VALUTAZIONE IMDb
7,9/10
10.602
LA TUA VALUTAZIONE
Due bambini viaggiano attraverso una lunga strada per la Germania cercando colui che pensano essere il loro padre.Due bambini viaggiano attraverso una lunga strada per la Germania cercando colui che pensano essere il loro padre.Due bambini viaggiano attraverso una lunga strada per la Germania cercando colui che pensano essere il loro padre.
- Regia
- Sceneggiatura
- Star
- Premi
- 12 vittorie e 5 candidature totali
Stratos George o'Glou
- Orestis
- (as Stratos Tzortzoglou)
Recensioni in evidenza
(1988) Landscapes In The Mist/ Topio stin omihli
(In Greek with English subtitles)
DRAMA/ ART HOUSE
Co-produced, co-written and directed by Theodoros Angelopoulos which the tone that is similar Michelangelo Antonioni's "L'Avventura" but there's a lack of rhythm or flow in terms of the structure centering on a couple of children going on an odyssey in search of their real father they had never met. There are way too many pause shots of them standing around doing nothing walking along the highway which can be metaphorically confusing and can frustrate the average impatient viewer, and it is those scenes that makes this 124 minutes quite long to watch. I never liked this film as I initially saw it, but as a result of reading and hearing other peoples interpretations I have grown to accept it. This is the third of three films of Angelopoulos's 'Silent Trilogy', even though they still can be watched without the others being seen. The other two are "Voyage to Cythera" released in 1983 and then "The Beekeeper" released in 1986.
Co-produced, co-written and directed by Theodoros Angelopoulos which the tone that is similar Michelangelo Antonioni's "L'Avventura" but there's a lack of rhythm or flow in terms of the structure centering on a couple of children going on an odyssey in search of their real father they had never met. There are way too many pause shots of them standing around doing nothing walking along the highway which can be metaphorically confusing and can frustrate the average impatient viewer, and it is those scenes that makes this 124 minutes quite long to watch. I never liked this film as I initially saw it, but as a result of reading and hearing other peoples interpretations I have grown to accept it. This is the third of three films of Angelopoulos's 'Silent Trilogy', even though they still can be watched without the others being seen. The other two are "Voyage to Cythera" released in 1983 and then "The Beekeeper" released in 1986.
10ABS-13
I saw this movie when it was playing in Berkeley in 1990. This is one of the most beautiful and haunting films I have ever seen. Filled with scenes of mythic beauty and magical realism. It is, on the surface, about two siblings search for their father, but it is also about the search for something both less obvious and more universal. It haunted my dreams for months and some of the images in this film have stayed with me to this day. If you are of a philosophical bent and are open to the experience, I believe you will enjoy this film very much.
10sleex07
Seen the movie in HK International Film Festival over 16 years ago and still could not stop crying whenever I think of the kids in the movie. Be prepare for a sad story. Yet, the whole movie was filmed so artistically and many scenes are so creative (esp. at the age of the production.) This is the only movie still linger in my brain from time to time. Still miss the kids in the movie and wish to be there to get them out of the difficult situations. It is the power of the movie, the power of the director/writer, the little actress and actor. No more description can replace the movie itself. To fill up lines - being a mom of 2 now after the years, I miss the kids in the movie even more.
To me, this is one of the greatest movies of all time. Art and a very touching and interesting story combine each other and create this masterpiece with some unforgettable scenes, images and a mesmerizing cinematography. At the beginning, we do not see the mother of the little sisters, only hear her voice. While watching this scene, I thought that it is to make us feel that the sisters are lonely, nobody cares about them, nobody worries about them. In another scene, the sisters visit a man who is probably one of their relatives. However, he looks disturbed when he sees them. The Petrifying truck scene is a story itself. This scene is horrible in terms of content, but enchanting in terms of cinema. And sharp realism. If there is a flaw in the movie, it is the final. It was obscure and not stunning as the rest of the movie. I mean the scene takes place at night. It could have been a bit different, less obscure. Instead of commenting the end of the movie, some say that it is one of the finals that everyone draws their own conclusion, but for such a content or story, it does not seem a good idea. By the way, always, especially critics say this is a story of getting conscious or growing in wisdom, if a movie is about a little girl or boy. Well, this is not actually, the movie is much more than that and much more different. And as you guess, no cliché. The older sister is conscious anyway. She is aware of everything like an adult, even if she sometimes falls. The both sisters are very courageous and at the same time naive. I wanted to help them in the times they need. However, the weather is cold, desolate ways. Unsafe and risky. The vehicles pass them carelessly and don't stop. Probably the best Angelopoulos movie.
A quest for an unknown father becomes an odyssey into adulthood for two illegitimate Greek children, traveling alone the length of their country in a hopeless attempt to trace the whereabouts of a man they know only from the bedside fairy tales told by their mother. The journey is often grim and brutal, but is also filled by occasional magic, transforming their search into a sometimes sweet, sometimes bitter reflection of childhood mysteries and adolescent pain.
The reticent screenplay and slow, deliberate rhythms will likely be tedious to anyone with a TV-damaged attention span, but the same understated detachment can sometimes have a devastating impact, for example during a rape scene made all the more chilling for taking place just out of view, and in total silence. Discriminating viewers able to avoid nodding off into their popcorn will find it a film of rare beauty, with an emotional resonance to match the often haunting imagery.
The reticent screenplay and slow, deliberate rhythms will likely be tedious to anyone with a TV-damaged attention span, but the same understated detachment can sometimes have a devastating impact, for example during a rape scene made all the more chilling for taking place just out of view, and in total silence. Discriminating viewers able to avoid nodding off into their popcorn will find it a film of rare beauty, with an emotional resonance to match the often haunting imagery.
Lo sapevi?
- QuizAfter the scene of the hand surfacing out from the sea, the young actor says the sentence 'Who, if I cried out, would hear me among the angels' hierarchies?'. This sentence is from The First Elegy by Rainer Maria Rilke.
- BlooperWhen the truck pulls up at the truck stop, (at around 56 mins) there is a red and blue sticker in the bottom corner of the windshield. When it pulls over later on the side of the road, the sticker is in the centre of the windshield.
- Curiosità sui creditiOpening titles: The band "The Last Drive" is heard from their Hitch-hyke records' "Underworld Shakedown" album (credit appears on the same screen with those for photography assistants).
- ConnessioniFeatured in Les enfants jouent à la Russie (1993)
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