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Una tomba per le lucciole

Titolo originale: Hotaru no haka
  • 1988
  • T
  • 1h 28min
VALUTAZIONE IMDb
8,5/10
353.753
LA TUA VALUTAZIONE
POPOLARITÀ
470
54
Corinne Orr, Ayano Shiraishi, Tsutomu Tatsumi, J. Robert Spencer, Emily Neves, and Adam Gibbs in Una tomba per le lucciole (1988)
A young boy and his little sister struggle to survive in Japan during World War II.
Riproduci trailer1: 44
6 video
99+ foto
Adult AnimationAnimeHand-Drawn AnimationPeriod DramaTragedyAnimationDramaWar

Un ragazzino e sua sorella minore lottano per sopravvivere in Giappone durante la Seconda Guerra Mondiale.Un ragazzino e sua sorella minore lottano per sopravvivere in Giappone durante la Seconda Guerra Mondiale.Un ragazzino e sua sorella minore lottano per sopravvivere in Giappone durante la Seconda Guerra Mondiale.

  • Regia
    • Isao Takahata
  • Sceneggiatura
    • Akiyuki Nosaka
    • Isao Takahata
  • Star
    • Tsutomu Tatsumi
    • Ayano Shiraishi
    • Akemi Yamaguchi
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,5/10
    353.753
    LA TUA VALUTAZIONE
    POPOLARITÀ
    470
    54
    • Regia
      • Isao Takahata
    • Sceneggiatura
      • Akiyuki Nosaka
      • Isao Takahata
    • Star
      • Tsutomu Tatsumi
      • Ayano Shiraishi
      • Akemi Yamaguchi
    • 1KRecensioni degli utenti
    • 147Recensioni della critica
    • 94Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Film più votato #37
    • Premi
      • 3 vittorie totali

    Video6

    Official Trailer
    Trailer 1:44
    Official Trailer
    Grave of the Fireflies
    Trailer 1:47
    Grave of the Fireflies
    Grave of the Fireflies
    Trailer 1:47
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    Clip 4:03
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    Clip 1:48
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    When You Need a Good Cry
    Video 1:51
    When You Need a Good Cry

    Foto201

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 197
    Visualizza poster

    Interpreti principali70

    Modifica
    Tsutomu Tatsumi
    • Seita
    • (voce)
    Ayano Shiraishi
    • Setsuko
    • (voce)
    Akemi Yamaguchi
    • Aunt
    • (voce)
    Yoshiko Shinohara
    • Mother
    • (voce)
    Kôzô Hashida
    • Obayashi Chairman
    • (voce)
    Masayo Sakai
    • Woman who takes care of Setsuko
    • (voce)
    Kazumi Nozaki
    • Cousin
    • (voce)
    Yoshio Matsuoka
    • Gosaku
    • (voce)
    Masahiro Kanetake
    • Aunt's house guest
    • (voce)
    Kiyoshi Yanagawa
    • Patrolman
    • (voce)
    Hajime Maki
    • Man who arrests Seita
    • (voce)
    Atsuo Omote
    • Person in bank
    • (voce)
    Teruhisa Harita
    • Station worker
    • (voce)
    Hiroshi Tanaka
    • Person in bank
    • (voce)
    Michio Denpô
    • Station worker
    • (voce)
    • …
    Shirô Tamaki
    • Person in bank
    • (voce)
    Tadashi Nakamura
      Mika Sekita
      • Nurse
      • (voce)
      • Regia
        • Isao Takahata
      • Sceneggiatura
        • Akiyuki Nosaka
        • Isao Takahata
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti1K

      8,5353.7K
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      Riepilogo

      Reviewers say 'Hotaru no haka' is a poignant film highlighting war's impact on children. It delivers a strong anti-war message and realistic portrayal of civilian suffering. The sibling bond is deeply moving, evoking strong emotions. Animation and storytelling are praised for conveying tragedy and life's beauty amidst war. Its focus on personal struggle makes it unique. Despite its somber tone, it underscores human resilience and the importance of love and family.
      Generato dall’IA a partire dal testo delle recensioni degli utenti

      Recensioni in evidenza

      10bdod5489

      More moving than you could ever expect

      This film is utterly emotionally draining whilst being rewarding at the same time.

      The animation is both realistic and stylized but that's not the point, the main focus of this film is the character development of the brother and sister protagonists. Their relationship is nothing short of beautiful and touching.

      And without spoiling anything I have to say that this film touched me in a way no other film has ever touched me in my adult life. One or two films have upset me and reduced me to watery eyes but Grave of the Fireflies had me in fits of sobbing despair. I was a mess! I'm talking total emotional breakdown. Couldn't talk without sobbing! One of the best films I have EVER seen, animated or not.
      10Black Rainbow

      Haunting

      I was warned this movie would be emotional, but I had no idea just how understated that was. By the end, my friend and I were huddled together, pouring out tears I've never shed for any movie before. It was a mix of horror, empathy, sadness, and so many more emotions I can't even begin to list.

      Visions of this film have haunted me since first watching it, and I would find it hard to watch again, simply from it being so heart-wrenching. Only one movie has ever hit me hard enough to keep me from subjecting myself to it's strong emotions again (The thief, the cook, his wife and her lover).

      I strongly urge all to watch this, as it rises well about any films I've seen, anime or not.
      8gavin6942

      Greatest War Film?

      A tragic film covering a young boy and his little sister's struggle to survive in Japan during World War II.

      Apparently people, including Roger Ebert, consider this one of the greatest -- or perhaps the greatest -- war film ever made. Now, that is interesting because it is a cartoon. You never expect that, and this might not be something you want to show kids. It is pretty bold, with wounded people, maggots, and anyone can die.

      Even more interesting is how it takes place from the point of view of a Japanese youth during World War II. He is not nationalistic, he is not anti-American, he is just a kid. And is that not the truth of war? No matter who is right or wrong, millions of kids become the victims.
      10Nogami

      The best movie you'll never want to see again

      I had the fortune of being able to see Hotaru no Haka on the big-screen in Seattle a couple of years ago. It was truly the high-point of my film festival excursions. At the end of the movie, there was silence, absolute and total silence in the theater - and then, only an occasional sniffle until the end credits had finished rolling and the house lights came up. It would've seemed almost disrespectful to profane the silence with words.

      Seeing a movie like this really changes attitudes about war - about who really suffers, and that the honor and glory is shallow comfort when you contemplate what has been lost in the struggle.

      I've made the comment to my friends that if you ever see someone who isn't moved (usually to tears) by this movie, you've found someone without a soul. As difficult as it is to watch, turn off the phone, dim the lights, and immerse yourself in the film with ones you love - you will be a better person for it in the end.

      There are many other reviews of this movie, and most of them are probably far more comprehensive than my own - I'll conclude by saying that this movie should required viewing at some point (as should the peace museums at Hiroshima and Nagasaki) for everyone.

      When you see war and conflict in the news or read about it in the paper, think back to this movie - your perspective will probably be broadened, and your eyes opened a bit more.

      I've only watched this movie about 4 times - it usually takes a year or so to "decompress" after watching it. To see it too often would lessen the impact, and that would be the worst possible thing to do to this movie.
      10Dark0

      Brutally honest and heartbreaking

      Being my first Anime review I thought I'd start off with my one of my favourite pieces of work from who else but Studio Ghibli. Ghibli have rarely produced anime that doesn't fall short of great but Graveyard is something different indeed.

      Set in the aftermath of World War II, Graveyard is focused on the lives of a caring brother and his young sister (Setsuko and Seita) and how they struggle against both the elements of wartime and a depreciating Japanese empire. The most striking thing about Graveyard is probably how real everything seems. The animation is very unconventional to the likes of say Spirited Away or Laputa but in a good way. The horror of war is beautifully realised through the animation, whether it be the American destruction being shown or the bleak outlook on peoples lives, namely the two main characters. Thankfully it earns every shred of emotion it conveys through these two sympathetic characters that only the coldest of hearts wouldn't warm up to.

      Avoiding any Hollywood sentimentality, it is often a bleak and depressing perspective depicted but all the more brutally powerful in the process. With my eyes welling up through the duration of the film, it occured to me just how well the Director understands what raw heartfelt emotion is and how to play the audiences heart strings. Nevertheless nothing is shown in a heavy handed approach, no empthasis is put on the Americans nor is there any special attention taken to the war details. If anything the citizens of Japan are shown in the coldest light often giving little help to the plight of others, but demonstrating furthermore what desperate situation everyone is in.

      Takahata instead decides to focus on the plight of it's title characters against the background of war. With the empire of Japan in crisis and food shortages everywhere it is heart breaking to see a brother struggle to meet ends meet for his sister. Due to the approach taken it borders on being horrifying but fortunately the tone is changed with the spirit put into Setsuko's character. Much like 'The Pianist' the issue is not the war but the struggle and will to survive in it. This is clearly displayed in a plot that revolves around the downward spiral Setsuko trying to feed himself and more importantly the younger and more vulnerable sister Seita. The animation though detailed and indeed beautiful in some sequences (namely relating to the title), is not by any means flashy but captures emotions and interactions between the characters perfectly. It's the perfect mixture of such animation, realistic and highly likeable characters that makes the whole film one tearful experience. Dealing with such difficult issues it's very hard to imagine this being a film and if it was I don't think it would of been done as well.

      Part of the brilliance also comes from symbology and the association to many different worlds in such a understanding depiction. The child, Seita, is nothing short of perfection in child like behaviour happily oblivious to the desperate situation, amusing herself with simplicity and the quirks of nature and the outdoors. The older brother Setsuko who must carry the burdon of everything is also perfectly portrayed and to watch there decent is painful to say the least. To struggle is one thing but to have shock, shattered dreams and be depended on is something anyone can empthasise with.

      There may be some people who will shy away from Anime, disregarding it as a mere cartoon. To those people and everyone else I recommend Graveyard as the tonic, which can be appreciated by anyone with a heart and soul. Among the finest pieces of Anime created and one of the most touching war films ever made.

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      Trama

      Modifica

      Lo sapevi?

      Modifica
      • Quiz
        This film was initially distributed with Il mio vicino Totoro (1988) because it was the only way that Miyazaki could have been able to make "Totoro." The reason being that the original film pitch for that film was rejected, so they pitched a double feature with "Grave of the Fireflies," and the project was eventually backed financially by the original writer of the book on which "Grave" is based. It often was overlooked as a film because whenever "Totoro" was screened first, people were left happy and did not wish to be saddened by "Grave" afterward.
      • Blooper
        Right at the beginning, someone places what looks like a rice ball loosely wrapped in some tree bark as a protective cover next to the boy known as Seita. The scene cuts to Seita's face and soon after he collapses, the wrapped rice ball is nowhere to be seen.
      • Citazioni

        [first lines]

        Seita: September 21, 1945... that was the night I died.

      • Connessioni
        Featured in Siskel & Ebert & the Movies: True Crime/Ravenous/The King and I/Forces of Nature/The Harmonists (1999)
      • Colonne sonore
        Home Sweet Home
        Written by H.R. Bishop (uncredited)

        Performed by Amelita Galli-Curci

        Courtesy of RCA Victor Red Seal, a division of BMG Classics

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      Domande frequenti22

      • How long is Grave of the Fireflies?Powered by Alexa
      • What does the fireflies represent?
      • Is this movie based on a (graphic) novel?
      • What's in the box that Seita carries with him?

      Dettagli

      Modifica
      • Data di uscita
        • 10 novembre 2015 (Italia)
      • Paese di origine
        • Giappone
      • Lingua
        • Giapponese
      • Celebre anche come
        • La tomba delle lucciole
      • Aziende produttrici
        • Shinchosha
        • Studio Ghibli
      • Vedi altri crediti dell’azienda su IMDbPro

      Botteghino

      Modifica
      • Budget
        • 3.700.000 USD (previsto)
      • Lordo Stati Uniti e Canada
        • 516.962 USD
      • Fine settimana di apertura Stati Uniti e Canada
        • 158.101 USD
        • 12 ago 2018
      • Lordo in tutto il mondo
        • 842.132 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        1 ora 28 minuti
      • Colore
        • Color
      • Mix di suoni
        • Dolby Stereo
      • Proporzioni
        • 1.85 : 1

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