Charlie è un pastore tedesco dall'oscuro passato di ladro che evade dal canile municipale e con l'aiuto del fedele bassotto Itchy va alla ricerca del suo ex-socio. Nella ricerca si imbatte i... Leggi tuttoCharlie è un pastore tedesco dall'oscuro passato di ladro che evade dal canile municipale e con l'aiuto del fedele bassotto Itchy va alla ricerca del suo ex-socio. Nella ricerca si imbatte in una bambina che ha il dono di saper parlare con gli animali.Charlie è un pastore tedesco dall'oscuro passato di ladro che evade dal canile municipale e con l'aiuto del fedele bassotto Itchy va alla ricerca del suo ex-socio. Nella ricerca si imbatte in una bambina che ha il dono di saper parlare con gli animali.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Itchy
- (voce)
- (as Dom De Luise)
- Charlie
- (voce)
- Flo
- (voce)
- Anne-Marie
- (voce)
- Kate
- (voce)
- Vera
- (voce)
- Harold
- (voce)
- Dog Caster
- (voce)
- Whippet Angel
- (voce)
- Killer
- (voce)
- (as Charles Neslon-Reilly)
- King Gator
- (voce)
- Sir Reginald
- (voce)
- Terrier
- (voce)
- Mastiff
- (voce)
- Carface
- (voce)
- Puppy
- (voce)
- Puppy
- (voce)
Recensioni in evidenza
Yes, "All Dogs" is weird; There are dogs, orphans, corruption, murder, gambling, alcohol, afterlife, machine guns and a singing alligator, all mixed-up in the same movie. Yes, "All Dogs" has plot holes; Charlie can't talk to horses but can talk to alligators, the bad guy is allowed to enter heaven and the story is overall confusing.
So what?
This is one of the few movies that managed to make me "feel", in the true sense of the word. Have you ever been sad and hopeful at the same time? "All Dogs" made me feel that way. It makes me smile every time I watch it -without even knowing why-, and occasionally makes me cry. "All Dogs" has one of the most powerful endings I have ever seen in my life. The art is sublime; the characters' expressions, the backgrounds and special effects are astonishing. The symphonic and jazzy musics rolling in the background make whole with the 30's atmosphere. The dialogs are all fitting where they should belong. There are so many things to tell about this movie... I've noticed that many reviewers have been disturbed by the unusually dark tone spilled throughout the film. In real life, people are able to drink, gamble and/or kill. Don Bluth seems to be one of the few directors that takes children seriously, and present them the not-so-bright sides of life.
For those who are unsure about watching "All Dogs" or not because of some disturbing interpretations of the movie; Give it a try. You'll either hate it or love it to death, but one thing is sure: you won't be seeing anything like that in the near future. This is one of the strangely addicting movies that you love without knowing why (see also "Six-String Samurai" and "The Man Who Saves The World" to see what I mean).
There are some scenes that may scare little kids, but I'm sure they'll do fine. Every time I watch this movie, it reminds me of when I was a little kid. I'm sure everyone has a movie that reminds them of when they were younger, this is the movie that makes me feel that way. The performances from Burt Reynolds and Dom DeLuise are great, and this is the last movie that a little girl named Judith Barsi was in. Unfortunately, she was killed at a young age, which is a shame because she had so much potential and didn't deserve what happened. Now that I know her story, I can't watch this movie the same way anymore because her voice sounds so sad.
The animation in this movie is great, the voice work is great, and the story is good, but a little bit different from many other kids movies. This was popular at the time of its release, but was over shadowed by Disney's mega popular The Little Mermaid. This is a movie that isn't conceived as well by adults, but if you're a kid, or if you grew up with this movie as a kid, then I'm sure you will enjoy watching it.
The film tells the story of Charlie B. Barkin, a casino gambling German Shepherd who gets murdered by his former partner, Carface Carruthers, but leaves Heaven to go to Earth with a rewindable watch. On Earth, he and his best friend, Itchy Itchiford, get back at Carface by using a young orphan girl named Anne-Marie, who teaches them an important lesson about kindness, friendship and love. What sounds convoluted plot-wise is even more muddled in the execution, as the film goes from an inner world in New Orleans with dogs who plot and scheme one-another to then having this orphan child come in out of left field. Throughout the feature, the initial goal of Charlie getting back at his foe feels almost sidelined to focus more on Anne-Marie, as if the filmmakers couldn't make up their minds on how to drive the narrative forward. What's even more frustrating is that both archs work well on their own: the revenge angle presents some fun concepts in this world where dogs coincide on their own and Anne-Marie's presence helps provide the feature with a good amount of heart and emotions. It's just unfortunate that the jumbled tone on deciding whether it wants to be serious or light hearted got in the way of a cohesive story.
Now in terms of characters, Charlie himself comes off more unlikable than the film may have intended. Even when he learns about the meaning of kindness, his actions towards Anne-Marie feel undeserved and rather petty. Yes he's meant to be the wise cracking con artist with a heart of gold, but there are times when his bitterness to others is more mean spirited than necessary. Meanwhile, Itchy is a charming albeit neurotic comedic relief, Carface and Killer are the generic smart and dumb villain types, and anyone else. If any credit must be given to the voice actors, Burt Reynolds and Dom DeLuise make a great duo as Charlie and Itchy, as their improvisational banter and sardonic remarks are more entertainmenting than most of what goes on in the feature. Also, in spite of this being the last film for child actress Judith Barsi, the sincerity she gave in her performance as Anne-Marie feels like that of a genuinely innocent child who understands right and wrong and wants someone who will love and care for her. I guess for every mangy trait, these characters do have some good in them after all.
Of course, being a Don Bluth film, you're going to have gorgeous visuals, although here it comes with a mixed bag. On one hand, it's cool to have the dogs look and act in a more exaggerated and cartoony manner than the more realistic humans presented, but at times the animals look so exaggerated to the point of looking unappealing and they can't decide whether they want to walk on all fours or be anthropomorphic. Alternatively, the backgrounds are rich in detail, color and atmosphere, whether they be the gorgeous Louisiana landscapes, the surreal dreamlike heaven and hell, or even the abstract multicolor environments with strange creatures (like one such alligator). Also, there are some really bizarre edits in this film, as in you'll get a key shot of a sequence and then it will go away to another shot that will last less than five seconds (seriously, blink and you'll miss some stuff). Lastly, the musical numbers are what I like to call entertaining show stoppers, because as upbeat and catchy as they can be, most of them stop the story dead in its tracks and could have been cut out altogether.
So in the end, All Dogs remains a well intentioned albeit disjointed and somewhat jumbled hodgepodge with a mix of positives and negatives. For every intriguing and freshly new concept, luscious animation, likable character and fun filled song, there's a competing sub plot, bad archetype, questionable filmmaking choice and weak execution that makes the experience feel all over the place. I do recommend this film to a family audience and especially Don Bluth fans, because as scattered as the film feels in its presence, it does offer at least some stuff for people to get acquainted with, whether unintentionally or not.
Lo sapevi?
- QuizThis was Judith Barsi's final film. She and her mother were murdered by Barsi's father a year and a half before the film's release. The ending theme, "Love Survives," is dedicated to Barsi's memory.
- BlooperWhen Charlie is killed the first time by the car it is pushed down a hill. There are no hills in New Orleans.
- Citazioni
Anne-Marie: Charlie, will I ever see you again?
Charlie: Sure you will, kid. You know goodbyes aren't forever.
Anne-Marie: Then goodbye, Charlie. I love you.
Charlie: Yep... I love you too.
- Curiosità sui creditiThe credits, featuring a choral symphony, are interrupted by Charlie, who complains that just because "we're all dead doesn't mean the music has to be." The heavenly whippet (Melba Moore, a gospel singer) agrees, and a rollicking gospel rendition begins. A scene featuring Carface and the heavenly whippet shows Carface stealing his own watch as Charlie did, with the whippet chasing him. Charlie appears, and coyly says, "He'll be back", and winks at the camera.
- Versioni alternativeAlthough Charlie's nightmare about Hell was trimmed in the common cut of the film, a personal director's cut by Don Bluth' included the scene's full length.
- Colonne sonoreLove Survives
(Main Title Song)
Music and Lyrics by Al Kasha, Joel Hirschhorn, Mike Curb, and Michael Lloyd
Performed by Irene Cara and Freddie Jackson
Produced by Michael Lloyd and David Franco (executive)
Freddie Jackson's performance courtesy of Capitol Records
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Todos los perros van al cielo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 13.800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.100.027 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.712.834 USD
- 19 nov 1989
- Lordo in tutto il mondo
- 27.100.027 USD
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1