Un poliziotto in blue jeans

Oh how I love a Glickenhaus flick, good or bad. He's like the Brian Trenchard Smith of America. Here, he excels again with another addictive flick. A black ex con, has been set up for the killing of a drug dealer, by a bad apple cop- a blue jean cop, though I really didn't stop to note it's meaning as I too wrapped up in the film, to really care. Slick lawyer (Weller) who's just such a watchable actor, teams up with a reckless aging cop (Elliott) who lives basically out of a cinema, to shut this bad cop down, where Elliott does his thing out there on the streets and Weller does his slick show in a courtroom, where these two contrasts blend well. Rebellious Elliott provides some of the electric thrills, if sending a roller coaster train, hurtling over the edge, or hanging off a lear jet forcing it back down, where it explodes immediately on landing. These are memorable moments, especially the jet one. Glickenhaus has a flair for action, and stunts, producing great addictive popcorn flicks, like Mark L Lester who indeed who's made his share. It's Weller's presence, that adds half the magic to the film, that came and went at the cinema, on about the same time as Elliott's other film, the Swayze, actioner, Roadhouse. Of course people will frown upon it, where others will find it forgettable. It's a pity, as this low key, 89 action pic, is one of those that deserves more attention, where Elliott's character should draw more attention to his hygiene.

Not a classic, but an enjoyable 80s action flick with the always charming Sam Elliott as a gruff NYPD detective and Peter Weller as a quirky lawyer teaming up to take down some dirty cops. From writer/director James Glickenhaus, who brought us the grindhouse classic THE EXTERMINATOR, this is his most polished film, but its major weakness is how conventional it is compared to his rule-breaking grindhouse classic. Still, the leads are great, even if Elliott doesn't get enough screen time, 80s character actors litter the screen everywhere, and the film does a great job of using practical locations on the filthy streets of NYC before Giuliani cleaned it up. Behind the scenes, Weller and Elliot were assigned bodyguards for the night shoots in Times Square, back when it was still populated with peepshows, pimps, and criminals before it became Disneyland. Another strength of the film is all of the practical stunt work. There's no CGI here! Stuntmen really did all the leaping from buildings, crazy car rolls, and hanging off of bridges. Outside of some awful blue screen during the film's finale, the film has a gritty and grounded feel to the action that makes it a must-see for fans of 80s action films.

4-7-19 Enjoyably cliched 80s buddy cop film with more mullets than you can shake a stick at!

Shakedown (1988) *** I don't think I'd seen this film since it originally came out in the theater. I remember thinking it was pretty ridiculous then, but it's aged better than I'd expected, mainly thanks to it's cast, the use of actual NYC locations, and 80s action film nostalgia value. Peter Weller plays a groovy lawyer and Sam Elliott plays a renegade narcotics detective. It's a cliche ridden story of Weller and Elliott then face off against drug dealers, corrupt police officers, and other assorted low-lifes. The script by writer/director James Glickenhaus is pretty awful, but his action sequences are serviceable. In the film's favor is the fun pairing of Elliott and Weller and also the use of grimy pre-Giuliani NYC locations, including one action sequence filmed at 42nd Street in Times Square when it was still a den of go-go bars, peep shows, and adult theaters. It was certainly a good thing that Giuliani cleaned up the streets of NYC, but when it comes to movies filmed in The Big Apple, I have a fond affection for films like "The Warriors", "Maniac", "Gloria", "C. H. U. D.", "Black Caesar", "Across 110th Street", "Combat Shock", or even Glickenhaus' own "The Exterminator" which all prominently featured the seedy side of the city that never sleeps. Also in the film's favor is that it featured more mullets than any recent action film I can think of outside of "Roadhouse". Overall, "Shakedown" is a highly routine buddy cop picture to the degree of being a genre stereotype, but it has enough positives to be enjoyed by fans of these sorts of films.

A pretty fun movie to watch, a bit silly in parts and ludicrous in others, its a good entertainer.

Sam Elliot smooths his way through the film as usual and Weller, though good, is a little Robocop with some of his emotions.

Has all the elements you want from this kind of film :)

In a town where everyone is for sale , they're the best that money can buy . A legal attorney (Peter Weller) and a renegade cop (Sam Elliot) join forces to stop corrupt cops and against street scum . The overworked lawyer and the undercover cop team up but find serious difficulties from other corrupt police inspectors (Thomas G Waites) , a drug lord (Antonio Fargas) , dope dealers , and various street scum . Dalton's life is further complicated by the fact that his girlfriend (Blanche Baker) is pregnant and the prosecuting attorney (Patricia Charbonneau) is a prior lover ; then taking place the classic triangular drama .

This thriller movie contains suspense , noisy action-packed with no much sense , intrigue, and thrills galore . It's a brutal and controversial urban film plenty of car crashes , pursuits , trials , police corruption and many other things . Sam Elliot with his usual stoic acting displays efficiently his weapon , Magnum 44 , such as ¨Harry the Dirty¨ and killing mercilessly nasties . It's certainly exciting , though the morality may be questionable , even in this time, as the spectators were clearly on the Sam Elliott side . The movie provides fast and furious entertainment and action with no sense developing with agility , fast paced and movement . This thrilling story looks increasingly passionless and mechanical , though violence sometimes seems to be considered excessive . Nice acting by Sam Elliot as a renegade loner NYPD narcotics agent and Peter Weller as an obstinate advocate at law . Furthermore, it appears a great secondary cast full of known faces with brief interventions , such as Thomas G Waites , Paul Bartel as Night Court Judge , James Eckhouse , Holt McCallany , Kelly Rutherford , David Proval ,John Finn , William Prince , Harold Perrineau ,Shirley Stoler and John C. McGinley . Mediocre cinematography by John Lindley , though he subsequently photographed Field of dreams , You've a e-m@il (1998) , Pleasantville , Mr Brooks and other hits . Screeching and pulsing musical score by Jonathan Elias .

This moving motion picture in low budget was middlingly directed by James Glickenhaus , being born in New York City where he usually shoots his movies . Glickenhaus served as the chairman for the film company SGE Entertainment from 1987 to 1995; this company specialized in both making and distributing low-budget independent straight-to-video fare. He's an expert on violent action movies and so-so films as proved in ¨McBain¨, ¨The soldier¨ and this ¨Shakedown¨ . He's also directed a Jacke Chan vehicle titled ¨The protector¨ , the eerie thriller "Slaughter of the Innocents," and the attractive sci-fi romp "Timemaster¨ and of course the extremely violent , low-budgeted and successful 1980 movie , ¨The exterminator¨ , a cruel Vigilante drama . And James was the executive producer for the movies "Maniac Cop," "Frankenhooker," both "Basket Case" sequels, "Ring of Steel," and "Tough and Deadly" . Rating : Average , 5,5/10 but entertaining .

It's an enjoyable action flick overall. However it's also a buddy comedy and a courtroom drama quickly whisked together and served in one massive high protein shake. And that's its biggest downfall. Don't get me wrong I deeply enjoy the mindless entertainment of 80s "tough policemen" movies but the usual straightforwardness of a Schwarzenegger or a Stallone is lost here. An amazing cast (Sam Elliott, Peter Weller and Patricia Charbonneau) which would have done really well in any high budget Hollywood production, gets involved in all kinds of extravagant and adrenalin inducing events while distilling great acting throughout and keeping up with the highly energetic pace set by director James Glickenhaus. Not cohesive but if you're a fan of Lethal Weapon, 48 hrs or Tango and Cash it will serve you well.