Qayamat Se Qayamat Tak

This movie is the best I have so far seen from the Bollywood (I have seen more than 800 films). I just cannot describe the movie. It is just perfect. Each and every scene, each and every dialog looked perfect. The music, one of the most memorable and the story, just excellent. I have watched the movie more than ten times and so far I have not found even a single mistake or some thing like that which could be said improper. Even the last action scene was so perfect that I have very rarely seen such proper directed scenes. If you have not watched the movie, just watch it now. But remember one thing. There should be complete pin drop silence in the room and no body should talk until the end of the movie.

Of all of Bollywood's 'young' love stories (Bobby, Maine Pyar Kiya, Betaab, etc.) Mansoor Khan's 'Qayamat Se Qayamat Tak' is easily my favorite. Though the story is very familiar (it's "Romeo & Juliet" reinvented for India) there is a tenderness and a freshness to the story which is difficult to articulate. It hearkens a very different era of film-making- there is no gloss to speak of, only story, conflict, and human relationships. Refreshing, yes?

Of course, most people remember QSQT for introducing two young starlets who would go on to become superstars: Aamir Khan and Juhi Chawla. Aamir, though undeniably charming, is slightly awkward (this actually adds to the performance) contrasting Juhi's more confident and elegant performance. There is no denying that they make a stunning couple, complementing each other as perfectly as other renown on screen pairs. Check out 'Hum Hain Rahi Pyar Ke' and 'Ishq' for more blazing chemistry.

The other star of the film is the soundtrack: each song is a classic, my favorite being "Aye Mere Humsafar", which is soft, sweet, and perfectly singable. A MUST SEE and a MUST HEAR!

Just want to say that this movie was a major breakthrough in the 1980's. When I watched this for the first time, I was 9 years of age and I was living in Pakistan at that time. Very soon after it was released in Pakistan, it became a major hype throughout the neighbourhood. Every kid on the block was singing songs from this movie and it soon channeled itself into my heart as well and make its place there. I would recommend this movie to everybody, regardless of taste because it accomodates all possible tastes. This movie has a lot of aesthetic value for me and its definitely a watcher. Don't miss this one if you haven't already seen it.

Ghost Writer

"Qayamat se Qayamat Tak" is an unforgettable picture. It wouldn't be wrong to call QSQT a landmark movie in the history of Indian cinema. A love-story, the type of which can hardly be made again. I t was released in the 80s, when there was a deluge of similar-looking action and formula films. QSQT came in as a real breath of fresh air. It was the ultimate love-story. A story about two warring families, stubborn parents, and despite all this the children of these families fall in love with each other. Aamir Khan and Juhi Chawla were relaunched after making respective debuts in "Holi" and "Sultanate", and I don't remember having seen anybody else fresher than these two. Their pair was amazing. Actors and actresses now lack that innocence. There was no sex and no violence, and yet the film had such a wide appeal. Actually, the simple and the innocent approach of the film was it's greatest plus-point. Another big thing contributing to the timeless appeal of the film is it's music. The late Majrooh Sultanpuri's unforgettable lyrics ("Papa kahte hain...", "Aye mere humsafar...", "Ghazab ka hai din..." and all the songs) and col tunes composed by the Anand-Milind duo (why don't they do something like this once again) were matchless. In a nutshell "Qayamat Se Qayamat Tak" is a movie no true movie-lover should miss.

I was in class eighth when I watched this movie. Those were hard times. My father used to stand beside the television on Friday night as Prannoy Roy's "World this week" would come to an end. As the program used to end, my father would switch off the television to make sure I can't even get a glimpse of the following late night Friday night movie.

In such a time me and my sister persuaded my father to go to Durgapur Cinema and watch a children's movie named "Qayamat Se Qayamat tack". 20 years have passed since then. I have watched so many movies of so many languages in the world. But not a single dialog of any of them did influence me as much as this one from QSQT did -> "Hum UN-key Au-lad jar-o-or hay-in, par Jagger Ne-hi". And the last scene hypocrisy of the "majboor Bap" who asks her daughter to pack her bags since "Raj to ate-i hon-gay".

It's unfortunate that our nation hasn't changed much in two decades and still families fight over marriages between different castes, religions etc. In fact it has gone worse in some states like MP where fanatic elements can influence the police to bring kidnapping charges against the groom which finally, as it happened recently, required the intervention of the court to sanction the nuptial bond.

Amir did a real great job.