Vampiro a mezzanotte

A vampire serial-killer is puzzling the LAPD, leaving bodies drained of blood without a pattern to be followed. When the detective in charge of the investigation is murdered by the vampire, Detective Roger Sutter (Jason Williams) partially assumes also the case. He has crush on his neighbor, the pianist Jenny Carleton (Lesley Milne), and Officer Lucia Giannini (Esther Elise) from his precinct likes him. Jenny is invited to play piano in a party promoted by the hypnotizer Victor Radikoff (Gustav Vintas) that gives motivational speeches and he uses his power to convince her to practice with him. What Jeannie does not know is that Victor is the wanted vampire.

"Vampire at Midnight" is an original vampire movie with an intriguing story. There are "things" that seem to be flaws (bald middle-aged vampire, vampire walking in the sun etc.) but the conclusion clarifies and is very satisfactory. My vote is six.

Title (Brazil): "Ladrão de Almas" ("Thief of Souls")

I know. This is not a great movie. But within its purposes (making a cheap action film) and within its historical context (80's) it is a very cool film. Demonic villain, inelegant protagonist and a beautiful girl. All this in a climate of mystery that the serial killer, dubbed by the newspapers of "Vampire Killer", causes in the city where the feature film is happens. My grade 9 seems like an exaggeration, but I really enjoyed the sympathy of the film and its ambient thriller. And the final scene shows why less famous films are so cool. I can not forget to quote the soundtrack, very good. A great movie from the 80 years.

A well-dressed man takes a woman to an overlook, which she doesn't get to enjoy. She's the ninth victim of "The Vampire Killer," who has taken all of her blood.

The "vampire" is working as a hypnotherapist. The movie avoids definitively answering the question of whether he really is a vampire, or wants people to think he is one, or if he thinks he is one. He does in fact drink blood directly from people, though, and is quite talented at hypnosis.

Some of his clients include a stand-up comic, dancers, a pianist. We're treated to some of their routines, nothing terribly special. Between the vampire's powers, and the popular detective pursuing him, several women take their clothes off.

Not bad, but I just didn't get into it that much. The vampire's accent grated on me a bit. His assistant's yard-long (at least!) mullet was silly, but when aren't they?

Really more a crime drama than an out and out horror film,played very much like an episode of 'Kolcak - the Night Stalker.' Starts well, with the old cliché of 'it can't really be vampire at large, can It?' Then dips in the middle while the story brings all the plot elements together before a rousing finale.

Jason Williams as the hero detective is efficient if somewhat dull but the star turn is Gustav Vintas as the creepy and sinister villain of the piece.

An okay film but not quite what I was expecting from the packaging from 'Palace Horror' video company. Still, it kept the interest and wasn't too bad, just think it stretches the criteria of what a horror film should be.

L. A. police detective Roger Sutter (Jason 'Flesh Gordon' Williams) is on the case of the Vampire Killer, who drains his victims of blood; when not sleuthing, Sutter is trying to woo his aspiring concert pianist neighbour Jenny Carleton (Lesley Milne). Business and pleasure collide for Roger when Jenny visits balding psychoanalyst/hypnotherapist Victor Radikoff (Gustav Vintas), who claims that he can use his powers to help struggling artists to achieve amazing results: the mysterious doctor is, of course, the vampire killer, and he plans to make Jenny his 'bride'.

The plot for this one is fairly unremarkable, and the execution is routine; matters play out in a predictable manner, but the film is reasonably entertaining nonetheless thanks to some wonderfully dated elements and a degree of '80s cheeze. Clearly aware that the story and acting alone will not sell his film, director Gregory McClatchy sees fit to include a healthy dose of nudity, with almost every female character getting their kit off (the sex scene between Sutter and his horny colleague Lt. Lucia Giannini being one of the most gratuitous I can think of). We also get some effective moments of violence, including a shoot out with some street thugs, the brutal murder of a cop, and assorted slashing with the big blade that Victor keeps up his sleeve.

Adding to the fun are Victor's acolyte Raoul (Shendt), who sports a world-class mullet that reaches down to his ass, a couple of hilariously awful dance routines, Jonny Solomon as desperately unfunny stand up comic Lee Keller, and the entertaining ending in which Victor uses his hypnotism to make two cops turn their guns on each other.