Rain Man - L'uomo della pioggia

RAIN MAN (1988) **** Dustin Hoffman, Tom Cruise, Valeria Golina, Bonnie Hunt. My all time favorite contemporary film.

Brilliant Oscar-winning Best Picture film about quick-tempered exotic car salesman Charlie Babbitt (superlatively played by Cruise) who finds himself bilked out of his estranged father's inheritance and discovering an older brother, Raymond, (Hoffman flawlessly brilliant, Best Actor), an institutionalized autistic savant, and 'kidnaps' him in their dad's Buick Roadmaster for a cross-country odyssey of self-reflection and genuine sibling bonding. Poignant, funny, and moving character study with expert direction by Barry Levinson (Best Director and appears as a mental health envoy). Ethereally Oscar nominated haunting score by Hans Zimmer. Best scene: Cruise learning why Hoffman was "sent away." Life-affirming.

It's not very difficult to see why this movie won four Oscars and was nominated for four more. The academy loves movies about people with difficult lives or with a handicap. Sometimes it almost feels like they are desperate to show that they too have a heart and so a director who hasn't won anything so far just has to make a movie with such a subject and he can be sure that he will hit the jackpot. Does that also mean that those movies are always excellent? No, although I wish they were. But it has to be said, not all of those movies are bad either, take for instance this "Rain Man". That's certainly a movie that deserves a closer watch.

When the selfish yuppie Charlie Babbitt hears that his father has left behind a fortune after his death, but that he won't get it, he is furious. He has never had a good relationship with his father, who threw him out as a teenager, but he sure hoped for more than a now antique convertible. And to make things worse for Charlie, he hears that all the money goes to Raymond, an autistic man who he has never seen before in his life, but who appears to be his brother. And if that shock isn't yet big enough, the man also appears to be able to calculate complicated mathematical problems in his head with great speed and accuracy, but doesn't even understand what money can be used for. Enraged by all this 'injustice', Charlie kidnaps Raymond from his residential home, but then finds out how difficult it is to live with a man who only can live with his fixed routines...

This wouldn't have been a typical eighties movie if there hadn't been a selfish yuppie in it of course, but I must say that it didn't bother me this time. The main reason for that is because it accentuates the contrast between the two men even more. Charlie has nothing else but money on his mind, while Raymond doesn't even know what money is. That's without any doubt a very smart idea which makes this movie work. And that's not the only good thing about this movie. The acting for instance is also very good. Especially Dustin Hoffman is excellent, but that has of course much to do with the role that he is playing. Still, his performance is very believable and remarkable. And even though I'm not a huge Tom Cruise fan, I must say that he was really very good in this movie. The role he was playing seemed to be written for him.

All in all this is a very good movie that sure deserves to be seen. The acting and the story are far above average and give a good idea of what it must be like to live with an autistic person. I'm convinced that this movie certainly doesn't deserve a rating lower than 7.5/10.

It is something of a great cinematic achievement that Rain Man became the great film it clearly is because the story surrounding it is interestingly Hollywood in itself.

Four directors, six screenwriters, two cinematographers, eight producers, writers strikes, crew change, and a studio fighting for its life.

All of the above are common knowledge but it doesn't hurt to remember these facts when viewing the award wining triumph of a movie that stands the test of time today. The film is so simple in structure it really needed something special to pull it out of the prospective banality of being "just another road movie about finding oneself", Rain Man achieves something special by tackling its subjects with very sensitive hands and splicing a believable human concept into the story via the incredible shows from its two leading men.

Dustin Hoffman gives a magical moving performance as the Autistic Savant Raymond, the ultimate complement I can pay the performance is that it really is believable, both moving and clever rolled into one artistic result. Tom Cruise is equally as great in a role that called for drastic layer changes, a role that demanded much conviction from the actor taking it on, and Cruise gives the role much depth as he goes from shallow bastard to a very emotive and feeling human being, it's a great show that stands up to reevaluation these days. A performance that seems to have sadly been forgotten in light of Hoffman's film stealing show. With a film such as this you pray that the ending can do it justice, and I'm glad to say that there is no pandering here, it's an ending that says so much because it doesn't cop out, I thank god for those rewrites because the endings to the original scripts would of had me booting the TV set out of the window.

Essential cinema. 10/10

Dustin Hoffman's performance as Raymond Babbitt is,bar none,the best acting performance I have ever seen.I have never seen an actor get so deeply immersed in a character than Hoffman does in this film.He is excellent here,and he deserved nothing less than the Oscar he won for it.As for Tom Cruise,his performance as Raymond's childish and hotheaded brother is also worthy of note.To watch his character slowly shed his ignorance throughout the course of the film was indeed a delight.If you have not seen it,don't deprive yourself any longer.Buy it.It's a keeper.

Any movie fan remembers the iconic line from "Cool Hand Luke": "what we've got here is failure to communicate". I believe a similar diagnosis can be made about the two lead characters of "Rain Man", Raymond (Dustin Hoffman) because he's autistic, and his brother Charlie, 25 years younger, because he's a young yuppie blinded by his own ego. Both live in their world, both are their own referential; naturally, they're put in a situation where they have to interact. "Rain Man" features one of the most intriguing premises of the 80's, and although the film never strikes as a 'masterpiece', not even in style, it does deliver the emotional pay-off we all expect without recycling old archetypes or falling into sentimental trap.

Should I describe Raymond Babbit's condition? Those who know already have in mind his mimics, head-banging, 'uh-oh', his addictions to such TV programs as "Judge Wapner" and "The Wheel of Fortune" and his perfect recitation of Abbots and Costello's 'Who's on first' routine when he's uncomfortable. And to those who haven't, it's enough saying that Dustin Hoffman surpasses himself, if it ever was possible after performances of the caliber of "Tootsie" or "Midnight Cowboy". He's unbelievably convincing, capable to transcend the limits of acting. To win an Oscar for a rather one-note character is an exploit even more impressive because Hoffman manages to pull some human complexity in Raymond, making him absolutely endearing and adorable yet frustrating and scary. Raymond is a character we want to love without turning it into pity.

On the other hand, his brother Charlie is the total counterpart, young, handsome, he's a self-made man who exploited a passion for cars to sell imported vehicles. Even his girlfriend, played by the beautiful Valeria Golino is Italian, like a foreign beautiful possession, a trophy that elevates him above the others. Charlie Babbit is a character who flirts with the archetype of the young and arrogant go-getter, a role tailor-made for an actor like Tom Cruise, especially in the 80's. The talent of Cruise consists on making his character unlovable enough to laugh at his misfortunes with Raymond, but human enough to feel sad for him when he learns about his father's death, and much more, when he learns that he didn't get one cent from him, while he was full of debts. Charlie is a character we want to hate but end up giving him the benefit of the doubt.

And Charlie is so blinded by his financial problems that he's incapable to care for Raymond and take his medical condition into consideration; all he sees in him is the guy who inherited three millions from his father. At this point, I suspect the screenwriter immediately thought 'hey, in fact, Raymond is medically autistic, while Charlie is symbolically autistic; let's see if the viewers will figure that'. I don't think it takes a degree in psychoanalysis to jump to that conclusion. Anyone would see the kidnapping of Raymond coming. Naturally, the girlfriend leave them to let the adventure begin between the two brothers and both would learn how to communicate … not. This is where the odd-couple/road movie formula stops. The strength of "Rain Man" is to never make Raymond change, no miracle cure, no sudden change of behavior, if there is one who's up to change, it's Charlie. And he must change, otherwise, the whole premise of the film is pointless.

The quality of Barry Levinson's film is to make a predictable turn of events work remaining believable, it also grabs our interest without an abundance of spectacular scenes, or overused emotion. It's always interesting to see a character with leadership quality, handsome and somewhat charismatic, pushed to follow an autistic man and having to deal with out-of-control situations. Charlie wants to take Raymond in L.A, but they can't because Raymond is afraid of planes, and when Raymond starts screaming in panic, Charlie understands that the road trip will follow Raymond's parameters of life. In a way, Raymond Babbit is a leading role because he leads the story. And by following Raymond, Charlie will get to know more about his brother's sensitivity and become more empathic, a word he knew nothing about. The narrative progresses and provides the film's greatest twist, when Charlie realizes he can use Raymond's savant skills.

Till now, the film is mostly remembered for the 'Las Vegas' sequence and the iconic moment when the two brothers stand on a descending escalator wearing the same suit, and the last step between Charlie and Raymond's reconciliation, a clever partnership for a rewarding pay-off. It's obvious that Charlie was mostly motivated by greed, but it's impossible not to see genuine attachment growing between Cruise and Hoffman. Both had failure to communicate their feelings, but it's by inviting his brother to communicate his inner thoughts, his fears and desires that Charlie learned the process of listening, of using another referential than his, of being capable of giving and understanding. The film follows the traditional coming-of-realization structure, and on that level, Tom Cruise never makes his changing obvious and spectacular. Indeed, both actors are so good, almost equally, because it was to Cruise to portray anger and frustration without making it forced or over the top.

Without Hoffman and Cruise, I can't imagine the film having the same impact. Yes, the screenplay is well-written, and Hans Zimmer's score has a haunting effect, but it's definitely an actors' film. It ended up winning the Best Picture Oscar in 1988, which is quite surprising considering how simple and non-Best Picture material it feels, but it did created a genuine interest for autistic condition, and featured many memorable scenes, and I guess sometimes, that's enough to touch the hearts.