Il segno della giustizia

Try and beat THIS for an opening sequence! Images of women amiably chatting and young children peacefully playing in the morning sun get barbarically interrupted when suddenly a shady figure holding a shotgun comes driving up to the house. Without speaking one word, the man unhesitatingly butchers the women (one pregnant one) before turning towards the children and shooting them too. The latter killings occur off screen but the footage is nonetheless shocking considering the madman's emotionless modus operandi. This bit of content represents the promising beginning of a compelling and highly suspenseful – albeit flawed – thriller starring the almighty Charles Bronson in an unconventional (at least, for him) role. Charlie depicts a journalist of the Denver newspaper who sinks his teeth into the circumstances surrounding the tragic massacre and stumbles upon a story bigger than he bargained for. The murders initially appear to be a dramatic consequence of a long-running vendetta between a separated family of Mormons, but our courageous reporter gradually uncovers a convoluted and inhumanly cruel conspiracy which concerns – of course – eminent politicians and wealthy businessmen. I honestly expected to find a slightly higher rating and more positive-toned reviews for "Messenger of Death" around here to be honest. Admittedly the evolution of the storyline is rather predictable and the eventual settlement is too tame, but the film definitely maintains a high tempo and a good number of sequences are very tense and literally action-packed. Charles Bronson tries his hardest to come across as a plausible journalist, but there are definitely some problems regarding his character. Bronson isn't exactly known as the most talkative actor in Hollywood; a trademark that usually fits his regular roles of mercenaries ("The Mechanic", "Violent City") and tormented avengers (the "Death Wish" franchise) very well. But even here his number of speeches and dialogs are kept to an absolute minimum, which isn't normal when you're a reporter. Moreover, in spite of his 'normal' job and life-style, he still wipes the floor with professional hit men and stunt-drives his way out of an assassination attempt! Since when do Denver journalists receive training in martial arts and defensive driving? The remote Colorado filming locations, as well as the largely unfamiliar traditions of Mormon families, add up to the ominous atmosphere but still director J. Lee Thompson ("Cape Fear", "The Guns of Navarone") doesn't use up the full potential of these terrific. "Messenger of Death" is an interesting film, to say the least, and it deserves a bit more appreciation from Bronson fanatics as well as fans of suspense films in general.

Wifes and children of the Mormon Orville Beecham (Charles Dierkop) become victims of a slaughter in his own house . The police believes the massacre had a religious motive . Orville doesn't give any comment on the investigation and he is taken into protective custody . Tough 'Denver Tribune' crime reporter Garret Smith (Bronson , he was about sixty-six years of age when he appeared here) persuades him to help him in the case of the slaying of his family . As there is an extreme feud between different Mormon sects , one being led by Willis Beecham (Jeff Corey) and the other led by his brother Zenas Beecham (John Ireland) . Smith , helped by Jastra Watson (Trish Van Devere) , uncovers a strange conspiracy around old-rich real state .

This light entertainment and standard Bronson movie is full of action , thrills , and disturbing scenes . Here Bronson rules in his usual stoic acting and displays efficiently his weapons , killing mercilessly nasties . The meaning and relevance of this movie's title is that it refers to a drawing featuring an avenging angel of death that is left at a crime scene at the beginning of the flick . The title also suggests that Bronson is a 'Messenger of Death', the word messenger also being a play on words with this, as his character is a reporter , a job which involves writing news articles , they being "messages" in a sense . In the film there is frantic action , thrilling car/trucks pursuits , shootouts , intrigue , little bit of violence and including a twisted as well as suspenseful finale . Based on a book and scripted by Paul Jarrico , as its source Rex Burns novel 'The Avenging Angel' was first published in 1983 , though the film has little in common with the novel it is based on . From the beginning until ending the action-packed and fast moving is continued and that's why the picture results to be entertaining . This is one of the last films (last movie was Kinjite) Charles Bronson made for Cannon Films and it represents the ninth and final of ten teamings between producer Pancho Kohner and star actor Bronson . Charles Bronson acting is wooden as being habitual in his roles as an investigator/executioner . Here he plays a reporter who carries out an investigation and finds out about economic motives for a massacre . This journalist evokes the crime writer character he played in St. Ives (1976) , the first movie he made with Thompson . The great spotlights of the film are the spectacular chases , car crashes between Bronson's car and the big juggernaut as well as the ending confrontation that's stimulating and moving . Nice and wide support cast , such as : Daniel Benzali , Marilyn Hasset , John Cedar , Penny Peyser , Tom Everett and Gene Davis who starred a heinous killer in ¨10 to midnight¨ by Thompson . Special mention for Laurence Luckinbill who gives an overacting with quite gesticulation . And the elders of this movie's religious groups are played by three stars of old Western movies : Charles Dierkop , Jeff Corey and John Ireland . It packs and evocative and adequate cinematography by Gideon Porath . Atmospheric soundtrack by Robert O. Ragland , including stirring choral score in the title and final credits composed in ¨Jerry Goldsmith's Omen¨ style .

The fare was regularly directed by J. Lee Thompson , though he fell ill during the making of this film , the picture was then finished by the first and 2nd unit director : Robert C. Ortwin Jr. and George Van Noy . It's narrated understanding as well as hardly . This movie represented the eighth and penultimate of nine teaming of director 'J Lee Thompson' with star actor Charles Bronson . This Thompson movie was theatrically released between his pictures Death Wish 4: The Crackdown (1986) and Kinjite (1989) , both of them starred by Bronson . Thompson previously had a nice track record in the English cinema from 1950 until 1961 , directing good Western (McKenna's gold , White Buffalo) and all king genres as Sci-Fi (Conquest and Battle of planet of apes), terror (reincarnation of Peter Proud , Eye of the devil), adventures (Flame over India , Kings of the sun , Taras Bulba , Tiger Bay) and Warlike ( Guns of Navarone, Von Braun , Chairman , The passage). His two biggest successes turned out to be ¨Guns of Navarone¨and ¨Cape Fear¨. Thereafter , the filmmaker's career subsided in a morass of slickly realized but middling films. He moved into the field of international spectaculars , at which point his filmmaking seemed to lose its individuality . J. Lee Thomson working from the 50s in England, finished his career making Chuck Norris (Firewalker) and Charles Bronson vehicles (Caboblanco , Evil that men do, Messenger of death, Death Wish 4 : Crackdown, Caboblanco, St Ives). Firewalker rating : Mediocre but passable , but it will appeal to Charles Bronson fans

The film has Charles Bronson in its favor, and is fairly well-made. It'a a little unbelievable, but fans of the genre or Bronson should enjoy it. Basically, Charles Bronson is an investigative reporter who investigates the slaying of a man's family, originally under the impression that the slaying was due to religious differences. One thing of minor note...it's not really a feud between different Mormon sects. The LDS Church has banned polygamy, in accordance with federal law, and excommunicates members who practice it. I suppose some might say that all the break-off groups(like the RLDS, FLDS and polygamist clans) can be considered part of a Mormon Religious Umbrella....but that would be kind of like saying members of the Russian Orthodox Church are really Catholic.

A movie where Charles Bronson doesn't kill anyone. Despite the title. Despite the poster or the video cover. There are indeed deaths, in a Mormon family, where children and women are massacred (this is the beginning of the film). Charles Bronson is a journalist who investigates to understand why a family of Mormons has been decimated. He conducts the investigation on his own, at his own pace, independently of the police, supported by his newspaper, which wants to create a sensation.

The documentary side of the film presents us with the thought patterns of these Mormons, where God's will (which explains everything) and vengeance go hand in hand, in a country where guns are freely available. The messenger of death is the killer who decimated the family, unrelated to the character of Charles Bronson who investigates. Or, the journalist through his investigation, who will indirectly provoke reprisals between Mormon families.

Another interesting element of the film is the natural settings of Colorado. Let's add a superb music that can make us think of a horror movie: the composer, Robert O. Ragland is unknown to us, but has signed many film scores. This one is interesting, because it suits the suspense and horror.

The film ends with evil capitalists and politicians greedy for money.

The film can be watched without any problem. The scenes in the city (Denver, the capitalists, the important people) are the perfect counterpoint to the scenes in the countryside where Charles Bronson investigates and ends up putting the pieces of the puzzle together in the Mormon farms.

Bronson is rather miscast as a reporter (who still can punch and defeat any opponent), but this is one of his least typical and most solid vehicles from the 80's. It begins with a weird, effectively staged massacre and includes some offbeat elements along with the familiar ones. It's still nothing special, though. It's one of those curiously forgettable films that keep you interested while you're watching them, but leave no lasting impression.