La collina dell'onore

If you want to see the Vietnam War as it was experienced by a real Platoon Leader, this is it. Authentic, down to the mannerisms, slang, terror and disillusion of it all, this film has none of the wierd phantasms of Apocalypse Now or the left wing political hype of Oliver Stone's Platoon.

Richard C. Caporiccio, LTC, US Army, Retired, former Platoon Leader, 3rd Battalion, 503rd Infantry (Airborne), LZ Uplift, Republic of Vietnam from Jan 2 to December 24, 1969.

PLATOON LEADER is one of Dudikoff's best movies, perhaps because, since it was a rare theatrical release, more attention was given to make sure it was well-done. You really get a sense of what the war in Vietnam was like for the soldiers there, with hair-raising jungle ambushes and close calls. Naturally, the guys at the base don't take too kindly to Dudikoff when he first arrives, but ultimately grow to respect him, something I've really grown tired of seeing in the movies. But the battle scenes are well-executed, the direction by Aaron Norris (Chuck's brother) nothing special but good, and the music heroic and uplifting. War movie fans should enjoy it.

Originally entitled "Nam," this film was released as "Platoon Leader" to cash in on the success of "Platoon," which had been released the previous year. Unfortunately, this sank it, and most everyone dismissed this is an imitation of the latter film. However, I feel that this might be one of the finest films about the Vietnam War around, and that's due to the fact that it knows the genre of war films and it knows what to take seriously and what to regard as pure action.

In war films, particularly ones about the Vietnam War, there has always been a question about which angle to approach: a human, emotional story or a pure action-adventure. This film handles the question well, and it shows us both. The film covers a new U.S. captain joining a platoon that is set up on a hill with orders to protect a small village. The story of how he must earn the right to be called the captain of such a motely group, and how the men themselves must struggle about just what they are fighting for in this war, is extremely moving. The writers choose to represent many different attitudes, all of which were present in the war: fear, reluctance, discontent, indifference, and honor. Each character is painted vividly and with wonderful acting, and through their tragedy and suffering, the viewer gets a better understanding of what went on during America's darkest hour.

On the other hand, this film also contains some nicely-directed action sequences that know how to get the heart-beat going. They don't neccessarily glorify war, but they are very Rambo-esque, and made in an effort to satisfy action fans. It is the essence of these action scenes, combined with the human characters who have to pick up the pieces of each battle and move on with their daily, emotional struggles, that really makes this film tick.

This film was directed by Chuck's brother Aaron Norris, who lost a brother to the Vietnam War. Indeed, this must have been a difficult film to shoot because of that, but he certainly paid his brother a fitting tribute in this underrated war epic.

**** out of ****

Platoon leader is often at it's most effective when when it reminds us that these men are human beings and not machines and that they will show emotion at times of stress. It's tense, atmospheric, and exciting at just the right times, with plenty of gunfire and explosions to keep the viewer entertained. Michael Dudikoff gives an excellent performance in this well above war movie from Cannon Pictures. Shame about the village though. bcarruthers-76500

Unlike all of the Sundance film Festival critics on IMDb who give everything a one that isn't Star Wars or Rocky, I felt this was a very genuine and realistic look at a small platoon in Vietnam. Not only was the scope of the movie fairly accurate for what a platoon would have been tasked with doing in Vietnam but I believe everyone in the film played their role well. Obviously there were some tropes and stereotypes but that is an any movie to lend it dramatic affect. If you want to watch a fairly straightforward but nonetheless poignant film about being a soldier in Vietnam then I would recommend the movie. If you want to watch a cinematic masterpiece that only uses Vietnam as a backdrop then just go watch Apocalypse Now.