La collina dell'onore

This movie is underrated probably because of the prejudices held by critics against Michael Dudikoff. Though his acting is widely thought to be mediocre (it is), he shines in this movie. "Platoon Leader" is gripping fare and deserves more respect than it currently garners. It is not just another throwaway Vietnam movie. It is, in fact, entertaining and is required viewing for any fan of action movies. 5/10

As a marine in Vietnam, in 1968, I find bits and pieces of this movie right on technically let's start with Explosions... Hand grenades do not make fire balls an M 60 machine gun does not sound the same as an M 16 AK-47s do not sound the same as an M 16 you do not salute officers in the bush. Everybody is not always yelling at each other. Claymore mines are generally not all bunched together Aiming down Generally the gooks did not wear their white straw hats while hiding in the grass or in a fire base you generally have a killing area without trees, or tall grass when using pop-up flares, you do not look at the pretty light or you will completely lose your night vision... Just to name a few they had no tanglefoot or trip flares around the fire base you don't have your shiny dog tags hanging outside of your T-shirt... Other than that I enjoyed the movie.

PLATOON LEADER is one of Dudikoff's best movies, perhaps because, since it was a rare theatrical release, more attention was given to make sure it was well-done. You really get a sense of what the war in Vietnam was like for the soldiers there, with hair-raising jungle ambushes and close calls. Naturally, the guys at the base don't take too kindly to Dudikoff when he first arrives, but ultimately grow to respect him, something I've really grown tired of seeing in the movies. But the battle scenes are well-executed, the direction by Aaron Norris (Chuck's brother) nothing special but good, and the music heroic and uplifting. War movie fans should enjoy it.

Unlike all of the Sundance film Festival critics on IMDb who give everything a one that isn't Star Wars or Rocky, I felt this was a very genuine and realistic look at a small platoon in Vietnam. Not only was the scope of the movie fairly accurate for what a platoon would have been tasked with doing in Vietnam but I believe everyone in the film played their role well. Obviously there were some tropes and stereotypes but that is an any movie to lend it dramatic affect. If you want to watch a fairly straightforward but nonetheless poignant film about being a soldier in Vietnam then I would recommend the movie. If you want to watch a cinematic masterpiece that only uses Vietnam as a backdrop then just go watch Apocalypse Now.

After making his directorial debut with his brother Chuck Norris with "Braddock: Missing in Action III" (1988), his follow-up would be another Vietnam War feature with Cannon productions starring Michael Dudikoff. The man with the poker face. All jokes aside. Norris' presentation might feel like a poor man's version of Stone's "Platoon", but it turned out to be a very solid nitty gritty portrayal of a war that was hard for the soldiers to come to grips with (nothing but pure propaganda). The performances are acceptably creditable (Robert F Lyons, Michael DeLorenzo, Brian Libby and William Smith chew it up in a major role) and a convincing Dudikoff actually brought across some emotional weight to the part. The script really does illustrate the dramas along with the horror in some arresting scenes ("What do you say to a girl with her arm shot off?") --- especially the transformation of Dudikoff's character throughout his duty, where at the beginning he was naïve to how things work but after an incident that sees him hospitalized he returns an improved soldier, better equipped for the experience and from this starts to gain respect. Comradely is formed. Norris' direction moves at a fast clip, if quite clichéd (cue in the patriotic sounding score) but the impulsive action is competently staged and fairly exciting in its tension fuelled fire-fights with glorious slow-motion and graphic violence. Pockets here, pockets there which leads up to the big explosive assault ala "Platoon" style. Filmed in South Africa, Norris gets a real earthy and humid authenticity which has you also caught in the thick of it. Despite the low-budget it's reasonably well-presented.