mystery hunt. There is mystery of course and not all of it is explained. It certainly is not a Hollywood movie. It is not even a European movie. it is simply, A MUST SEE MOVIE.

Most striking in this Middle-Eastern film are the subtle reflection of the beautiful nature against a background of a senseless war and intolerant human beings. You can see the film just for enjoyment and you can keep thinking about every scene for a long time.

The story begins with Bashu, the child who wakes up seeing his mother burning up in flames, his father disappearing under wreckage of their house and his sister vanishing in the midst of Iraqi bombardment during Iraq-Iran war. The perplexed child gets deaf and run into the back of a truck, which carries him to another part of the country. The same country, yet entirely a different world: another language, another skin color, different clothes, more green fields, less sand, different Iranians...etc.

So much difference in a country supposed to be made of one nation. An illusion most authorities in the region try make their people believe in instead of encouraging tolerance among their subjects. However, Bashu would be lucky enough to find the mother Naii who is a strong woman, independent, courageous and stubborn. She is caring for her two children, chickens and other animals and gives Bashu enough tenderness that makes him smile again despite the new environment, the new language, the rejection of other villagers and flash backs of his tragic family loss. It is no wonder that Bashu sees the ghost of his real mother most of the time next to Naii.

A less convincing scene was the return of Naii's husband. It might be due to censorship that it would be said in the film that Naii's husband was looking for work. It is more digestible for the audience to be told that the man has lost this arm in the war than saying that he lost it while looking for work!

Bahram Beizai shows us how independent and smart a woman can be, yet feminine and loveable.

Bashu is an amazing movie by any standard. I have watched Kiarostami, Makhmalbaf, Panahi, Majidi, but Beyzai supersedes them all inthis great film.

The story is nothing new and nor is it complex. But the way the director showed the complex undertones of complete stranger Bashus psychology was astounding.

My hats off to Beyzai: "YOU ARE THE MASTER"

A simple, human, quite touching Iranian film, about a 10 year old boy whose family is killed when the Persian Gulf is bombed by Iraq. Fleeing the war, he stows away on a truck and ends up in the verdant, peaceful north, where he struggles to fit in and start a new life. His adopted new small town is suspicious of outsiders, especially those with darker skin, and the boy speaks Arabic, whereas the locals speak a regional language. But he slowly finds his way, and finds love in a gentle, big hearted film about family, re-birth and hope.

It's amazing how many good films have come out of Iran over the last generation. It's really become one of the last bastions of thoughtful, humanistic drama.