Nightmare 4 - Il non risveglio

Renny Harlin (Die Hard 2) directs Dream Master, the fourth entry in the franchise about a maniacal dreamstalker named Freddy Kruger. The entry is extremely passable and enjoyable.

The survivors of Dream Warriors are still haunted by memories of Freddy Kruger. But Freddy isn't quite dead as he picks up his glove and takes up where he left off...with vengeance. The only flaw in his plan: a shy outcast named Alice who harbors powers that will enable her to do battle with Kruger as she assumes qualities of past Freddy victims.

Although some of the more interesting characters are sacrificed first, the Nightmare franchise proves to be deeper and more original than any other slasher series around. Some inventive deaths and imagery on display as Robert Englund devours the scenery as Freddy.

The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.

While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.

'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.

However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.

Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.

It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.

Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox

The third sequel in the long-running series is set firmly in the world of the late 1980s: we're talking lame fashions, big hair, rubbery special effects and a rather uneven tone veering midway between comedy and horror. It's all about what's over the top, with everybody involved aiming to outdo the scares and FX of the previous movies, but in the end none of this can disguise the fact that by this stage the story was wearing very thin. This is nothing more than a supernatural slasher that virtually reprises the plot of the first three films in the series with different characters.

Of course, watching Robert Englund hamming it up will always be a guilty pleasure, and I have to say that the special effects are also pretty impressive. In the days before CGI, the FX team here went all out in creating bizarre and inventive death scenes, most notably a moment involving a giant cockroach. Freddy's resurrection at the outset is gratuitously silly yet somehow still works, paying homage to the old Chris Lee/Dracula resurrections in spectacular fashion. There are lots of able technicians working hard behind the scenes, including Howard Berger and Screaming Mad George, and in a film this reliant on special effects their diligence pays off.

It's hard to review this title objectively, because watching it makes me nostalgic for '80s cinema in all its tacky badness. But I think it's fair to say that this is one of the better sequels out there; it's not frightening in the least, but it is entertaining and it's one of few enjoyable Renny Harlin-directed movies in existence, along with DIE HARD 2 and DEEP BLUE SEA.

Freddy is resurrected from the dead when a dog takes a pee on the ground in the scarp yard in which he was buried! That kind of sets the tone for the fourth instalment. When this first came out on VHS I was blown away by the special effects & it quickly became my second favourite in the franchise, after the first film. This was mainly due to the special effects (impressive at the time) and gimmicky way in which people die. However, 30 years on and in my opinion the film has lost some of that initial positivity, I know think that part 3 is a far better movie. There were splashes of humour in part 3 but it still managed to also be a dark, scary horror film. But in Dream Warriors Freddy is now more of a comic, spouting corny one-liners, which is something that I personally wasn't so fond of. The special effects are the real star here. It's still a fun movie to watch but I think it was the point where the series started to go down hill. Linnea Quigley has a nice little topless part as one of the souls coming out of Freddy's body, worthy of a freeze-frame!

The stage curtains open ...

For whatever reason, this 4th installment in the Elm Street series is my personal favorite. Maybe it's because it was directed by Renny Harlin who has a certain flair for action sequences. Maybe it's because I adore Lisa Wilcox and her character Alice, and the fact that she kicked some butt. Maybe it's because the supporting cast of teens really seemed like a tight knit group of friends having fun making this movie. Maybe it's because of the amazing visuals we were treated to. I don't know why exactly, but I absolutely loved "A Nightmare on Elm Street 4 - The Dream Master".

Having survived the events of the 3rd film, Kristen has formed a new circle of friends and is back in school with a boyfriend. Sensing that there is something wrong, she finds herself back in Freddy's nightmareland and he draws upon her power to pull in "fresh meat" so that he can start all over again. Alice, her best friend, is the silent, recluse type who is doing her best to hold things together at home. As the friends around her begin to die, she assumes their individual powers, sheds her fears, and faces Freddy for a winner-takes-all battle.

The transformation of Alice in this movie was the compelling story line, and the final confrontation delivers all the goods. Behind tight direction and good editing, we are given some outstanding visuals and memorable scenes. One of which was the movie theater scene where Alice is sucked into the silver screen. The acting in this one was a bit better than the previous installments, and this bunch of teen friends were people I actually cared about.

I highly recommend this movie at a very strong 8 stars out of 10. It is my personal favorite in the series - maybe because it's the perfect blend of everything I mentioned earlier. And as such, it still holds up pretty well since it was first released in 1988. "The Dream Master" is a winner.