Lurkers

The premise of Roberta Findlay's "Lurkers" is certainly fascinating:the group of ghostly tenants are forced to spend an eternity in a creepy New York building.The main character,a violinist is terrorized by the Lurkers. "Lurkes" is an amusing late 80's horror cheapie made by highly prolific Roberta Findlay.The special effects are bad and there is no gore,but some scenes of child abuse are quite unsettling.There are few scenes of nudity,so I am not complaining."Lurkers" is a pure cheese with terrible acting and slow-moving script.If you enjoyed "Prime Evil" any other low-budget horror movie made by Roberta Findlay check this one out.6 out of 10.Just remember:Lurkers are NOT lurking.

Lurkers (1988)

BOMB (out of 4)

Poor old Cathy is being haunted by ghosts who seem to want revenge over the acts that happened in her childhood. Many years ago poor Cathy was the victim of her mothers abuse, which in turn lead to her mother killing her father and eventually killing herself. Cathy continues to be haunted by this and apparently the ghosts that also haunt the apartment building. Now Cathy is all ready to be married but her fiancé insists that she visit her brother who just happens to hate her due to the parents. By doing this Cathy gets closer to the building where all of this terror took form. Yawn.

Here's another contender for one of the worst horror films of the decade. While watching this film I couldn't help but regret loving this genre so much. Unlike other bad horror films, sadly this one isn't bad enough to fall into the "so bad it's good" category and once again, by the fifteen-minute mark I was starting to think about scratching my eyes out. The director certainly forgot to use a script but he was smart enough to try and keep my eyes in my head by throwing out some nudity but even that didn't help.

This movie is pure amateurism all the way through and it appears the director simply raised some cash and fired friends to do the roles not once considering if they could actually act or not. There are so many bad things in this film that they get so annoying one can't help but wish their fate is coming soon. Just check out the incredibly stupid scene where the two lovers feed one another pizza. Was this supposed to be romantic? If so, pizza lovers beware because you might not ever look at a slice of pepperoni the same way again. There's even a cute little scene where our female hero encounters some street gangs, which were apparently leftovers from Death Wish 3. It goes without saying the film offers no scares, no good gore effects and nothing else for that matter. Instead of watching this film I'd recommend you get some exercise by watching your grass grow.

New Yorker Cathy is haunted by visions of her murderous mother and a mysterious little girl. Good thing she has photographer Bob as an anchor. But for how long, given her horrific delusions.

The logic of this horror flick appears to be that if a spoonful is good, then a truck full has to be better. But it's not. The piling on of scenes, themes, and effects soon gets tedious. That is, how many kissy-faces do we need to show that Cathy loves Bob, or that Cathy is full of delusions if that they be, or that darkness can be dangerous. Too bad, because the basic idea of a hell-house has potential.

With a tighter script and more strategic use of effects, there's a good movie core lurking within. As it is, the producers appear unable to deal effectively with structure, and that includes color photography for its own sake. Now, I'm not up on post-70's horror films. But if you want to check out how similar material can be effectively done, check out Val Lewton's 1943 classic The Seventh Victim. That tight little B-film also shows why audience imagination is horror's most powerful source. And that's especially important given today's overpowering appeal of special effects.

I quite liked Roberta Findlay's film "The Oracle" so I thought I'd give this one a go, especially as I thought the VHS cover looked quite cool. Sadly it turned out to be rather boring. It actually has quite a good storyline behind it, but is just done in a very boring way. Which of course means little gore and suspense, and too much talking.

I sort of like the cheap and dirty feel to it - I've always thought cheapness adds a murky atmosphere to horror flicks, take "Midnight" by John Russo for example. It's a shame Findlay didn't go for blood and gore over the "talky" bits as that would have made it much more watchable. Using better actors would also have lifted it out of boring mediocrity.

Overall, Lurkers may be of interest to those who collect rare horror flicks, but gore and suspense fans should stay away.

Cathy (Christine Moore) had a pretty rough childhood as she saw her mother murdered. Even worse, she lived in a brownstone that had ghosts ("Lurkers!") coming out of the walls. Things look to be picking up though as she is engaged to Bob (Gary Warner), a photographer who runs his business with former model Monica (Marina Taylor). Of course, this is NYC and you know you can't trust anyone there. This is another of Roberta Findlay's late 80s horror flicks so you'll know what to expect if you are familiar with her work from that period. Not much going on here, although it did confirm my suspicions that the gateway to hell is located in Washington Heights. To her credit, Findlay does get some nice NYC locations in and there are a couple of effective dream sequences. These bits are a bit marred by the ghost girl with the New Yawk accent though. Ed French supplied the Lurkers and they look pretty good for a low budget production. Much of the cast returned for her next production, PRIME EVIL (1989).