VALUTAZIONE IMDb
4,4/10
1533
LA TUA VALUTAZIONE
Segui la storia di un clone impazzito, fusione di PREDATOR, RAMBO e ROBOCOP che lotta nella giungla contro forze internazionale in locali esotici e con buona musica elettronica.Segui la storia di un clone impazzito, fusione di PREDATOR, RAMBO e ROBOCOP che lotta nella giungla contro forze internazionale in locali esotici e con buona musica elettronica.Segui la storia di un clone impazzito, fusione di PREDATOR, RAMBO e ROBOCOP che lotta nella giungla contro forze internazionale in locali esotici e con buona musica elettronica.
- Regia
- Sceneggiatura
- Star
Massimo Vanni
- Pvt. Larry Guarino
- (as Alex McBride)
Claudio Fragasso
- The Hunter
- (as Clyde Anderson)
Curtis Carter
- Boat Captain
- (non citato nei titoli originali)
Michael Welborn
- Co-Pilot
- (non citato nei titoli originali)
Recensioni in evidenza
10udar55
"Reb Brown stars in this action-packed adventure story of fighting men pitted against an unseen enemy, a force more powerful than the fiercest weapons. Recruited by the CIA to rescue hostages held by guerrilla fighters in a Central American country, Brown and his men encounter an enemy unimaginably more deadly than any on Earth - because the Omega One is not of this Earth!"
What you have just read (save the references to Reb and Omega One) is the VHS plot synopsis of the Arnold Schwarzenegger vehicle PREDATOR (1987) because that is exactly what this Bruno Mattei flick rips off! Why waste my time cooking up a synopsis, right? A virtual scene-for- scene, shot-for-shot remake of the big budget sci-fi epic, ROBOWAR is bad. So bad that it is amazing. There are some liberties taken with the "source" material though. Reb Brown's top secret unit is named B.A.M. (Bad Assed Mutherfuckers). When they assault the village, Brown throws a smaller knife into a mercenary and then quips, "Hang around!" as opposed to Arnold's "Stick around." Oh yeah, and the group's native empath is named named Quang and of Filipino descent. Sadly, no "What's got Quang so spooked?" line. Mattei usually wouldn't settle for just one flick to rip off and throws us a curve ball by also copying 1987's other classic sci-fi flick, ROBOCOP. You see, Omega One turns out to be part man, part machine. Even funnier, the human chunks inside are Brown's old Nam buddy Woodrig. And, yes, Brown does say, "Woodrig, it's you!"
What you have just read (save the references to Reb and Omega One) is the VHS plot synopsis of the Arnold Schwarzenegger vehicle PREDATOR (1987) because that is exactly what this Bruno Mattei flick rips off! Why waste my time cooking up a synopsis, right? A virtual scene-for- scene, shot-for-shot remake of the big budget sci-fi epic, ROBOWAR is bad. So bad that it is amazing. There are some liberties taken with the "source" material though. Reb Brown's top secret unit is named B.A.M. (Bad Assed Mutherfuckers). When they assault the village, Brown throws a smaller knife into a mercenary and then quips, "Hang around!" as opposed to Arnold's "Stick around." Oh yeah, and the group's native empath is named named Quang and of Filipino descent. Sadly, no "What's got Quang so spooked?" line. Mattei usually wouldn't settle for just one flick to rip off and throws us a curve ball by also copying 1987's other classic sci-fi flick, ROBOCOP. You see, Omega One turns out to be part man, part machine. Even funnier, the human chunks inside are Brown's old Nam buddy Woodrig. And, yes, Brown does say, "Woodrig, it's you!"
Viewing this film on Japanese video, I can see why this film never made it to America. (I hear bootleg copies are now on sale, so be warned). There is some scenes that rip-off PREDATOR as Reb Brown and Catherine Hickland battle a mumbling robot that doesn't stop. Romano Puppo (aka Gus Stone) being in this film was a tip-off that this was another italian film. This is one of the last few films made before the italian action craze ended in the late 80's. It's a shame for Italy had lot to offer, but United States video companies stop picking them up.
Bruno Mattei must be the only person in on his own joke. I simply cannot understand how he made such a career out of such blatant ham-fisted ripoffs of famous Hollywood movies. Sure, Italy and The Philippines are known for cashing in on the latest trends - like with all the post-nuke flicks to flood out of both countries immediately after MAD MAX 2: THE ROAD WARRIOR. But no one until Mattei had the gall to just brazenly ape a popular movie scene-by-scene, shot-by-shot, line-by-line.
ROBOWAR is an obvious remake of PREDATOR, only changed slightly to accommodate the total lack of budget. Here it's a government-engineered cyborg out destroying massive amounts of stock footage from DOUBLE TARGET and STRIKE COMMANDO. Thankfully, the bulk of the actual film is largely stock-footage-free though you'll recognize a lot of the locations from other Mattei/Fragasso Filipino films like the old hut from AFTER DEATH.
The great cast (including Romano Puppo, Massimo Vanni, Jim Gaines, Max Laurel, etc.) actually turn in surprisingly good acting. Even star Reb Brown performs much better here than in his other Italo-Filipino outings. Not Olivier-quality of course, but COMPARATIVELY good. It's amazing too considering Mattei stages them either theatrically (everyone crammed into a master-shot) or shoots them shot-for-shot like scenes in PREDATOR. Good, yet idiotically staged action scenes come fast and furious but are interspersed with more than enough filler shots of Reb Brown and Co. wandering through the jungle.
The only real kudos go for the pyrotechnic crew for plenty of lovable slow motion explosions, as well as Al Festa and his wonderfully cheesetastic 80's synthesizer spectacular score. While nothing as heinously 80's as AFTER DEATH and COP GAME, it's in a pretty similar league.
People who like this film and get a kick out of line-by-line ripoffs should also seek out Mattei's not-quite-as-fun-but-still-hilarious SHOCKING DARK, which did the same thing with ALIENS and TERMINATOR.
ROBOWAR is an obvious remake of PREDATOR, only changed slightly to accommodate the total lack of budget. Here it's a government-engineered cyborg out destroying massive amounts of stock footage from DOUBLE TARGET and STRIKE COMMANDO. Thankfully, the bulk of the actual film is largely stock-footage-free though you'll recognize a lot of the locations from other Mattei/Fragasso Filipino films like the old hut from AFTER DEATH.
The great cast (including Romano Puppo, Massimo Vanni, Jim Gaines, Max Laurel, etc.) actually turn in surprisingly good acting. Even star Reb Brown performs much better here than in his other Italo-Filipino outings. Not Olivier-quality of course, but COMPARATIVELY good. It's amazing too considering Mattei stages them either theatrically (everyone crammed into a master-shot) or shoots them shot-for-shot like scenes in PREDATOR. Good, yet idiotically staged action scenes come fast and furious but are interspersed with more than enough filler shots of Reb Brown and Co. wandering through the jungle.
The only real kudos go for the pyrotechnic crew for plenty of lovable slow motion explosions, as well as Al Festa and his wonderfully cheesetastic 80's synthesizer spectacular score. While nothing as heinously 80's as AFTER DEATH and COP GAME, it's in a pretty similar league.
People who like this film and get a kick out of line-by-line ripoffs should also seek out Mattei's not-quite-as-fun-but-still-hilarious SHOCKING DARK, which did the same thing with ALIENS and TERMINATOR.
There was very little chance of this film not being badass. A combined rip-off of Predator and Robocop directed by hack trash grand wizard Bruno Mattei and starring veritable Colossus of kick-ass charisma Reb Brown in the Arnie role, along with Massimo Vanni looking like Chuck Norris and the always reliable Jim Gaines, and a script by husband and wife super-scribes Claudio Fragasso (Troll 2, Zombie 4: After Death)) and Rosella Drudi. Oh and our Claudio is also the guy in the robot suit, credited under his regular pseudonym of Clyde Anderson. Anybody reading this already knows whether this film is for them or not, people generally are either Mattei fans or have sh!tty taste. But for your sake dear reader I shall go on, lest you not be quite convinced. The pacing is the only drawback here, the film takes a little while to really get into the groove so during the first third there's mostly the dialogue to go on. Fortunately the dialogue is worthy of Mamet, my favorite line being probably "You walk like a ruptured duck" . Clearly a film that should be shown to screen writing classes as an example of how to get this sort of thing right. The action is pretty steady when it gets going though. Things tend to alternate between people and trees being shot up real good, and trees and huts being blown up real good, with occasional people being blown up real good for varieties sake. Oh and there is a bit of knife work, but I don't know that I'd describe it as real good. It's OK though.Basically if you like films full of people walking around in the jungle and shooting at trees with occasional explosions and a robot that speaks in comically mangled digital gibberish then this is a film for you. I like all of these things, so Robowar was definitely a film for me. It even musters up occasional pockets of genuine excitement and suspense in amongst the hilarity and repetition, with a climax that is more affecting than one might expect. There's no gore other than mangled corpses and a severed limb, and no sleaze which definitely hurts things, but as far as goofy action trash aimed at the undemanding goes this is definitely a winner. Not as good as the classic Strike Commando mind you, but in Mattei rip off terms this is pretty darned decent. Way better than Shocking Dark at any rate. So watch it folks!
From Italian trash director Bruno Mattei (Hell of the Living Dead) and writer Claudio Fragasso (who gave us the legendary Troll 2), Robowar is a blatant cash-in on the success of Predator, with a touch of Robocop for good measure. Reb Brown stars as Major Murphy Black, leader of a group of mercenaries with very silly (nick)names (Diddy Bop, Killzone, Blood, Papa Doc, Quang) who are sent on a mission about which they have very few details, but which sees them coming face-to-visor with a high-tech renegade humanoid killer robot called Omega One.
As the soldiers explore the jungle, encountering the charred corpses of victims of the malfunctioning machine, as well as groups of hostile guerrilla fighters, Mattei and Fragasso miss no opportunity to blatantly ape the aforementioned Schwarzenegger classic, with entire scenes and chunks of dialogue mimicked throughout (silliest moments: Brown throws his knife at an enemy and quips 'Don't move!', inadequately aping Arnie's 'Stick around' gag; Quang's utterly pointless sacrifice).
As with many a Mattei film, there are plenty of unintentional laughs to be had at the sheer goofiness on display: Reb Brown, in his blue, sleeveless, cropped T-shirt, who looks ready for a pride parade; the supposedly cutting-edge Omega One, equipped with low resolution pixelated visual sensors and a garbled Speak and Spell voice-box that Stephen Hawking would laugh at; the group of marines wasting countless rounds of ammo shooting at the jungle while screaming; and Quang referring to himself in third person.
Great film-making it most definitely isn't, but one can't help but be entertained just a little.
As the soldiers explore the jungle, encountering the charred corpses of victims of the malfunctioning machine, as well as groups of hostile guerrilla fighters, Mattei and Fragasso miss no opportunity to blatantly ape the aforementioned Schwarzenegger classic, with entire scenes and chunks of dialogue mimicked throughout (silliest moments: Brown throws his knife at an enemy and quips 'Don't move!', inadequately aping Arnie's 'Stick around' gag; Quang's utterly pointless sacrifice).
As with many a Mattei film, there are plenty of unintentional laughs to be had at the sheer goofiness on display: Reb Brown, in his blue, sleeveless, cropped T-shirt, who looks ready for a pride parade; the supposedly cutting-edge Omega One, equipped with low resolution pixelated visual sensors and a garbled Speak and Spell voice-box that Stephen Hawking would laugh at; the group of marines wasting countless rounds of ammo shooting at the jungle while screaming; and Quang referring to himself in third person.
Great film-making it most definitely isn't, but one can't help but be entertained just a little.
Lo sapevi?
- QuizThe actor who played the cyborg fainted twice during the shooting of the film due to the extreme heat.
- BlooperThe closing credits switche Massimo Vanni with Jim Gaines.
- Citazioni
[Murphy pins an enemy soldier to a wall with his knife]
Maj. Murphy Black: Don't move.
- Versioni alternativeWhile uncut in terms of violence, the German version is missing over four minutes of storytelling. The FSK-16 rated German version is even shorter by additional eight minutes to not only the story but also have almost all violent scenes shortened. Only in 2020 did Germany get this movie completely uncensored, though released unrated as the distributor didn't do a rating retesting with the FSK.
- ConnessioniEdited from Strike Commando (1987)
- Colonne sonoreBreak It Up
(1985)
(From "Metallo Italia")
Composed by Mark Rossetti
Lyrics by Maurizio Cerantola
Performed by Shout
Lead Vocals by Maurizio Cerantola
Mark Rossetti (Lead Guitar)
Mario Zaccagnini (Bass Guitar)
Massimo Marchione (Drums & Percussions)
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By what name was Robowar - Robot da guerra (1988) officially released in India in English?
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