Nome in codice: Picasso Trigger

Andy Sidaris follows his usual formula with this mix of action, gorgeous scenery, and even more gorgeous women. The story deals with the title character, an international criminal played by handsome John Aprea. He's gunned down outside an art gallery by the goons of a crazed associate, Miguel Ortiz (Rodrigo Obregon). Then a team of government operatives, including Travis Abilene (amiable hunk Steve Bond), Donna (the delectable Dona Speir), and Taryn (lovely Hope Marie Carlton) spend their time trying to eliminate Ortiz and his henchmen.

"Picasso Trigger" is fun, at least to a degree. It's never inspired, but it's reasonably rousing at times and even if the viewer is otherwise bored, they'll hopefully be preoccupied with ogling the female cast members. Naturally, they show off the goods when they get a chance. The acting is basically good enough for this sort of thing. The standout is veteran Aprea, who's a real smooth type. The gadgets designed by "Q" type character The Professor (Richard LePore) are cute, especially that killer crutch.

The material is played with a degree of humour, with some choice bits of dialogue here and there. Things get a little annoying in the final minutes, with one "ending" after another, but the movie is overall a good little diversion.

Six out of 10.

Once again, this Sidaris film seems to have everything: a fit and quite believable as an agent Dona Speir, an incredibly adorable Hope Marie Carlton (on a scale of 1 to 10, her smile is a 12), a gorgeous Roberta Vasquez, international locations (Paris, Las Vegas, Texas, Hawaii, etc.), LOTS of explosions, outrageous gadgets, etc. The mix should have been explosively hot, but sadly it's only lukewarm. The execution of the formula is mechanical, as if Sidaris was simply ticking off action scenes from a list. There are very few funny lines (the best belongs to Speir: when she's accused of being jealous, she says "there is not a jealous bone in my body - check it out for yourself", and she disrobes!) and the one fight scene, involving Harold Diamond, is terrible. But to end this comment on a positive note, John Aprea gives a slick performance as the arch-villain of the story. (**)

It's not his best work, but I still don't feel like I wasted my rental.

It drags on in some parts, and most of the hand to hand fight scenes are really unconvincing.

On the plus side, it has some tricks and twists that an audience member really wouldn't see coming.

No Julie Strain, but Donna Spier and Roberta Velasquez look really good in most of their shots. :)

Still, the nudity, while gratuitous, isn't very common in occurrence. The scenes where the characters are in swimsuits are nice, I guess. I have to admit they look pretty good.

It really didn't flow very well, and it had some scenes that were just plain boring.

Overall, I still like Sidaris' work, because it's the best you'll ever get in this kind of film work, I think, but he's done better.

While never having heard about this 1988 movie titled "Picasso Trigger" from writer and director Andy Sidaris, I opted to sit down and watch it here in 2022, as I had the opportunity to do so after having seen the 1988 movie "Hard Ticket to Hawaii".

And I will say that "Picasso Trigger" definitely is right in the spirit and essence of the "Hard Ticket to Hawaii" movie, so if you enjoyed that one from Sidaris, then you will also enjoy this 1988 movie. I will admit that the movie was watchable enough for what it was, which is some typical late 1980s cheese, for better or worse.

It was actually fun to see the majority of the cast from "Hard Ticket to Hawaii" return to reprise their roles and characters in "Picasso Trigger", so it made for some sense of continuity. It should also be said that the acting performances in "Picasso Trigger" were adequate enough.

Visually then "Picasso Trigger" was an okay movie. I mean, it wasn't the best of special effects, and the usage of painfully obvious dummy stand-ins whenever an explosion was imminent was just hilarious.

If you enjoy 1980s cheesy action flicks, then you will definitely enjoy "Picasso Trigger".

My rating of "Picasso Trigger" lands on a five out of ten stars.

Dona Speir confessed in an interview (DVD bonus) she didn't understand the movie after reading the script and she figured it out only after she watched the final product 4 times. She isn't the only one, I suppose. I blame this confusion on the villain who keeps hidden most of the time so you wonder who's actually fighting whom and why. The killers' messages are quite poetic: "The ones with the flower have been scattered this hour", one writes to notify the others that his job his done. "I've got a black belt in shotgun", another lady says after she shot a kung fu fighter. The Dutch DVD I've got uses the tagline "Moorden is een vorm van kunst" ("Killing is an art form", I think it translates) - and these cynical tidbits just to demonstrate "Picasso Trigger" is somewhat more violent (and with less nudity) than other movies of the Lethal Ladies series. I loved the exploding boomerang as a weapon or when 1 of the heroes fires about 20 times at 1 bad guy and misses him every time. Playboy's Roberta Vasquez in her first appearance for Andy Sidaris slips into a pair of ripped jeans, showing beautiful legs, beautiful dark eyes, beautiful... everything! Note: this is the 3rd out of my 12 reviews for the works of Andy Sidaris, in chronological order.