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Salaam Bombay!

  • 1988
  • VM14
  • 1h 53min
VALUTAZIONE IMDb
7,9/10
10.693
LA TUA VALUTAZIONE
Shafiq Syed in Salaam Bombay! (1988)
Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.
Riproduci trailer1:33
2 video
72 foto
DocudramaCrimineDramma

Aggiungi una trama nella tua linguaYoung Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.

  • Regia
    • Mira Nair
  • Sceneggiatura
    • Mira Nair
    • Sooni Taraporevala
    • Hriday Lani
  • Star
    • Shafiq Syed
    • Anjaan
    • Amrit Patel
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    10.693
    LA TUA VALUTAZIONE
    • Regia
      • Mira Nair
    • Sceneggiatura
      • Mira Nair
      • Sooni Taraporevala
      • Hriday Lani
    • Star
      • Shafiq Syed
      • Anjaan
      • Amrit Patel
    • 76Recensioni degli utenti
    • 38Recensioni della critica
    • 78Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 13 vittorie e 8 candidature totali

    Video2

    Trailer
    Trailer 1:33
    Trailer
    A Salute to Women Directors
    Clip 5:09
    A Salute to Women Directors
    A Salute to Women Directors
    Clip 5:09
    A Salute to Women Directors

    Foto72

    Visualizza poster
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    + 65
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    Interpreti principali49

    Modifica
    Shafiq Syed
    Shafiq Syed
    • Krishna…
    Anjaan
    • Kid at Circus
    Amrit Patel
    Amrit Patel
    • Circus Boss
    Murari Sharma
    • Ticket Seller
    Ram Murthy
    • Mad Man
    • (as Ram Moorti)
    Sarfuddin Qureshi
    • Koyla
    • (as Sarfuddin Quarassi)
    Raju Barnad
    • Keera
    Raghubir Yadav
    Raghubir Yadav
    • Chillum
    Anita Kanwar
    Anita Kanwar
    • Rekha Golub
    • (as Aneeta Kanwar)
    Nana Patekar
    Nana Patekar
    • Baba Golub
    Irshad Hashmi
    Irshad Hashmi
    • Chacha
    Hansa Vithal
    Hansa Vithal
    • Manju
    Mohanraj Babu
    • Salim
    Chandrashekhar Naidu
    • Chungal
    Krishna Thapa
    • Nepali Middleman
    • (as Kishan Thapa)
    Jamila
    • Woman at Brothel
    Chanda Sharma
    Chanda Sharma
    • Sola Saal
    Ramesh Rai
    • Barber
    • Regia
      • Mira Nair
    • Sceneggiatura
      • Mira Nair
      • Sooni Taraporevala
      • Hriday Lani
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti76

    7,910.6K
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    Recensioni in evidenza

    10akatosh

    A masterpiece.

    The story of Chaipu, a youngster thrown on the streets of Bombay, and his struggle to keep it all together. Excellent performances all around. I especially liked Chanda Sharma as 'Solasaal' and Hansa Vithal as her daughter 'Manju'.

    This film gives the creepy feeling you aren't watching actors but a movie made of people going about their daily life.

    Even if you don't like the story the cinematography is stunning. Filmed on location in Bombay the movie gives an unvarnished glimpse of many places you'd be unlikely to visit on a vacation there.

    The credits state 43 locations in 43 days.

    I've seen this movie so many times I don't need to read the sub-titles anymore as I know the dialogue by heart.

    A masterpiece. Easily one of the top 100 films of the last 50 years.
    8nqure

    A story of lost innocence

    Like the 'Square Circle' which came after it, Mira Nair's film is a wonderful counterpoint to traditional Bollywood cinema, depicting issues that many in India would like conveniently swept under the carpet. Filled with humanity and compassion, the film does have a parallel with Bollywood dramas as it too is about 'escapism'. However, the story shows how these dreams are illusory; the silent 'Sweet Sixteen' showing her romantic photograph - a pretence - as her brothel madam hawks her virginity to a prospective buyer; Krishna's hopes of being forgiven and returning home to his family; the prostitute Rekha's hopes of a 'family life' with the pimp Baba.

    I particularly liked the way Nair paralleled childhood innocence with adult cynicism and cruelty. The final scene where Krishna the teaboy weeps for his lost innocence and at what he has become is very moving; like the drug-addict Chillum, he has 'forgotten' how he first came to Bombay and now only sees a life of despair and suffering.
    9apursansar

    Haunting

    This is one of the single most powerful films I've ever seen. Having been to India several times and knowing to an extent what it's like for the poor kids that have to make it on the streets, it really gets to me. I know that it received quite a bit of critical acclaim when it came out, but I didn't discover it until recently, and, judging from the number of votes that its gotten on this site, it doesn't seem as though too many people have seen it. I hope more people do; these kids don't have much of a voice in their own country, let alone the rest of the world, but movies like this give them one and it should be heard by everyone.
    10tegg96

    A heart wrenching and very realistic drama.

    Having just returned from an extended trip to India I was keen to see a quality Indian film (not bollywood drival)and I have come across one of the most realistic and moving films I have ever seen. Having been involved in helping street kids in India I was pleased to come across this film which so accurately depicts life, love and death around a group of street boys in Bombay.

    SALAAM BOMBAY is the story of a 12-year-old street boy surviving and etching out an existence on the squalled streets of Bombay. The interactions these kids have with each other made me feel I was watching a doco. The kids in India are so much like Chipau and the others depicted in Salaam Bombay its amazing. They all have there individual lives and dreams like us all but are burdened with extreame poverty.

    The story lines in the film are about the prostitution business, drug addiction and homeless children. All these elements combine so as we see the people and lives behind them. These issues are rarely dealt with on such a personal and emotional level as we see in this film. This ain't Hollywood and it sure ain't Bollywood.

    For me my favorite all time film. You may have difficulty in finding this film at your local video library but it truly is worth viewing.

    Recently we showed this film to a group of street kids in Pune, India. They were amazed at its realism. All thought they were watching real people not actors,(These kids have grown up watching Bollywood films). This same group would have watched this film 5 times now. And all could identify with the characters.
    9arbit-writer

    one of the best about India - from India...watch it.

    i have been late in watching it, but after watching it u feel that you can never be late in watching such a movie. The movie is excellent. Perhaps Mira Nair's best. I was particularly moved by the story and the picturization. you see the striking poverty and its madness, but Mira has been brilliant to show life in it. a lost boy in a big city with a dream to get back home, keeps himself in control, while everything around him is so much polluted with drugs, and prostitution. Poverty is never neat, in the movie also it is validly not shown as such. But the innocence and strength of children, and them growing up in such conditions, makes them more enduring than adults. to say the least the movie is all about life. it is there to show that no matter how hard it is, life exists in slums, in poverty, and people are living it. the movie is a collectors item. one of the best about India - from India...watch it. Salaam Bombay.

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    Dramma

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Nana Patekar accidentally got stabbed by the child actor. The actor did not understand the director's instructions properly.
    • Blooper
      The day Chaipav escapes the Child Reformation Home, the Superintendent and his assistant are watching the Semi-Final of the 1987 Cricket World Cup (as evident from the commentary), which was held on 5th November, 1987. But when Chaipav returns to the red-light district the same day, a procession can be seen carrying a huge Ganpati idol, so the day must be Ganesh Chaturthi (installation day) or Anant Chaturdashi (Ganpati Visarjan- immersion day). However, in 1987, the dates for Ganesh Chaturthi and Anant Chaturdashi were 28th August and 6th September, respectively. Thus, the semi-final and Ganesh Chaturthi/Visarjan did not take place on the same day.
    • Citazioni

      Rekha Golub: [To Baba] Just like a customer.

    • Curiosità sui crediti
      Ending credits: no guts no glory 52 locations 52 days what problem? no problem
    • Connessioni
      Featured in Siskel & Ebert & the Movies: Alien Nation/Elvira: Mistress of the Dark/Imagine: John Lennon/Salaam Bombay/Track 29 (1988)
    • Colonne sonore
      Chin Chin Chu
      (uncredited)

      Written by O.P. Nayyar

    I più visti

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    Domande frequenti18

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    Dettagli

    Modifica
    • Data di uscita
      • 20 dicembre 1988 (Italia)
    • Paesi di origine
      • India
      • Stati Uniti
      • Francia
      • Regno Unito
    • Sito ufficiale
      • Salaam Baalak Trust
    • Lingue
      • Hindi
      • Inglese
    • Celebre anche come
      • Hello Bombay!
    • Luoghi delle riprese
      • Mumbai, Maharashtra, India
    • Aziende produttrici
      • Mirabai Films
      • Film Four International
      • National Film Development Corporation of India (NFDC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 2.080.046 USD
    • Lordo in tutto il mondo
      • 2.080.758 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 53min(113 min)
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 1.85 : 1

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