Prima di mezzanotte

Here is a movie of my favourite sort regardless of the genre - you feel you would neither add nor substract anything from it. Excellent cast, beautiful script, professional director's work. The main strength of the movie can be found in its unpretentiousness. It primarily aims at providing fun and entertainment, and fulfills it in an efficient way. You have your comedy and action galore.

We are usually willing to suspend our disbelief when watching comedies. No such need when it comes to this movie - the plot, the relations between characters, their motives, everything works like a flawless machinery. It is as credible as life itself.

The movie is brimming with memorable scenes. I have seen it twice - first when it appeared more than 15 years ago, and then again yesterday. I was delighted to find that the movie had lost nothing of its freshness and endured all time traps. I highly recommend it.

9/10 !

Pleasantly surprised by this one. I had heard people refer to this one, but hadn't seen it for myself until recently. One of the better buddy-action movies I've seen, due to a very tight script. Superior writing by George Gallo. The story is what drives this movie from beginning to end, and doesn't need to depend solely on the cast to keep the audience interested for the full 2 hours. DeNiro and Grodin are excellent together, with a great supporting cast. I would keep this movie in my personal collection. I would also consider it a fine example for other buddy action movies to follow, even today. Highly recommended for great comedic writing, directing and acting.

DeNiro is (Jack Walsh) a self-righteous ex-cop so unpopular with the Chicago police department, now wanting to make one final 'midnight run' that'll pay big so he can buy a nice coffee shop…

He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'

DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...

Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court… And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal…

In an extended cross-country chase, the two men's personalities and relationship develop…

DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'

Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life… He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...

The best parts of the film are, in fact, the interactions between the two stars… The story holds up perfectly and entertains the viewer in every way… Martin Brest does bring out the realistic, funny and moving sides of his likable characters… Suspense is maintained to the very end

The first time I watched this movie, I immediately started it again after the credits rolled. Loved it just as much the 2nd time, and over the years, I can honestly say that almost anytime I watch Midnight Run, I usually end up watching it a 2nd (and sometimes 3rd) time within the next few days.

I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.

Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.

I love this movie like I love my childhood.

In the the late 1980's early 9o's there have been many action buddy comedies 'Beverly hills cop', 'Bad Boys' and 'Bulletproof'and they have all been great. But if i had to say none of them can compare to such a masterpiece as Midnight Run. The film is full of tense and exciting moments of action and humour from both De Niro and Grodin who in this film I think are both at the top of their game. Their chemistry in playing hard ass bounty hunter and sensitive criminal is fantastic. It is such a shame there was no talk of a sequel in mind, especially since it is such an original and cool story and we were gagging to see De Niro return as Jack Walsh again. The film also gives us an impressing supporting cast with Dennis Farina (Snatch, Get Shorty) as an angry mobster and Yaphet Kotto (Alien)as an angry cop on the trail for them both.An easy 10/10. Brilliant piece of movie making.