VALUTAZIONE IMDb
5,3/10
2369
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young officer, just out of West Point is sent to Vietnam, where the men don't respect him until he gets wounded and returns to be a wiser soldier and a better commanderA young officer, just out of West Point is sent to Vietnam, where the men don't respect him until he gets wounded and returns to be a wiser soldier and a better commanderA young officer, just out of West Point is sent to Vietnam, where the men don't respect him until he gets wounded and returns to be a wiser soldier and a better commander
- Regia
- Sceneggiatura
- Star
Bill Olmsted
- Medic
- (as Bill Olmstead)
Recensioni in evidenza
If you want to see the Vietnam War as it was experienced by a real Platoon Leader, this is it. Authentic, down to the mannerisms, slang, terror and disillusion of it all, this film has none of the wierd phantasms of Apocalypse Now or the left wing political hype of Oliver Stone's Platoon.
Richard C. Caporiccio, LTC, US Army, Retired, former Platoon Leader, 3rd Battalion, 503rd Infantry (Airborne), LZ Uplift, Republic of Vietnam from Jan 2 to December 24, 1969.
Richard C. Caporiccio, LTC, US Army, Retired, former Platoon Leader, 3rd Battalion, 503rd Infantry (Airborne), LZ Uplift, Republic of Vietnam from Jan 2 to December 24, 1969.
PLATOON LEADER is one of Dudikoff's best movies, perhaps because, since it was a rare theatrical release, more attention was given to make sure it was well-done. You really get a sense of what the war in Vietnam was like for the soldiers there, with hair-raising jungle ambushes and close calls. Naturally, the guys at the base don't take too kindly to Dudikoff when he first arrives, but ultimately grow to respect him, something I've really grown tired of seeing in the movies. But the battle scenes are well-executed, the direction by Aaron Norris (Chuck's brother) nothing special but good, and the music heroic and uplifting. War movie fans should enjoy it.
Originally entitled "Nam," this film was released as "Platoon Leader" to cash in on the success of "Platoon," which had been released the previous year. Unfortunately, this sank it, and most everyone dismissed this is an imitation of the latter film. However, I feel that this might be one of the finest films about the Vietnam War around, and that's due to the fact that it knows the genre of war films and it knows what to take seriously and what to regard as pure action.
In war films, particularly ones about the Vietnam War, there has always been a question about which angle to approach: a human, emotional story or a pure action-adventure. This film handles the question well, and it shows us both. The film covers a new U.S. captain joining a platoon that is set up on a hill with orders to protect a small village. The story of how he must earn the right to be called the captain of such a motely group, and how the men themselves must struggle about just what they are fighting for in this war, is extremely moving. The writers choose to represent many different attitudes, all of which were present in the war: fear, reluctance, discontent, indifference, and honor. Each character is painted vividly and with wonderful acting, and through their tragedy and suffering, the viewer gets a better understanding of what went on during America's darkest hour.
On the other hand, this film also contains some nicely-directed action sequences that know how to get the heart-beat going. They don't neccessarily glorify war, but they are very Rambo-esque, and made in an effort to satisfy action fans. It is the essence of these action scenes, combined with the human characters who have to pick up the pieces of each battle and move on with their daily, emotional struggles, that really makes this film tick.
This film was directed by Chuck's brother Aaron Norris, who lost a brother to the Vietnam War. Indeed, this must have been a difficult film to shoot because of that, but he certainly paid his brother a fitting tribute in this underrated war epic.
**** out of ****
In war films, particularly ones about the Vietnam War, there has always been a question about which angle to approach: a human, emotional story or a pure action-adventure. This film handles the question well, and it shows us both. The film covers a new U.S. captain joining a platoon that is set up on a hill with orders to protect a small village. The story of how he must earn the right to be called the captain of such a motely group, and how the men themselves must struggle about just what they are fighting for in this war, is extremely moving. The writers choose to represent many different attitudes, all of which were present in the war: fear, reluctance, discontent, indifference, and honor. Each character is painted vividly and with wonderful acting, and through their tragedy and suffering, the viewer gets a better understanding of what went on during America's darkest hour.
On the other hand, this film also contains some nicely-directed action sequences that know how to get the heart-beat going. They don't neccessarily glorify war, but they are very Rambo-esque, and made in an effort to satisfy action fans. It is the essence of these action scenes, combined with the human characters who have to pick up the pieces of each battle and move on with their daily, emotional struggles, that really makes this film tick.
This film was directed by Chuck's brother Aaron Norris, who lost a brother to the Vietnam War. Indeed, this must have been a difficult film to shoot because of that, but he certainly paid his brother a fitting tribute in this underrated war epic.
**** out of ****
Most of Cannon Pictures' product is pretty much junk (they make Chuck Norris and J-C Van Damme movies, so what do you expect?), but this one is different. It doesn't have the rock-bottom cheapie look of most Cannon pictures, and the script, for once, actually makes sense (amazing, considering that Harry Alan Towers was one of the writers). The story concerns a young army lieutenant on his first combat assignment in Vietnam, and how he comes to earn the respect of his men. Michael Dudikoff is surprisingly good as the young officer who arrives at his post not knowing quite what to expect but determined to do his duty, and Robert F. Lyons is outstanding as the platoon's veteran sergeant who doesn't want a new lieutenant to get any of his men killed. The action scenes are very well staged and give you a real sense of being there, as opposed to the cardboard pyrotechnics that Cannon usually grinds out. All in all, a refreshing change from the usual Cannon crap. Recommended.
Platoon leader is often at it's most effective when when it reminds us that these men are human beings and not machines and that they will show emotion at times of stress.
It's tense, atmospheric, and exciting at just the right times, with plenty of gunfire and explosions to keep the viewer entertained. Michael Dudikoff gives an excellent performance in this well above war movie from Cannon Pictures.
Shame about the village though.
bcarruthers-76500
Lo sapevi?
- QuizOne of the few films made by Cannon Film Distributors that wasn't produced by either Menahem Golan or Yoram Globus.
- BlooperAt the 43 min mark the VC and NVA the GIs using mortars. The sound effect was a incorrect. Mortars do not produce a whistle.
- Citazioni
Raymond Bacera: Death is the ultimate alarm clock man, Wakes you up.
- ConnessioniReferenced in Remo, Rambo, Reagan and Reds: The Eighties Action Movie Explosion (2014)
- Colonne sonoreOut on the Fenceline
Written and Performed by Fontaine Brown
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.348.771 USD
- Lordo in tutto il mondo
- 1.348.771 USD
- Tempo di esecuzione
- 1h 37min(97 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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