Bangkok Hilton

Granted, the first 20 minutes are somewhat boring, but from there, the film just takes off! A brilliant story (and the basis of films like Breakdown Palace) sets this off from the beginning to the very end.

Nicole Kidman's performance and transformation from a quiet, shy country girl into a tough, cunning prisoner is incredible and so well-done.

Bravo to the actors, producers, directors, to EVERYONE involved in BANGKOK HILTON! Well worth a watch for everybody who likes drama, action, thrillers, romance and for everybody who doesn't!

I have just had the luck to see this TV mini again recently. The second viewing just reinforced my impressions from my first viewing a few years ago.

This is Nicole Kidman playing an extraordinary rôle in a great film, before she became another one for the Hollywood heap. Since this film, I have only ever seen her in two better rôles: "The Portrait of a Lady" (qv) and Robert Daldry's astounding masterpiece "The Hours" (qv).

A two-part mini of 90 minutes each, I had to watch the whole three hours in one go: but was not at all tired on either experience. "Bangkok Hilton" does not mess about with unnecessary details, but gets you right into the story from the beginning, especially in the second half which includes those tremendous prison scenes in Thailand's capital, from whence logically the film's title.

Yes, one of Nicole Kidman's earlier works, but one in which you know she was on the road to great things. A few stupidities got in the way - like "Moulin Rouge!" (qv) - but even so, one can now see where she did her spade-work, and "Bangkok Hilton" is one of the best examples.

This is the ultimate TV mini-series. Everything is right. The story, the acting, the filming, the length, the locations, what not?

It looks as if even the prison scenes have been filmed in a real Thai prison, although one might doubt if permission would have been given for that by the Thai authorities if the script was known to them. All the other Bangkok scenes are definitely filmed on real locations. Also the airport scenes. They were definitely filmed at Bangkok Airport. I can guarantee this, knowing the place well. In this series Nicole Kidman broke through as an actress and she would deserve an Oscar, if there were one for this category (TV movies). Her acting is so perfectly natural and it looks as if she is going through the events herself, like in a documentary. One seldom sees such superior acting in a TV mini-series. All the locations have been chosen extremely well. I happen to know Bangkok quite well and I would not have been able to suggest any better locations. The movie last for about 4.5 hours, but this is not one minute too long. One needs every scene in the movie and it never bores. One can hardly believe that 4.5 hours have passed when the end credits appear. Time flies and if one looks at a video or DVD version it is impossible to interrupt it.

This one clearly shows that a TV mini-series can be of high quality and can be far superior to a movie, made for theaters. We can be happy that there is a DVD version (at least there is one in Europe). Everybody will want to see this one more than once. Superior work from Australia! Without any hesitation: 10/10!

I saw this film along time ago, when I was about 10 or 11 years old. In recent times I've mention it to many persons and nobody seems to have ever seen or heard of it. This is hands down one of the best movie/performance I have ever seen in my entire life. Anyone who has any doubt as whether Nicole Kidman can act, watch this movie. I honestly don't want to say anything about the movie, other than get it and watch it. I'll state the obvious, the story took place in Bangkok, Thailand. I cannot understand why it has not been seen by the masses, since 'Hollywood' like to ride 'the celebrity of the moment' band wagon and ironically this is actually a good wagon to hop on. The mini contains typical Hollywood stuff, Deception, Confinement, Damsel in Distress, a well as 'Pharmaceutical' and a 'Pharmacist'. Try to get it and watch it, It's tight.

When I first saw the series, I was 15 years old. Ever since I saw it, the first thing that came to mind whenever I heard the name Nicole Kidman was this series. And it was also something that tended to come up at the dinnertable when we were going back discussing television-shows.

Now, some 17 years later I accidentally stumbled upon the DVD and I was rather reserved about the thought of seeing it again because what else but disappointment was there to gain from seeing something which held a good memory but was surely going to be completely outdated.

Imagine my surprise that although it was rather dated, it had actually aged so well. Another surprise was finding no one less than Hugo Weaving playing a major role in it. An actor I had grown to love ever since I saw him in 'The Interview' and the later classics such as LOTR and the Matrix.

Bangkok Hilton has survived the test of time basically because of the really great acting performances, script, story and ambiance. And apparently this was all that it needed to remain the classic that it has become. And by no means the cinematography, which wouldn't stand a chance against even the average soap opera we see today.

When you compare the story and the screenplay to modern similar tales such as the prison-series OZ, you will find that it is really hopeless out of date. The hell-hole of a jail in which Kidman is kept, is like a Disneyride compared to what the men in Emerald City had to endure in OZ. You will find no 'spooning' practices in Bangkok Hilton if you know what I mean.

Perhaps this is what makes this mini series so great, that it's the story that keeps you on the edge of your seat rather than a form of (graphic) violence which seems to be todays primary ingredient for a success film-wise. Just see Labirinto Del Fauno if you want to check my point. That was a so called 'message movie' with really no message at all but in stead featured a been there done that war-drama and cardboard characters. Nonetheless, that movie was hailed by the public and professional movie critics when all it had to offer was a vapid contrast between fable and really graphic violence replacing what used to be a tale between good and evil and its 'grey zone'.

Bangkok Hilton confirmed what I suspected all along, namely that cinema (although achieving greater technical marvels day by day) is becoming increasingly more banal and formula driven, even in the successful, so called 'art house films'.

I'm sorry for letting this review turn out to be such a rant. Thanks for reading and see Bankok Hilton whenever you get a chance.

cheers!